The island of Ambon in Indonesia, 1945. During the War, the number of Australian POWs on the island had dropped from 1100 to less than 300 due to abuses by their Japanese captors. Capt. Cooper is the chief prosecutor. In a mass grave, the bodies of 300 executed servicemen have been unearthed. Cooper assumes that the massacre was ordered by Baron Takahashi, Japanese commander on Ambon. But the one potential witness has gone mad and is due to be shipped back to Australia. No captured airmen were found alive on the island at all, not even the four-man crew of a reconnaissance plane shot down late in the War. Takahashi is returned to the island in the custody of an American officer, Maj. Beckett. But there is little evidence with which to prosecute the Baron. Cooper thinks he could make a case for the missing airmen if only their bodies could be located. And why does Maj. Beckett appear interested in not seeing Takahashi convicted? Cooper gets a break when Lt. Tanaka, a communications officer and a Christian, surrenders himself...
Released in 1990, this Swedish film production is probably a nearly forgotten piece of coming-of-age art. The story is simple enough, and is about a ten-year-old boy living with only his father in a house in the countryside in the southern part of Sweden. The boy's father is a mechanic and also runs the local gas station. The boy is however more interested in nature and wild animals than in technical stuff, which makes a gap in their relationship. One evening when he is wandering alone in the forest, he finds a wounded bird. He then decides to rescue the bird and together with his best friend they build a temporary cage for the bird in a hidden place in the forest. They promise not to tell anyone of this place. The rest of the film deals with the boy's rescue mission of the bird and his relationship with his father.
A pregnant Irish girl tries to contact her boyfriend in British prison but her letters are not allowed through to him because she writes in Irish.
