Duras's first work of short fiction, Des journées entières dans les arbres (Whole Days in the Trees and Other Stories), was published in 1954. Consisting of four stories, Des journées entières dans les arbres touches on several themes that Duras explored more fully in her later work—particularly the developing sexuality of young women—but in form and structure is more similar to her earlier works, which tend to be realistic and conventionally structured.
一九(jiǔ )五九年夏天，西(xī )藏萨(sà )尔吉草原发生了(📹)(le )严重(chó(🌸)ng )的虫灾(🧞)(zāi )，广大(🤛)贫下中(⛹)牧在党(⛹)(dǎng )的领(⛸)导下，开(📋)展(zhǎn )了(🏯)紧(jǐn )张(👎)的灭蝗(⛷)战斗，逃(📀)亡头人(⏩)旺(wàng )金(🐪)和漏网牧主仁(rén )青乘(ché(🚷)ng )机进行(🗝)破坏，他(💮)(tā )们利(📮)用部分(🗒)(fèn )群众(🚯)对“佛爷(🤭)”的迷(mí(♍) )信，散布(🐲)蛊惑人(🎾)(rén )心的(de )谣言；谣言破产(😽)后，又妄(🎾)图(tú )用定时炸弹炸毁(huǐ )分机(jī )。少先队员华尔(ěr )丹和小伙伴(bàn )们发现仁青形迹(jì(💮) )可疑(yí(🎵) )，无畏地(🐹)跟踪追(🐑)(zhuī )击。经(🚈)过一(yī(💒) )场惊心(🧟)动魄的(🛠)战斗，他(🐎)们终于(🚌)排除了(😑)(le )定时(shí(🔛) )炸弹，粉(🥐)碎了阶(📟)(jiē )级敌人的罪(zuì )恶阴谋(🐤)。
：《南(ná(🎐)n )美夜(yè(📳) )/当心! 我(♎)们要拍(🥁)下(xià )流(👂)电影》一(💗)(yī )个笨(🤧)拙的摄(🏀)制组(zǔ(🥍) )计划(huá )拍摄一部色情电(♓)(diàn )影。不幸的(de )是，剧组(zǔ )里不是自大(dà )狂就是无能者，还有(yǒu )一个过于害羞的(de )道具经理不(bú(🌳) )好意思(👅)从性用(🤴)品(pǐn )商(🙊)店(diàn )购(👠)买任何(🤙)用具。然(🈚)而(ér )，他(💃)们(men )还是(🕦)凑凑合(🦎)合地将(🥙)拍(pāi )片(😹)进行到(🕍)底~~
Tapasya - meaning penance is the story of Indu, eldest child of Prof Chandrakant Sinha takes on the responsibility of rearing her younger siblings, Vinod, Madhu and the youngest sister. Indu is the breadwinner of the family and acts as both father and mother to the children. The family doctor, young Sagar Verma who treated Chandrakant through his terminal illness falls in love with Indu, which is reciprocated. Being the only son of his widowed mother brings expectations Sagar's wife is expected to take on the responsibility of managing the affairs of their palatial home, giving up her siblings and her parental home. This is not possible for Indu, who is willing to sacrifice her own love and happiness at the altar of responsibility to her brother and sisters. It is only when the children are settled in their own homes that Indu can think for herself. Sagar in the meantime has handed over his clinic to a locum and left without any forwarding address or informing anyone of his return date. Now that Indu is free, where is Sagar? Has he also given up on Indu as her siblings have and left her alone in her twilight years? Does Indu have any happiness in store for her, or is her life a penance (Tapasya) at the altar of responsibility.
美丽(🆚)(lì )天真(zhēn )的女孩玛丽（(⬅)让(ràng )娜(🔸)·古皮(🌄)尔(ěr ) Jeanne Goupil饰(🎿)）在街(🤖)角的洋(🀄)(yáng )娃娃(🙈)(wá )商店(🥅)邂逅了(🕯)店主(zhǔ(🍜) )克劳德（安(ān )德烈·杜(🎻)索里埃(āi ) André Dussollier饰(shì )）。克劳德是名(míng )收集(jí )洋娃娃(wá )的狂热收(shōu )藏者，在他(tā )的商店里形形(💑)色(sè )色(✳)的(de )洋娃(🎭)娃应有(🚁)尽有(yǒ(🎇)u )。克劳德(🏁)被(bèi )安(🎟)娜如洋(🛣)娃娃一(🎊)(yī )般的(🏸)(de )面容所(❗)深深吸(🏟)引(yǐn )，安(🏎)(ān )娜也(🍕)对(duì )克劳德的绅士风度(🛷)一(yī )见(🐏)倾心。很(😦)快，两人(🕚)(rén )相恋(🔔)并举行(🧛)了婚(hū(🎰)n )礼。
中文(👄)名(míng )海(📹)上明珠
本片敘(xù )述一(yī )段難以(😐)處理的三(sān )角關係.
中文(wén )名海上明珠
Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails.
七十(shí )年代(dài )出品的大型战争(zhēng )片之(zhī )一，焦(jiāo )点(🕉)是美国(🐃)(guó )与日(🗓)本海军(⬅)(jun1 )对垒的(👆)中途岛(💁)战(zhàn )役(🗑)。在当年(🐏)的一批(🏹)同(tóng )类(❄)电影之(👘)中(zhōng )，本(📏)片不算(😾)是突(tū )出之(zhī )作，导演杰克．斯(🚉)米(mǐ )特(🌙)的处(chù(🍶) )理手法(📎)相对比(🍓)较平庸(🌫)(yōng )，但超(🌃)级明星(🐪)阵(zhèn )容(🖐)却(què )可以令今天的观(guān )众重睹(🎼)上一(yī )代巨星风采，而(ér )海战(zhàn )的场面也实在拍(pāi )得逼真，使(shǐ )本片仍维持了相(xiàng )当的(de )趣(😀)味性。主(🛰)演的(de )巨(🛏)星(xīng )包(🏯)括：查(🚼)尔顿．(⭐)赫斯登(🤥)、亨(hē(🧑)ng )利．方(💟)达、格(🙍)伦(lún )．(🅿)福(fú )特(⌛)、罗伯(😌)特．米(mǐ )彻姆、克里(lǐ(🕊) )夫．罗(♎)布森、(🔰)詹(zhān )姆(🏳)斯(sī )．(🚵)科伯恩(🤒)、三船(🔂)(chuán )敏郎(🔷)(láng )。当时(🏧)(shí )还是(🎒)新人的汤姆．塞(sāi )莱克也露脸(👂)演了(le )一个(gè )小角色。