剧情简介(jiè )：
Ryan has spent years putting his brutal past behind him. A different man now to the stone cold killer he was a lifetime ago. But when an old face from the past arrives on his doorstep, Ryan is called upon to repay a blood debt from years ago. But the price is too high. Betrayed, and with his life falling apart around him, Ryan goes on a murderous, bloody revenge spree against the Ten Men who took his life away from him. Ten men took away his life. Now Ten Men Will Pay. Ten Dead Men is a pulse pounding British action feature, brought to you by the team behind the cult international success 'Left For Dead'. Written by Phil Hobden
发生在(zài )地中(🚭)海一(🤰)(yī )个(🗡)岛上的(🐑)(de )喜剧(😐)故事，一个收集(jí )各式各样(yàng )杂物(🐝)的人(🛴)(rén )寻求(❌)音乐(🥍)(lè )上的救赎(shú )。
本美术(👒)(shù )片(🌪)为木偶(👻)(ǒu )动(🚏)画片，编(⌛)剧为任溶(róng )溶，美术(shù )设计(🛺)为曲(🖕)(qǔ )建方(🥁)。
马(mǎ(🚇) )本诚（张(zhāng )丰毅 饰）是个非法入(🏍)境的(🏨)“逃港者(👃)”，他因(🥏)打人(⤴)被判入(rù )狱八年，出狱后闻言(🚰)(yán )老(🥘)母去世(shì )和(🏑)妻子(🚳)杜(dù )霞（吴家(jiā )丽 饰）提(tí(👅) )出离(🤦)婚，万(🔽)念俱灰(📢)(huī )的(🛌)他自杀(shā )未遂，却(què )落得终身残(cá(🍧)n )疾。返(🏼)回(huí )大(⌚)陆后(🎴)，举目无亲(qīn )，他四处(chù(🛃) )寻访(🔦)再婚(hū(⏮)n )的杜(😪)霞，杜霞(💼)的哥(gē )哥杜伟（秦沛 饰）(✂)找(zhǎ(🛤)o )人来痛(🛴)打(dǎ(🐔) )一顿这个(gè )曾经的小(xiǎo )舅子。马(mǎ(💟) )本诚(🕒)把杜的(📔)表侄(🚮)小征(📶)（肖俊琨 饰）扣做人质，逼杜(🎳)霞露(🐶)(lù )面。从此(cǐ(🚈) )，一大(😤)一小(xiǎo )的两人成(chéng )了朋友，流(〰)浪人(🖕)群(qú(🛐)n )出没的(♌)地(dì(🔋) )方都留下(xià )了他们的(de )身影。一(yī )日(🕚)，为救(🚬)(jiù )横卧(🐪)在铁(♌)轨(guǐ )上的拖拉(lā )机，本(🛏)诚(ché(🗑)ng )拖着残(📍)疾(jí(🌞) )的双腿(🚞)迎(yíng )向飞奔而(ér )来的火车(🐘)(chē )，小(🍃)征却(què(🥝) )滚下(💟)陡峭(qiào )的路基。在(zài )医院里，杜霞告(📀)诉(sù(🍝) )本诚，小(xiǎo )征(🥥)是他(📍)的(de )亲儿子......
急躁挑剔的凯特（(🗻)艾娃(🛂)·朗格利亚(💠) Eva Longoria 饰）(🧥)和温柔随(suí )和的汉瑞(ruì )（保罗·(😻)路(lù(⛔) )德 Paul Rudd 饰）(🚜)是(shì(🎚) )一对性格(gé )各异、却(què )又得到完(🐹)(wán )美(✳)互补的(📼)(de )情侣(🌓)。经(jīng )过多年的(de )爱情长(🔕)跑(pǎ(🍖)o )，他们终(🤱)于(yú(🐻) )迎来步入(rù )婚姻殿堂(táng )的那一天(😆)(tiān )。然(🚒)而，美满(🕙)的婚(🤩)(hūn )礼却因一(yī )场意外而(ér )永久推(📣)迟(chí(➗) )。凯特不幸(xì(🎢)ng )死于(🧜)非命(mìng )，这也给(gěi )了汉瑞最(zuì(🍆) )为沉(👹)痛的(de )打击。接(🕑)下来(🐫)的一年时间，汉瑞始终沉浸在悲痛(🤩)中无(♎)法(fǎ )自(🍂)拔。他(🌶)(tā )的妹妹克洛(luò )伊（Lindsay Sloane 饰）焦急万(🚣)分(fè(😂)n )，于是找(💩)(zhǎo )来通灵者(zhě )艾丝莉（蕾(🦖)克·(😥)贝(bèi )尔(🏋) Lake Bell 饰）(🎹)希(xī )望能帮汉(hàn )瑞走出困境(jìng )。
Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.
