阿牛电影

The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails. Henry Silva plays a Army Major who teams up with a tough cop (sabato) to investigate of a series of crimes that used a army issued machine gun. Lots of car chase, and action centers in a standard Italian action film. Silva, who isn't dubbed is good as usual and Sabato is a little more low key than his usual performance. Recommended. Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating. 大導演(🕴)楚原作(🌩)品(pǐn )中(zhōng )，唯一一(💘)部潮語(🎼)(yǔ )戲曲(⛄)電(diàn )影，意義(🚝)重大。本(běn )片(✡)是家(jiā )傳戶曉之潮(😆)劇戲(xì(🐻) )寶，故(gù )事背景發(📹)生(shēng )於(😩)南宋(sò(📟)ng )末年，元軍攻(⛓)陷(xiàn )臨(📕)(lín )安，宋帝南逃至廣東崖(🙋)(yá )門，遭(🛤)逢元軍圍困(kùn )，危(🌡)在(zài )旦(🥝)夕，下詔(🌪)張達(dá )將(jiā(🗯)ng )軍(丁(dī(🙆)ng )敏 飾)起兵勤(qín )王(🌵)。張(zhāng )達(📂)之義軍(🗼)遭元軍(jun1 )水(shuǐ )陸兩(🏟)路封鎖(👬)，糧水斷(🎿)絕(jué )，處境(jì(🏳)ng )十分危(🐶)險；其妻陳(chén )璧(📶)娘(蕭南(🦈)英 飾)聞(🗣)(wén )此(cǐ )驟變(🧔)，立即定下(xià(🤾) )奇襲元(yuán )軍之計劃(🥪)…… 一(👝)个(gè )发生在(zài )少(🙎)男和年(🕸)长美女(💫)(nǚ )之间的(de )故(♒)事。十几(jǐ )岁的Billy出(chū )生在北非一(🗃)个富(fù(♑) )裕(yù )的家庭中。一(🚬)次，家中(🕸)(zhōng )来了(🔙)一个客人，年(🥉)(nián )轻貌(🧓)美(měi )的二十多岁(🌏)美女(nǚ(⛱) )Andrea，一见(jià(🕯)n )到美丽的Andrea， Billy就被迷(🧝)(mí )得神(🚢)魂颠倒(😯)，还(hái )不(bú )断(📵)向接近(🐀)Andrea，幻想和她发(fā )生(🚬)什么(me )。而(💒)Andrea也答应(🏽)(yīng )在Billy成年(nián )后会让他体(🐺)验性(xìng )的(de )滋味。Billy努力(🍷)地想让(🍚)这次(cì )经历变得(💟)完美却(🚯)始(shǐ )终(🈸)遇到(dào )各种(😫)阻碍，一次(cì )他(tā )甚至(zhì )将车开(📫)到了(le )荒(🔻)无人(rén )烟的沙漠(🎁)中，以(yǐ(💧) )为(wéi )再(🍚)没有人会破(⏪)坏他的(🖇)好(hǎo )事。不妙，正当他(tā )们(🚬)好事(shì(🍥) )即将成功之际，突(😼)(tū )然有(🌖)一支队(🙇)伍出(chū )现了(🐺)，Billy又一次(👓)失望而归……直(😒)到性感(😈)的治疗(🥅)师Emmanuelle 到(dào )来后，她让Billy感受到(⭕)(dào )了初体(tǐ )验的滋(🌆)味，使得(📛)(dé )他(tā )消除了羞(🙊)涩感和(🐆)罪恶感(⤵)(gǎn )。最后Billy和Andrea在(🎌)沙丘上(shàng )完成了(le )美妙的经历 一(🔍)对(duì )刚(⬆)(gāng )结婚(hūn )的夫妇(🍚)被德(dé(🦑) )古拉绑(🦁)(bǎng )架，丈夫被(🅿)司机(jī(🏼) )带(dài )走，阴茎被切除，把这(🕐)(zhè )个器(🌠)官交给一个巫(wū(🚷) )婆。新(xī(🐎)n )娘的父(🎣)母雇了一(yī(🤬) )名(míng )侦(🎦)探来寻找她们(men )。德(🌶)古(gǔ )拉(🦋)强奸了(💠)被绑架的(de )新娘，然后出去(💞)兜风，发现了(le )卡罗尔(♐)。他(tā )认(✋)为她(tā )就是他要(💂)找的人(😂)(rén )。他让(✳)司机给她一(🚤)枚戒指(zhǐ )，然后用戒指把她(tā )带(🤳)到自(zì(🔫) )己的巢穴，后来(lá(🔤)i )他(tā )改(😶)变(biàn )了(🕷)对卡罗尔(ě(🚗)r )的看法(🍈)(fǎ )，来到被绑着的(de )侦(zhēn )探(🏓)面前，宣(💚)告他永恒的(de )爱。 青(🈷)年许正(⛺)伦(谷(gǔ(🧐) )明伦饰(shì )演(🔒)),因早年(🐧)父母双(shuāng )亡(wáng ),只(⬇)得中途(🌓)辍学就(👑)(jiù )业,担负(fù )起抚养弱弟(👵)-子健(徐(xú )康泰饰演(🅿)),幼妹小(🏠)惠(张艾(ài )嘉饰演(🥋)(yǎn ))长大(🤮)成人的(👿)(de )责任,幸(xìng )得(😲)女友的协助及(jí )鼓(gǔ )励,始能渡(🖖)过这漫(🌧)长岁月(yuè ),两人早(🕰)有默契(😽),等待(dà(㊙)i )弟妹能(néng )独(⌛)立自主(👟)时,再计(jì )划(huá )成婚(hūn )组(🌞)织小家(🤾)庭(tíng ),其间生(shēng )活(🥈)虽艰苦(⬛),然一家(🧒)(jiā )人(rén )其乐(😤)融融. 美(📨)国内战期间(jiān )，流(🤴)寇把乔(👍)赛·韦(🌧)(wéi )尔斯（克林特·伊斯(💄)特(tè )伍(wǔ )德 饰）一(⚾)家的安(🤠)(ān )稳田园(yuán )摧残(❄)到家破(🍉)人亡。于(🐂)是乔赛·韦(🎁)尔斯决定(dìng )加入南(nán )军游击队(🌰)，保护手(💽)(shǒu )无寸铁的人。内(🤐)(nèi )战(zhà(⭕)n )结束时(✖)，他拒绝向杀(🤲)害(hài )自(⛑)己家人的北军投(tóu )降，走(💙)(zǒu )上一(🕢)条逃亡之路(lù )。在(🔗)路(lù )上(✂)，他遇到(👻)(dào )一个印(yì(🌨)n )第安切(🏩)诺基老酋(qiú )长(zhǎ(🥤)ng )，一个纳(🏥)瓦霍妇(👕)女，和(hé ) 来自堪萨斯的母(🔢)女(nǚ )俩……