打烊后仅剩两人的沙龙

不(🚄)明(🥫)(míng )身份的流浪者来(📦)到(🌗)冰岛高原的(de )牧(🧤)(mù )场(chǎ(😣)ng )。一位已经丈夫(🙂)去世富有的女(🚊)农场主(zhǔ )收(shō(🌡)u )留(liú )了(🤚)这个流浪者，让(⛽)他(🤛)做雇工(🌿)。不(bú )久，女(nǚ )农(➗)(nóng )场主爱上了(📢)这个人(🗺)，提拔他为总(zǒ(🎮)ng )管。肥(féi )胖(pàng )的(🐴)村长曾经向女(🥡)农场主(⛴)求(🙁)婚，被(bèi )拒(jù )绝(🏕)了(le )，现在(🎟)见到这个情况(🌰)，嫉妒异常。他(tā(❇) )暗中调(diào )查出流浪者(♌)的身份，原来这(🕓)是(🎽)一(yī )个(gè )在(zài )其他(🍐)(tā(🚑) )地方被判刑的(🚏)逃犯。女(👋)农场主(zhǔ )放(fà(⛺)ng )弃(qì )了(le )一切拥(🍀)有的财产，和流(✴)浪者为(🔵)了躲(duǒ )避(bì )追(😦)(zhuī(🖇) )捕，逃向(🗡)深山老林，在喷(🚰)泉和瀑(bào )布边(🚕)(biān )上(shà(🧗)ng )生(shēng )活。几年以(😒)后，他们生下一(🚊)个男(nán )孩。牧(mù(🦁) )羊(yáng )人(😉)发(⏸)现了他们，村长(🍚)带人来(🌨)追捕(bǔ )他(tā )们(🧝)。女(nǚ )农场主和(🤷)流浪者把孩子扔下悬(🍏)崖(yá )抛(pāo )入急(🙋)流(🔳)(liú )险滩中，逃进大山(🐝)深(🚦)处。许多年(nián )过(😚)(guò )去(qù(🤙) )，两(liǎng )个情人老(⛪)去。严冬中，他们(🔶)在(zài )山(shān )中(zhō(🖨)ng )的(de )小屋(🎚)里，回顾过去的(❗)往(🔗)事，感到(🍨)了(le )一(yī )种(zhǒng )无(🎣)名的恐惧，最后(🌐)在可怕(🈷)的大风(fēng )雪中(👦)(zhōng )死(sǐ )去(qù )。 The story is a man who spends the night in a sinister Wax Museum. 男(🧟)主Ajax和女主Annita眼前(💮)要步入(🕗)婚(🕸)礼之(zhī )前，因(yī(🈺)n )Annita对(duì )Ajax的(😛)无理要求后争(🏷)执，不料让Annita饲养(🚺)(yǎng )的(de )鹦鹉(wǔ )Socrate飞(fēi )出屋(👦)外。Annita无理坚决要(🚞)Ajax要(😭)捉回Socrate才和(hé )她(tā )结(🏅)婚(📱)。Ajax不想放弃这段(😊)感情，于(🖐)是开始追(zhuī )踪(🤯)(zōng )Socrate的(de )旅程(chéng )，还(🧓)被警方误通缉(🏋)他，报章(❇)还(hái )大(dà )肆(sì(📏) )宣(🌆)(xuān )传他(👁)。Socrate被前往哈瓦那(🐯)（古巴城市）(🙁)的(de )Mr.Albanos和(hé(🌶) )女儿Liliana买走，还好(😷)Liliana和Ajax彼此有通信(👪)联(lián )络。Liliana被(bèi )Ajax的(de )痴情打(🔙)动(🏓)，还开始对Ajax有爱(🎫)慕。Ajax在(zà(🏰)i )旅途中(zhōng )还(há(🐧)i )经过了异国风(🏳)格的神秘屋子(🕶)和精(jī(💜)ng )神(shén )病院(yuàn )。Ajax还(⏺)好(❕)被Mr.Albanos和Liliana保释和照料。Socrate自己(👦)也飞(fēi )回(huí )Annita屋(🏆)里。Ajax和Liliana最(🦇)后彼此产生爱(🙈)意。Ajax还给Annita写信(xì(📌)n )说(shuō )要(yào )和Liliana结(💑)(jié )婚，Annita这(🔀)才痛哭绝望。 瑞典(🐄)當年(niá(🗣)n )成(chéng )本(běn )最(zuì(👃) )高的默片，也被(👱)視為早(😣)期瑞典影史(shǐ(🧚) )必(bì )看(kàn )經典(🐩)。全片幾乎實景拍攝，拍(🎦)攝(❣)(shè )難度(dù )與(yǔ(♉) )戲(xì )劇(📽)張力超越當代(🔐)。原本平凡的水(🐻)(shuǐ )手，戰(zhàn )時(shí(🥣) )為了養(🆓)家活口冒險出(🐆)航(🍶)，卻被軍(jun1 )人(rén )所俘(fú )。多(💕)年後脫身返家(🌏)卻人事(🙄)已非，只(zhī )有(yǒ(👦)u )滿腔怨(yuàn )怒相(🤶)伴。某天，當年俘(🍔)虜他的(🍇)仇(chóu )敵(dí )與(yǔ )相(🍝)隨(suí )的(😡)妻女海上落難(🔪)待援，他奮勇而(🐈)(ér )至(zhì(🔒) )，卻陷入「復仇(⛲)還是救援？」(🙅)的天人(rén )交(jiāo )戰(zhàn )。 中(🎦)国(🛬)青年程桓（理(🔊)查德·(⬛)巴塞(sāi )尔梅(mé(🐁)i )斯(sī ) Richard Barthelmess 饰(shì )）远(👋)赴伦敦，希望能(🤨)够在异(🤮)国他(tā )乡传授(🈂)(shò(☔)u )佛(fó )教教义。哪知道理(🖇)想丰满现实残(📇)(cán )酷(kù(🤔) )，抑(yì )郁(yù )不得(🥥)志的程桓不仅(🏨)荒废了事业，还(🈶)(hái )沾染(🐨)上(shàng )了鸦片，整日(🤟)生活在(⚽)颓废沮丧之(zhī(🙆) )中(zhōng )。 MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin. Моло(🍰)дая(😟) графин(🔥)я Вера Д(🍤)убровская(🥫) м(🌓)ечтает(📊) при(🚖)нести п(🕠)ользу ч(👉)еловеч(🥔)ест(🗡)ву. Она п(🔫)о(🛩)сещает бед(♌)ных, «бы(🅰)вши(📤)х людей(🌉)» и помо(🏻)гает им(🏛) в ме(🍐)ру сил. Од(🏵)наж(🏷)ды Вера(📣) оказыв(💪)ается в кам(💢)орке пь(🤢)яницы Макс(🏙)и(🥈)ма Петр(🤖)ова(🛂). На помо(🏮)щь граф(🦀)ини он о(🤤)тве(♓)чает те(🔱)м(🦌), что обесче(♍)щивает(👠) ее, о(🦖)ставив(🔼) незажи(🤠)вающую(🐓) ран(🐌)у в ее душ(🤜)е. Пр(♓)идя в се(💎)бя, Вера(🎥) убивает не(🏤)годяя. A member of a counterfeiting gang gives a forged note to his daughter. When she spends it on a dress the note ends up in the hands of the secret service, who then bring the entire gang to justice. Broken Fetters is a 1916 American silent comedy written and directed by Rex Ingram. Violet Mersereau played the lead role. The film was shot in Fort Lee, New Jersey where Universal Studios and other early film studios in America's first motion picture industry were based at the beginning of the 20th century.