十多年来(lái )現(⏫)职记者(🔋)的(🛑)(de )芝(🥃)（蒙嘉(👖)慧(huì )饰）每晚(wǎn )发著同一個(🚑)(gè(🔃) )噩梦，身心(📌)(xīn )終日受著困扰。一天(tiān )她与(🏡)同(🌒)事琪(qí )（(🦇)谷祖琳(lín )飾）於採訪(fǎng )途中，碰(🕸)上(shàng )一名(🕙)男(🥨)子跳(tiào )楼身亡，然(rán )而芝独自(🆓)(zì )在深夜(🥟)加(🕠)班(bān )時，竟于办(bàn )公室內碰上(🏕)(shàng )了他，幸(🥜)(xì(🖼)ng )得上司(✖)兼男(nán )友阿祖（梁汉(🔠)文饰）从(🌍)旁(🌂)保护。
影(🖍)片根据真(zhēn )实事件改(🤥)(gǎi )编，讲(🛶)述(🍤)了(🖐)(le )上世纪(🖐)70年代(dài )巴西著名服(fú )装设计(🗾)师(⤵)祖(zǔ )祖·(🎶)安琪(qí )尔(Zuzu Angel)的最后生(shēng )活。1972年，安(🥄)(ā(🅾)n )琪尔的儿(🧖)子因为政治(zhì )原因被当时(shí )的(❇)独裁军(jun1 )政(🍯)府(🧕)秘密逮(dǎi )捕、刑讯及(jí )谋杀(🎇)。安琪(qí )尔(🏩)开(🚔)始了(le )艰(jiān )苦的寻求(qiú )正义之(😔)路，她的愿(🎼)望(💔)便(biàn )是(🧗)要回儿子(zǐ )的尸体。安(🆖)琪尔利(✒)用(🔸)(yò(🤸)ng )自己的(🛹)影(yǐng )响在美国进(jìn )行(⬇)呼吁。1976年(🖍)(niá(🔍)n )， 安(🐶)琪尔死(🦗)(sǐ )于离奇车(chē )祸，1998年被宣(xuān )布(😓)为(⛓)谋杀。安琪(🌗)尔从一(yī )开始只求个(gè )人发(🥣)展(🚧)的(de )中产阶(🐽)级人(rén )士转变为一名追求正义(🗻)、关注社(💈)(shè(🔋) )会的斗士。
故事的主(zhǔ )人公是(⛰)一位(wèi )高(🔝)中(📔)女孩，在加入了一(yī )个激进的(🕟)女(nǚ )权俱(🍐)乐(🌓)部(bù )后(🎇)，她开始(shǐ )逐渐找到了(🐱)(le )自己的(🥡)人(🎚)生(💫)目标…(🍛)…
雪莉在幼年(nián )时经(🗒)常被(bè(🔡)i )一(🚔)个噩梦困(🍢)(kùn )扰，梦见自(zì )己在古堡里(lǐ(🏨) )被(📭)恶魔追(zhuī(🥥) )赶。一晃好(hǎo )几年过去了(le )，她的(🚜)心(🥧)理(lǐ )上的(👝)阴影也(yě )逐渐抚平(píng )。一日雪莉(🦇)(lì )与丈夫(👾)和(🔉)(hé )年幼的儿子搬进一幢古(gǔ(⤴) )代别墅居(✏)住(🥩)(zhù )，发现这(zhè )个房子却和(hé )她(🤹)童年时的(👳)(de )噩(🔗)梦里出(📇)现(xiàn )的一模一样(yàng )。接(📹)下来(lá(✒)i )，她(🔹)的(🕵)噩梦(mè(🗝)ng )终于变成了(le )现实，恐怖恶魔复(🥋)活(👥)(huó )，开始残(🤖)杀(shā )无辜的人(rén )们。她们一(yī(👫) )家(🚭)能否逃出(🛫)(chū )死亡的魔掌(zhǎng )？……
This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.
一(yī )位(🗞)罗马执政(👧)(zhèng )官，在他前(qián )往指挥一场(chǎng )边(🎡)境战争的(🐋)(de )路(🚋)上，住(zhù )在一座省城(chéng )里。城里(⬆)(lǐ )居民尽(🌷)管(🤔)不喜欢这种情(qíng )形，但认为(wé(⭐)i )这是目前(🎵)(qiá(🍕)n )最好的(➰)选择(zé )。
Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes down his address, telling her to look him up if she ever makes it to New York. Marian, now tipsy from the champagne, happily returns home. Giggling, she tells Al and her mother that she was drinking down by the railroad tracks.