贝多芬小姐的启蒙

Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein... 岡(gāng )ひろみは(🤟)“お蝶(🈷)(dié(🦓) )夫人(🍇)”と呼ばれる竜崎麗香にあこ(☕)がれ(🏂)て(😧)テニス部に所(suǒ )属した、普通(tōng )の(👒)女子(🔐)(zǐ(🤹) )高生だった。だがいきなり鬼コー(💷)チ(💉)宗(🙊)(zō(⏱)ng )方(😠)仁に可能性を見出(chū )され、テニ(📼)スの(⏫)資(🏊)質を伸(shēn )ばしていく。先輩や同期(qī(😫) )の(🈯)妬(🌝)(dù(🐁) )みを(🐽)買いながらも、親友の愛(à(🛄)i )川マ(🏌)キ(🔎)や男子部員の藤堂貴之たちに励ま(🤦)され(🆘)彼(🥅)女は(🍒)成(chéng )長していく。そして、コ(🙋)ーチ(😟)と(⬜)の絆も深(shēn )まるのだが…。 凯蒂(dì )，罗(💴)(luó )马(🗾)的(😡)一个(gè )摄影师，一次意(yì )外的(de )目击(👴)了(📧)一(⛴)名(🐷)手(🐾)挥利刃(rèn )，带(dài )黑色手套的年轻(qī(🐁)ng )女杀(🌼)(shā(🧀) )手。于是(shì )凯蒂和她的未婚夫阿(ā )尔(💻)贝(💗)托(🕣)去(📐)警方(🥦)进行报(bào )案，发现先前(qián )其他(🐫)目(mù(🆑) )击(🐕)犯(fàn )罪的证人(rén )都一一死亡。凯蒂担(🚯)(dān )心(💋)她(⚡)会成(📁)为下一个受(shòu )害者(zhě )。此时她(📷)(tā )的(🏎)一(🐼)位(wèi )跳芭蕾舞的朋(péng )友玛格达也残(👧)酷杀(🎵)害(🦕)(hài )，情况难以捉摸。警(jǐng )方也(yě )感到(😍)困(🔶)惑(🏙)(huò(🍑) )，无法找到一个(gè )切入(rù )点。这时阿尔(🔻)贝托(👺)发(🏒)(fā )现了(le )一个线索：所有(yǒu )被害(hài )的(⛰)都(🎇)是(🤜)跳(🌷)(tiào )舞的女孩。凯蒂进一(yī )步调查，发(✒)现了(🕕)凶(♏)手(shǒu )的照(zhào )片并提醒(xǐng )了阿尔(ěr )贝(😲)托(tuō(👻) )。但(📚)是凯(🔁)(kǎi )蒂却被困在一个偏僻(pì )的(🍒)房间(🖕)里(🌼)，疯子凶手(shǒu )正步(bù )步逼近...... The first story, The Husband, directed by John B. Murray, was written by Craig McGregor and deals with the jealously of a man over Harry, who seems to be quite friendly with his wife. Full of daydreams, he is comforted by his wife (Elke Neidhardt) who assures him that his suspicions are unfounded. But are they? An ugly girl undergoes plastic surgery and becomes beautiful. She then takes revenge on all the people who mistreated her when she was ugly. 《洪拳与(yǔ(🍑) )咏春(📿)》由(✔)(yóu )武侠(xiá )大导张彻执导, 唐隹及(jí(🏀) )刘(🗻)家(💔)良(🦖)任武术指导, 故(gù )事依(yī )练功、破(pò(🎀) )功的(🛬)情(🌚)节发展, 讲(jiǎng )述为(wéi )清廷效力的八旗(🎭)武(🚰)馆(🛸)(guǎ(🚼)n )为对(duì )付少林子弟, 特请(qǐng )来高(gā(🎒)o )手巴(👆)刚(🦄)(梁(liáng )家仁)与余比(王龙威)踢(tī )平林赞(🌸)田师(📶)父(🏛)的少(🎗)林(lín )武馆(guǎn ). 从武馆侥(yáo )幸逃(🐝)生(shē(⌚)ng )者(🔙), 仅(jǐn )有麦汉(唐(táng )炎灿)、陈保荣(戚冠(🔑)军(jun1 ))、(🐩)李(😄)耀(傅声)和何振刚(gāng )(刘家(jiā )辉). 他们(☕)急(jí(🥐) )往(👃)深山(shān )向林赞田(tián )师父(fù )求助, 林遂(🗻)派麦(😰)与(🐷)何跟(gēn )鹰爪王学「趟地鹰爪(zhǎo )功」(⛓)及(🚛)「(🌓)大(🥜)力(lì )鹰爪功」, 望破巴(bā )之「铁布(🚫)衫」(📳)及(🎒)余之气功(gōng ). 可惜(xī )麦、何学成后与(✌)(yǔ )巴(🤢)、(🤤)余对(💞)战不(bú )敌身亡. 林再派李、陈(💵)(chén )练(🐿)虎(📌)鹤双形拳和咏春(chūn )拳... Two spinster sisters run a small inn that caters towards young foreign female tourists. Unfortunately, there is a dark side to the sisters that rises up to punish the young women they deem immoral. Many a traveler comes to stay but never end up leaving the inn. When the sister of one patron comes in search of her missing sibling, it threatens to expose the truth behind the inn and its owners... While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.