六本(běn )木の(🤸)ある高級デ(🧐)ィス(🏊)コで華やか(🔫)に踊る若者(👈)(zhě )達の間を(👈)流して歩(bù(💂) )く一人(rén )の(🈳)男=工藤(téng )賢次。彼の行く(🛄)所(suǒ(🏬) )、ボディコ(🔌)ンギャルの(🏮)熱い視線(xià(🚍)n )と男達の敵意の目(mù )が(⏮)あった。ある日、(📧)六本木の黒(🏇)(hēi )服(fú )生活(🌺)とも、愛人(💀)(rén )の美佐と(⛩)も別れを告げた(😲)謙次は、雑(🌐)司ヶ谷の鬼(🏇)子(zǐ )母神へ(🏠)とバイクを(🌅)走らせた。ほ(⏪)の暗(🔉)い境内(nèi )で(🚀)縁日(rì )の準(🐹)備をするテ(㊗)キヤ衆、そ(🧤)の中に謙次(🎳)の幼なじみの徹がいた(📥)。謙次(🕘)はテキヤ稼(🛳)(jià )業に張(zhā(🌲)ng )り切る徹(chè(🍖) )をバカにしながらも何(🚰)故か心がなごむ(🎂)のだった。そ(🆒)の時、徹の(🖼)売(mài )のひよ(👀)こが野良猫(💜)(māo )に襲われ大騒(🙌)ぎ。そこでひ(🌯)よこを助け(🐁)たのが縁で(🎉)白戸奈津子(🏠)と出(chū )会(huì(💢) )った(🌊)謙次と徹は(🔜)、奈津子(zǐ(🍝) )の爽やかな(💤)笑顔に釘付(🧔)けになるの(👄)だった。その夜、徹の兄(😦)(xiōng )貴(👎)分の前(qián )川(🐜)に、素人芝(🚎)居(jū )のテン(🔐)ト小屋から場所代を取(⏹)ってくる様に頼(🔣)まれた謙次(🥨)は、そこで(🦀)奈津子と再(🎽)開する。手当(💍)り次第、他の女(📖)に手を出(chū(👼) )す恋人の演(😘)出家に嫌気(😜)がさした奈(🧠)(nài )津子は二(👊)人の(✂)やさしさに(🏬)心がなぐさ(👒)められてゆ(⛰)くのだった(⏺)。その頃(qǐng )、(🖋)謙次にうらみを持つ南(🚥)原(yuá(🏗)n )は、東(dōng )北(📈)一円の祭り(🔵)からテキヤ(🛫)を一掃し、マーケット(🎏)チェーンを拡(kuò(⛺) )大しようと(🙌)企んでいた(📚)。そのテキヤ(🖍)締め出しの(🐇)為(wéi )に雇われた(🚁)吉岡(gāng )は、(❔)さっそく川(🌝)(chuān )越(yuè )の祭(❌)りで徹のい(🥚)る大滝組に(🦑)目を(📦)付けるが、(🚖)前川(chuān )の機(💃)転で大事に(🧥)ならずに済(🐅)(jǐ )んだ。そし(🥘)て、今度の東(dōng )北への(🍅)売(mà(🎨)i )旅は、身体(🎦)を張っての(🤽)商(shāng )売と、(🚧)気(qì )合いを(📁)入れる大(dà(🔈) )滝(lóng )組は仙(xiān )台(👿)へと向(xiàng )か(🕌)った。そこで(📋)火(huǒ )花を散(🛢)らして売(mà(🕘)i )を競い合う謙次(🗞)(cì )と徹。この(🎷)売を見(jiàn )込(⤴)んで、正式(🦌)に大滝組入(🍒)りを謙(qiān )次(🕯)(cì )に進める前川(🧐)だったが、(🤖)何時までも(🐊)フリーター(🍋)気(qì )分でい(🙃)たい謙次(cì )にとって、(🍴)掟に縛(fù )られる(🌯)生活など、(📃)とんでもな(🙃)かった。祭り(🔼)の当日(rì )、(📽)大滝組(zǔ )潰しを(💝)もくろむ吉(🥚)(jí )岡が謙(qiā(🈸)n )次に近づい(🙈)てきた。売上(💍)(shàng )の七分取りの(🦇)甘い言葉に(🌘)乗ってしま(🔤)った謙次は(🏁)、知(zhī )らず(🚠)に協定破り(⬇)の超安値で売を(🏡)したため、(📮)徹や奈(nài )津(🔙)子や大滝組(🧐)から裏切り(🏣)者呼ばわりされてしま(🎩)う。これもすべて(🚋)吉(jí )岡の企(🍠)みだった。そ(😍)んな時、遂(👂)に吉岡をは(⛄)じめ奥(ào )州神輿(⤴)会(huì )は、大(💭)滝組潰しを(✖)決行し、徹(🤹)がやられた(🔟)上奈津子(zǐ )が人(🔝)質にとられ(🚪)てしまう。そ(👾)して謙次は(🔭)、奥州神(shé(🎃)n )輿(yú )会に乗(🤹)り込み、死闘をくり広げ、(🤶)奈津子を救(🍾)け出(chū )した(🌚)のだった。
경(🧖)운기와 농사기금을 마련(💆)하기 위해 상경,연(👴)탄공장과 봉(🎠)제공장에 다(💐)니던 덕보는(🐂) C.F감독에게 발(⬆)탁되어 광고모델(🐟)이 되어 소영(👮)에게 결별을(🐉) 통고하고 유(🛋)혹의 늪으로(💝) 빠진다. 소영은 체(🥌)념하지 않고(🗂) 덕보를 구하(🤘)려고 노력한(🍴)다. 어느날 자(🖼)기 앞에서 성(🕐)폭행을 당하는 소영을 목격,꼭(📽)두각시 놀음(💲)에서 벗어나(🤡)려고 자신의(🌨) 능력을 발휘하지만 도리(🛰)어 처참하게 당하(🦋)고 만다. 도시(🍔)에서 얻은 것(🏇)은 없고 자기(🚟)들의 잃어버(🏕)린꿈을 찾기 위해(🥞) 다시 도시에(🤼) 도전한다.