经(🗨)过16岁(🏔)(suì )绚烂(💉)的夏(🕢)(xià )天之后，这条神奇(qí )的牛仔裤(kù(🎵) )一直(🚠)轮流(liú )陪伴(🥏)着卡(🏻)(kǎ )门、堤比(bǐ )、莲娜和布(bù(💋) )莉姬(🌆)四个(gè )挚友(🛵)，她(tā(🏵) )们把各自(zì )的经历作(zuò )为图案绣(💆)在牛(🎼)仔裤上(🍒)，相互(🐐)传递和分享着彼此的心路历(lì )程(💜)。3年时(😡)(shí )间过(😃)去了，四个女孩(hái )子进入了(🌩)(le )不同(🐐)的大(dà(🚄) )学，有(🌷)了(le )新的朋友(yǒu )，大一暑(shǔ )假即将来(🛏)(lái )临(😋)，新的(de )奇(🍵)遇正(😱)在等(děng )着她们。
巴特雅（莎拉·埃(🥛)(āi )德(🔣)勒 Sarah Adler 饰）是一(🌞)名婚(💥)(hūn )礼喜宴服(fú )务员，然(rán )而她(🦗)的生(👣)(shēng )活却非常(🆕)孤(gū(🍣) )单乏味，父母不常(cháng )联系，男(nán )友也(⏺)离他(🌦)(tā )而去(🔭)。一天(😂)，巴特雅在海边碰见一(🐉)个满脸雀斑(🆖)的小(🌏)女孩，只(🔺)穿这(zhè )一条小泳裤(kù )，套着(🚖)一(yī(📮) )只游泳(➰)圈(quā(💹)n )。巴特雅(yǎ )以为她迷(mí )路了，将(jiāng )她(💑)带到(〽)警(jǐng )察(🤛)局，小(🚔)(xiǎo )女孩却一(yī )句话也不说(shuō )。巴特(🌷)雅(yǎ(💋) )只好把这(zhè(🍤) )个神(🐿)秘的(de )小女孩带(dài )回家里照(zhà(🚿)o )顾，渐(🕳)渐(jiàn )地，她和(🆒)(hé )不(🎖)说话的(de )小女孩似乎(hū )建立起了(le )某(💛)种信(🖋)任(rèn )和(🎄)依靠(🏓)，巴特雅便(biàn )把她带到(😑)自己工作的(👉)婚宴(🏀)餐厅，然(🔸)而小女孩却神秘消失了。巴(⬆)特(tè(🦎) )雅再次(🛵)回归(👐)(guī )孤单。在(zài )一次赴约(yuē )中，巴特(tè(💹) )雅竟(⛎)然看(kà(📿)n )见小(🌹)女孩(hái )从不愿摘(zhāi )下的泳圈(quān )滚(🦍)过马(🔞)路(lù )，她上前(🐄)追(zhuī(💶) )赶，却被(bèi )车撞倒……
Ciao Bella是一部(⏲)(bù )关(🏃)于寻找(zhǎo )爱(🍘)情和(🌿)为(wéi )爱挣扎的(de )故事。按(àn )照好莱坞(👚)(wù )电(♑)影的传(🙈)统(tǒ(😁)ng )模式，镜(jìng )头跟随2个(gè(🤩) )16岁的年轻(qī(💐)ng )人脚(💬)步发(fā(🐖) )展。有时在你16岁的时候，你就(👥)面临(😌)着人生(🔆)的重(🛤)大抉择。Mustafa Moradi非常想有(yǒu )个女友，但(dàn )是(🛫)他认(🎉)识(shí )的(👘)女孩(🛅)却(què )只把他当(dāng )普通朋友(yǒu )。他突(😌)然(rá(🛵)n )想到了一(yī(🚚) )个自(🥏)认为(wéi )聪明的法(fǎ )子，就是假(🤛)(jiǎ )装(💇)成浪漫(màn )的(😕)意大(🐤)利(lì )人，一个(gè )充满各种(zhǒng )可能性(💆)的(de )世(🌉)界出现(👤)(xiàn )了(📢)。在城(chéng )市的另一(yī )端(⚪)，Linnea 也在寻(xún )在(🐸)着她(📯)生(shēng )命(🗻)的另一(yī )半，作为(wéi )生活在(🐲)一(yī(👏) )个很落(🔁)魄(pò(😳) )社区的瑞典女孩，这可不是一件容(🍛)易的(🌽)事情。可(🍤)是事(🕯)无(wú )“绝对”，她就这么(me )遇上了这(zhè )位(🎚)浪漫(👡)的(de )意大利青(🉐)(qīng )年(😡)“Massimo”。