The first story, The Husband, directed by John B. Murray, was written by Craig McGregor and deals with the jealously of a man over Harry, who seems to be quite friendly with his wife. Full of daydreams, he is comforted by his wife (Elke Neidhardt) who assures him that his suspicions are unfounded. But are they?
Uneven and overlong but generally enjoyable thriller with tongue firmly in cheek, an engaging Hitchcockian premise, and plenty of action and stunts (as befits the rather misleading international title). Popular "Euro Cult" star Giuliano Gemma is a racing-car champ who suddenly finds himself embroiled in a murder case while at the same time pursued by thugs (from two different factions!) in search of a drug consignment; regular starlet Susan Scott (the director's wife) appears all-too-briefly as Gemma's shady lover and the murder victim involved.
Giulio Borsi (Marcello Mastroianni), a reactionary pharmaceuticals executive, has just set off for a weekend with his young mistress (Carole André) when the two are taken hostage at a gas station by three anarchists. Hunted by the police and transformed into media stars by the press, the trio escapes with their hostages to an isolated villa. For a brief moment, it seems as if class contradictions can be overcome, but then there is a showdown between the authorities and the far-left outlaws. Dino Risi’s darkest political satire was loosely based on a true story and anticipated the armed struggles between the Brigate Rosse and state power. It is also a clairvoyant account of the increasingly sensationalist and bloodthirsty media. At times, it almost seems like a model for the Gladbeck hostage crisis of 1988.
伍德(⏸)全(🛬)為人樂觀，不務正(🧥)業，憑著他的(de )小(xiǎ(✍)o )聰(⤵)(cōng )明(míng )在(zài )都(dō(🗃)u )市(shì )裡(lǐ )打(dǎ )滾(gǔ(🎥)n )。因(🚣)(yīn )欠(qiàn )下(xià )小(🚆)(xiǎo )旅店三個多月房(🥦)租(🌐)，女工林小燕對他(🔍)其深表同情。伍設計(🧥)欺(🐪)騙旅店老闆及(👒)一老(lǎo )華(huá )僑(qiáo )，事(🛷)(shì(🥠) )敗(bài )，伍(wǔ )悄(qiā(👎)o )悄(🍴)(qiāo )逃離澳門赴港(❓)謀(📗)生。伍扺港後，結識(🥘)一失意之國畫家辛(😠)極(🌓)貴，向彼獻計裝(⛲)死，以騙畫商。事敗，伍(🍾)與(🔔)辛又利用另一機(🚴)會騙得一群顧客(➖)及(🔡)外國遊客。最後(hò(🐸)u )，伍(wǔ )捲(juǎn )入(rù )「收(📝)(shō(🎃)u )買(mǎi )騎(qí )師(shī(💧) )」事(shì )件(jiàn )中(zhōng )，外(🔩)圍(🧔)公司命打手向伍(🔧)圍毆，幸脫險。伍醒後(🥜)只(🥢)見小燕獨伴身(🐮)旁看護，伍向小(xiǎo )燕(🚖)(yà(🥫)n )表(biǎo )白(bái )一(yī(🕣) )切(👩)(qiē )，決(jué )心(xīn )改(gǎ(😹)i )過(🛬)自新。
一位貌似耶(⏸)稣的小偷（Horácio Salinas 饰）(📕)从(🍖)儿童们的石块(🙁)击打中醒来，与一个(🎅)无(📝)手无脚的侏儒(🎁)结(🦃)伴进入城市。城中(😓)正(🏠)进行一场疯狂的(〽)庆典，一些人被杀死(🏙)，鸟(🎣)(niǎo )雀(què )从(cóng )他(😏)(tā )们(men )的(de )枪(qiāng )口(kǒu )中(🛹)(zhō(💵)ng )飞(fēi )出(chū )，大(dà )量(🏼)(liàng )蟾蜍穿着印第安(😦)人以及欧洲殖民(⛲)者的服装在混战中(🗨)被(💼)炸的粉碎。小偷(🛹)从几个(gè )罗(luó )马(mǎ(❤) )士(🎃)(shì )兵(bīng )打(dǎ )扮(bà(🛰)n )的(de )人(rén )手(shǒu )中接过(🌼)十(🔷)字架，又被他们(🏻)将自身的形象制造(🔬)成(🏺)无数模型……(👙)小(⬅)偷在众目睽睽下(🐬)爬(🖥)上了一座能生产(🚷)黄金的高塔，塔内的(🚣)术(🥝)士从小偷的粪(⛴)便中提炼出了金子(🗞)。术(🕢)(shù )士(shì )用(yòng )占(zhà(🐇)n )星(xīng )术(shù )确(què )认(rè(🖍)n )了(le )几(jǐ )位(wèi )门(mé(🎚)n )徒(tú )，他们是生产面(🍰)具(🚁)的商人、武器(⛩)商、艺术家、玩具(🎹)商(🛹)、政府顾问、军(➡)队长官和(hé )建(jiàn )筑(💠)(zhù(👻) )师(shī )，七(qī )人(ré(💈)n )分(fèn )别(bié )代(dài )表不(📬)同(🐇)的行星。术士把(🈸)这(🎟)些掌控国家的人(🚗)物(🛌)积聚一起，抛弃一(📖)切之后向传说中的(💡)圣(👦)山进发寻找不(🔱)朽的秘密。
In early seventies Italy, plagued by criminality and political terrorism, a fearless police commissioner ( Enrico Maria Salerno ) is sent to restore law and order in a northern industrial town devastated by a recent wave of violence and kidnappings. When a gang of criminals steals his son, he has to decide whether to stick to his principles or follow his feelings. His decision will lead him to discover corruption at the highest levels of the police administration, with tragic consequences.