日(😗)本(běn )最(zuì )大(🏩)の暴(bào )力団(🐘)･神(shén )岡組の組(➿)長、若(ruò )頭(⏪)(tóu )が相次い(🍀)で急死(sǐ )。組(🥊)は跡目争い(❕)で混乱を極(〰)め、崩(bēng )壊へと向かって行(😙)く。その5年に(🔬)わたる抗争(💕)をドキュメ(🏸)ンタリータッチで描い(🐶)た。
拉(lā )斯迪（哈(🍆)里森·福特(😦) Harrison Ford 饰）在检察(🐋)(chá )院(yuàn )里打(🥛)拼多年，最(zuì(👻) )终成为了(le )首席检(😗)(jiǎn )察官。某日(👋)，助理(lǐ )检察(💋)官卡(kǎ )洛琳(📥)（格列塔·(🚅)斯(sī )卡奇 Greta Scacchi 饰(shì )）(🥨)出现在(zài )了(🖥)拉斯迪的身(🖊)边(biān )，主动对(🆖)他投怀送(sò(🏒)ng )抱。原来，卡洛(🎋)(luò )琳觊觎拉斯迪的首(shǒu )席检(🐹)察官之位已(💾)(yǐ )久，她希望(👐)帮助(zhù )拉(lā(🍒) )斯迪坐上监察处(chù )处长(🤪)的职位，自(zì )己则(🐀)可以渔翁得(🤭)利(lì )。
抗战时(🛰)期，考(kǎo )古学(🦇)家马良（吕(🍰)(lǚ )凉(liáng ) 饰）的一(📻)次重大(dà )宝(👟)物发现(xiàn )，引(🏚)起(qǐ )了国民(🥋)党和日本人(🈵)(rén )及青龙帮(bāng )的(📿)关注。马良与(🤔)邂(xiè )逅的美(💹)(měi )专学生杨(🍙)(yáng )玲（盖丽(😟)丽 饰）结(jié(♓) )伴来到藏宝地，发现一时隐时(👑)现(xiàn )的持剑(🗳)人。守屋老(lǎ(🖌)o )者（李天济(🛷) 饰）告诉他，凡闯藏(cáng )宝(🌁)(bǎo )“千柱屋”者必(bì(🕎) )死无疑。几日(🐮)后(hòu )，马良被(♒)突然而至(zhì(🎣) )的卖艺人劫(🧘)持，幸得凌空而降(📛)的(de )黑(hēi )衣侠(🐧)相救。杨玲(lí(🔐)ng )误踏贼人(ré(🈲)n )所设机(jī )关(🕜)，马良机智救下(xià(👅) )杨玲，并(bìng )在(😂)太平军首领(🕡)灵柩(jiù )处发(🧦)现(xiàn )了《何氏(🏝)(shì )家谱》。此时(🏳)，慕(mù )宝而来的各路人(rén )马狭(😯)路相逢，大(dà(🏘) )打出手。而马(🍁)良和(hé )杨玲(🚠)则在他人保(bǎo )护下逃离(⏬)是非之(zhī )地(dì )，一(🕷)直暗中相助(🗞)(zhù )的算命先(🎟)生揭穿(chuān )杨(🆙)玲日本特务(🤹)身份(fèn )，杨恼羞成(〽)怒，开枪打死(🐦)算命先(xiān )生(📼)(shēng )，扑向宝盆(🦏)......
A young Italian, living in Paris with his French wife, is about to become a father. Before the baby is born, Alberto must repay his father for every expense from his own birth until he left home. It's a family tradition, virtually a family curse. With little money in hand, he jumps on a train to Italy, the "Alberto Express," to return to his father. During the journey, he tries scheme after scheme to secure a windfall. En route, he also has a magical encounter with generations of his paternal ancestors, each of them adding again and again the sums owed them by their sons.