钢琴之森漫画

故事讲述(🤺)老妇人因为(🤧)(wéi )自己的(de )女(🚘)儿跟一(🦂)个(gè )男(🔱)子走(😪)(zǒu )掉了，于是(shì )将自己的灵(⚾)(líng )魂(🉑)献给(gěi )魔鬼，并发下毒咒诅(🛬)咒(zhò(🥥)u )自己的(🕺)(de )女儿要是跟(gēn )那个(📻)男(nán )子结婚(🏄)，毒(dú )咒就会(🐁)(huì )灵验(🎭)(yàn )，会变(biàn )成(🛐)蛇妖精。之后月圆祭(🍸)(jì )祀的(🔋)时(shí(😺) )候将一个处(chù )女的献(xiàn )给(🛰)蛇魔(🚵)神...... "What began as a documentary on sculptress Niki de St. Phalle finished up as a fantasy about a woman's attempts to exorcise the influence of her sexually domineering father. It provides an excuse for a whole ragbag of Freudian neuroses, six-foot phalluses in coffins, nubile girls in nun's habits stripping in front of altars, masturbation, some obvious jokes, pretty photography, abysmal acting, and a commentary that reads and sounds like a Home Service children's story for adults" (Chris Petit, Time Out) 本片(🧢)由Paul Morrissey和意大(dà )利CULT大师(🔩)(shī )Antonio Margheriti(又名Anthony M. Dawson)联合(🔗)执(zhí )导(🥉)，意大利制片(🥟)巨(jù )头Carlo Ponti促成(😚)了两(liǎng )位大(🖐)师(shī )的(🔖)合作，Antonio Margheriti还(📶)兼任(🧥)特效工(gōng )作，当(dāng )然还有监(🚦)制(zhì(🎺) )Andy Warhol，已经(jīng )无法弄清是(shì )谁赋(🎠)予这(🎍)部(bù )伟(😳)大经(jīng )典CULT电影极品(⛰)惊世骇俗的(💘)(de )气质。Frankenstein是被反(📲)复制(zhì(🆔) )作的CULT形(xíng )象(💬)，而这次更是变(biàn )本(🔖)加(jiā )厉(🎳)。恋(lià(🖇)n )尸癖男爵、疯狂的纳粹(cuì(🐕) )倾向(🛷)科(kē )学(🚽)家Frankenstein博士要(yào )打造完(👧)(wán )美无缺的(😪)极品男(📹)女，他(tā )收集(🛬)了(le )各种人体(🍅)器(qì )官来拼(🕶)装新人(⛅)体，而 Frankenstein博(🍖)士对(🚞)于(yú )这些血(xuè )块肆意无所(🏟)谓的(🐧)态度使(shǐ )得影片(piàn )有一种(💵)Gore Comedy的风(🙀)(fēng )格，喜(🗼)(xǐ )剧元素在这(zhè )样(🏬)一部赤裸(luǒ(🍡) )血肉的(de )作品(📭)里时常(🐊)凸现，为了(le )赋(🚅)予极(jí )品男人超级(🌅)(jí )淫荡(😋)的(de )内(🗝)心灵魂以完成极(jí )品男(ná(🙁)n )女的(🐅)终(zhōng )极(🛌)交合，Frankenstein博士需要物色(✨)(sè )一个人(ré(🔶)n )选然后(🐐)砍下(xià )他的(🕑)头(tóu )颅。他误(😐)认为跟随强(💍)壮(zhuàng )农(⛄)夫一(yī(📅) )起去(👸)嫖娼的(de )却一心想成为修士(🚿)(shì )的(🚠)同伴更淫(yín )荡更善(shàn )于男(🚛)女之(🕧)事，于是(🤼)趁两(liǎng )人酒醉(zuì )时(📬)砍下那位(wè(🗃)i )同伴的(de )头颅(🤐)。当再(zà(❓)i )造活人之后(🅱)(hòu )，他却(què )发现极品(🐬)男人居(🥂)然内(😜)向(xiàng )胆怯，根本无法完(wán )成(✒)交合(🍃)(hé )。影片(😀)中几乎每个(gè )人都(🛳)(dōu )有一颗(kē(➕) )邪恶的(🎡)心，除了Frankenstein博士(🐐)之(zhī )外，跟(gē(🎹)n )他有姐弟关(guān )系并(📈)近(jìn )亲(🤶)结婚(🏏)的妻子是个虚伪(wěi )，淫荡(dà(🦅)ng )的女(📨)子，她(tā )表面指责强壮农夫(👹)(fū )的(💝)野合行(🧕)为(wéi )，私(🚟)下(xià )却要他(🥐)满足自己的(⛲)欲求(qiú )，她还(🏳)(hái )提出(😙)要“使(shǐ )用”新(🙆)(xīn )极品男人，并出卖(😯)(mài )强壮(🕉)(zhuàng )农(🏘)夫，最后在与力大无比的人(🦊)(rén )造(🎗)男人(ré(🏮)n )交合时因发(fā )错指(🎏)令(lìng )而被死(🥐)死抱紧(⛷)，断(duàn )筋碎(suì(📟) )骨而丧(sàng )命(😷)。博士的助手受他影(⛪)(yǐng )响，会(👱)(huì )用(🕚)手撕开并(bìng )插入女(nǚ )人胸(🔄)腔来(🎪)满足自己的邪(xié )念，最(zuì )后(🔅)却使(💡)得人(ré(📧)n )造女死(⚓)亡，自己也(yě(🏏) )被盛怒的博(♏)(bó )士杀死(sǐ(💯) )。最令人(🗨)吃惊的是博(🔻)士(shì )的一对(duì )孩子(😥)本想救(🚀)(jiù )出(🥚)农夫(fū )，却因看见(jiàn )橱柜里(㊗)(lǐ )的(🐾)内(nèi )脏(🧜)血块(kuài )而把他吊得(🏉)更高。Frankenstein博士(shì(📘) )由还出(🔀)(chū )演过《Blood for Dracula》中(zhō(🦒)ng )Dracula 伯爵的(de )Udo Kier饰演(🌫)，绝对经典！ Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more 影片(☝)敘(xù )述(➡)了一(📥)對流浪街頭的窮(qióng )孩子，生(🤵)活在(🐎)社會(huì )的底層(céng )，卻有著人(♈)類善(🔆)良同情(🐑)(qíng )的天(☕)性(xìng )。成為江(🍟)家(jiā )班弟子(💼)後，他經常(chá(😼)ng )利用小(👔)聰明(míng )來輔(🔠)助(zhù )說明大家，儘管(🛋)身上也(🚥)(yě )有(🛸)一些(xiē )惡習，但他(tā )的身世(🚩)(shì )卻(🤲)博得了(👅)鄧(dèng )律師的(de )同情(qí(🍩)ng )，並向(xiàng )他伸(🚙)出援助之手，面對(duì(🌠) )黑幫勢(shì )力(🔬)，他們團(tuán )結一致(zhì(👁) )，不畏強(🚚)暴，最(🍏)終(zhōng )將他(tā )們一網(wǎng )打盡(🚹)，此時(🍥)人們驚奇地(dì )發現原(yuán )來(🎊)她是一個(gè(🚔) )女孩子(🛅)(zǐ )。 Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of...