关之琳演过的电影

Vanina loves rebel leader Octavio, who gets caught. He gets a pardon and marries Vanina. When he is captured again, Vanina helps him to escape prison. They are both caught, and after his execution she dies from grief. Chief Ahmad (fiesty Valentino) urgent desire of British socialite Diana (Ayers), so he kidnapped her, put her to his luxury desert tent palace. Free Diana from his www. 5233tv.com warm hug and the desire to be released. Only in the desert bandits kidnapped Diana realized that she had fallen in love with Ahmad, who came to save her, at the crucial moment. An absentee landlord's agent frames his rival for burglary. 这是(shì )史诗片巨匠(jiàng )冈斯的早期作品(🏚)(pǐn )，原版(🥈)长达九(👮)个(gè )小(🛏)时。 Vanina loves rebel leader Octavio, who gets caught. He gets a pardon and marries Vanina. When he is captured again, Vanina helps him to escape prison. They are both caught, and after his execution she dies from grief. A French captain persuades a rich widow to become his mistress, but it is a scheme to test her love. This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama. 在上(👒)(shàng )世纪(🚫)(jì )初的(🌳)德国，一(⏬)个精通心理学(xué )的犯罪天才马布(bù )斯博士，利(🤠)(lì )用各(⚽)(gè )种伎(💎)俩，包(bā(🕣)o )括催眠(📤)，易容，赌(🍿)博等，把(🕧)他的(de )受(🛎)害人完全(quán )操纵(zòng )于股掌之中(zhōng )。他自称能够(⛽)医(yī )治(🎴)战后人(⤴)们(men )的精(📘)(jīng )神创(💭)伤；他(🤗)(tā )欺骗(🚨)(piàn )了舞(🥄)蹈演员(🤩)(yuán )卡罗扎，又从百(bǎi )万富翁的儿(ér )子胡(hú )尔手(💼)中靠赌(💼)(dǔ )博赢(🧝)得了五(🙉)万马(mǎ(🔯) )克。警方(🖌)有人开(🚮)(kāi )始调(📪)查…… A scientist creates a mechanical man but thieves steal it and send it out to kill and destroy a city. The only way to stop the creature is by creating another mechanical man to destroy it. This Italian horror film seems to have had an influence on Fritz Lang's Metropolis, at least in the look of the robots. It's hard to really judge the film since so much of it is missing but they did a good job at taking the current length and adding enough background so that we know what's going on. Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths.