再次出发之纽约遇见你

剧情描述(🤕)一名(🈂)(mí(👐)ng )红杏(xìng )出墙的太太(🛃)与情(🐊)夫合(hé )谋，在大瀑布旅行时(📢)(shí )谋(⬛)杀(🦑)(shā )亲夫，不料事机不(🎏)密(mì(🗨) )，丈夫反(🚹)过来先发(fā )制(zhì )人(🔑)对付(🤝)妻(🕹)子。约瑟(sè )夫(fū )·考登与(🕵)琼·彼(😵)得(dé )斯饰(shì )演各怀(🛅)鬼胎的(👁)夫妻(🥡)，而身(shēn )材性感的玛(🎟)丽莲(liá(📈)n )·梦(mèng )露则首次在本片(pià(🚛)n )中饰(⛽)(shì )演重要配角，没想(🌵)到(dào )她(🐱)的挑逗魅力与大(dà )瀑(bào )布(🌼)(bù )的(📆)冲(👟)击力反而吸(xī )引了(⛰)(le )大部(🦀)分观众的目(mù )光。 A lawyer whose wife has had an affair sets out to leave her by flying to LA. He becomes ever more involved in the lives of a few fellow travelers on a journey that ends up showing him as much about himself as about the others. 西班牙。偏(👙)僻贫(🎫)困(📻)、被世(shì )人遗忘的(🤴)维亚(📜)尔(ěr )·(🙌)德(dé )里奥小镇，一天(❌)突然(🤥)(rá(🐣)n )来了位政府官员，宣(xuān )布(🚜)马歇尔(😯)援助团不(bú )日(rì )即(🐋)(jí )将到(✈)达本(🔪)镇，要(yào )当地(dì )人以(🐖)相应的(💠)规格接待(dài )好美(měi )国代表(🌊)团。消(🐰)息(xī )传开(kāi )，全镇哗(🐎)然。各(gè(👟) )种阶(jiē )层、各行各业，各种(🎣)(zhǒng )派(🐄)别(✂)的人纷纷做起(qǐ )黄(🙁)(huáng )金(🕸)(jīn )梦来，每个人都(dōu )希望(wà(♓)ng )从美(😩)国(🐭)佬那里得(dé )到自(zì(😬) )己想(🌹)得到的(🔞)东西。然(rán )而美(měi )国(🐟)人始(🐷)终(⚡)没有光(guāng )临小(xiǎo )镇，人们(🎩)的幻想(👟)和希(xī )望都成了泡(🍞)影。很(hě(👧)n )快(kuà(🕛)i )，维亚尔·德里奥(à(💡)o )小镇(zhè(⚽)n )又恢复到昔日贫(pín )困而(é(🌮)r )被人(😧)遗忘的状态之中(zhō(🔖)ng )。 Classic British comedy following an accident-prone army Private, played by music hall legend Frank Randle in his final screen role, as he attempts to rescue a Corporal (played by icon Diana Dors) from the attentions of a predatory Sergeant-Major. 讲(jiǎng )述(🚛)抗战期间，一(yī )组美(měi )国海(😶)军气(🔠)象(🕎)观测(cè )队在(zài )蒙古(😙)戈壁(🌙)被日军追捕(bǔ )，并逃出升天(🗃)的故(💌)(gù(🛍) )事(shì )-真(zhēn )实事件改(🚳)编 随(📒)着(zhe )内战(🐂)(zhàn )的爆发，南方的(de )破(🏿)坏(huà(🎽)i )者(🚵)开始攻击北方边境(jìng )的(💷)铁(tiě )路(🅿) 孔紫薇与邻房(fáng )的(🈳)吴(wú )志(🖨)坚相(🐢)恋，坚好友张(zhāng )文清(🎃)欠租二(🏣)月，仍(réng )要(yào )装阔。清得晚间(⚡)工(gō(🎣)ng )作，在巴士站上碰到(🐘)(dào )一名(🚄)(míng )美丽女郎邝绮华。她(tā )是(🈲)薇(wē(🔛)i )的(🤣)表妹，乃家庭(tíng )教师(🤚)(shī )兼(🌤)姆，因受不了(le )少爷(yé )追求而(🤖)辞职(🆘)，搬(🌱)进清(qīng )的邻房，改任(🛌)售货(🍝)(huò )员(yuá(🈺)n )。一次少爷在巴士(shì(🔚) )站侯(🏙)(hó(🕴)u )华,华便拖着刚下(xià )巴士(🚲)(shì )的清(🥣)扮作自己的男朋(pé(😛)ng )友。二(🐶)人(🤤)相恋(⏱),但均隐(yǐn )瞒自(zì )己(🤔)低微的(💊)身份,且不知(zhī )对方是一板(🥅)之隔(🗨)的(de )斗(dòu )气冤。直至行(📳)将结(jié(🎅) )婚,清(qīng )碰到华在店铺工(gō(📭)ng )作,华(🌀)(huá(🧗) )扮作老板女儿,因而(🏆)被(bè(⌛)i )辞退(tuì )。她提早返家,二(èr )人(🍠)始(shǐ(🤷) )悉(🔛)真相,顿悟相爱(ài )贵(💣)乎(hū(🏏) )坦诚。 東(㊗)京の中心から電車(🖖)で一(🗽)時(📐)間、多(duō )摩(mó )川を渡る(🏯)と全く(😡)田舎(shè )になる。左平(🍁)の家(⛳)は(🍙)代々(♍)、梨で知られた果(🖤)樹(shù )園(🕤)である。長男(nán )清太(tài )郎が(🐋)自動(🥦)車に轢かれて死ん(😪)だ後、(🗡)左平(píng )は勝造を養子にし(⏹)てよ(🐊)し(🙊)子に家をつかせようと(😳)思ったが、東京のホテル(🏊)に勤(🏯)め(⛪)ている彼女(nǚ )には(🦀)電気(🤛)技師の(✒)三村(cūn )という恋人(💰)があ(📨)る(🤒)。妹もも子は庄六の家(jiā(🗣) )に引越(✡)して来た音(yīn )楽学(🔅)(xué )校(🏋)の(🚐)学生(🧒)北小路に仄(zè )かな(🗾)恋心を(😔)よせている。三村は沖縄に(🕖)有(yǒ(🍢)u )望な仕事口が見つ(🎖)かり、(🦊)よし子と結婚して一(yī )緒(😥)に行(🀄)こ(🤚)うというが、彼女は家(🤴)を見すてる決心がつかな(🌦)い。勝(🕌)(shè(📉)ng )造はよし子に恋人(🚵)があ(🕔)ること(⛺)を知って悩むが、(🧓)左平(🚁)は(👛)三村が養(yǎng )子(zǐ )に来て(💭)果樹園(🌙)の仕(shì )事(shì )をする(🚒)ので(🐠)な(📝)けれ(👳)ば絶(jué )対によし子(🧠)との結(🎰)婚(hūn )は許さないという。三(🌧)村(cū(🌱)n )の出発する日は近(🛀)づいた(🌸)が、まだよし子(zǐ )の心は(🚶)決ら(🍜)なかった。その時ホテルの(➡)常客(kè )ユリがドル買犯(fà(💟)n )人の(🏨)情(🎰)婦として逮捕され(🌑)たが(🐲)、よし子は三村(cūn )をはじ(🕔)め都(🏹)会(👔)の人々のユリに対する(🌚)態度の(👒)冷(lěng )たさをみて、(🧝)はっ(🌟)き(🗒)り三村との結婚を断っ(🦌)た。間も(🌴)なく勝造を養子に楽しく(🛰)梨畑(🐧)で働くよし子の姿(😔)が見(jià(😸)n )られ、今度はもも子が東(🧣)(dōng )京(🍲)に勤めることになった。 (Includes spoilers) VILLA BORGHESE is a film consisting of six vignettes (cut to five in its U.S. release) that are all set in the Roman park that bears that name. All the episodes take place within one day. The first episode, taking place early in the day, is called "Servant Girls and Soldiers" and is a trifle about a couple of guys trying to put the makes on a couple of young girls. The second piece is called "The Greek Letter Pi" and is a poignant little anecdote about a schoolgirl (Anna Maria Ferrrero) who is urged by her classmates to approach their Greek professor (Franç(🤐)ois Perrier), so that they can photograph them kissing and perhaps blackmail the prof for a passing grade. It turns out the professor has a sad story to tell the girl…that he is going blind. The tearful girl cannot go though with the plan. The third episode is the funniest and probably the best in the film. It's called "Incident at Villa Borghese" and features tour-guide Vittorio De Sica as an incorrigible over-cologned woman-chaser who comes between Giovanna Ralli and her furiously jealous boyfriend Maurizio Arena. The dramatics that ensue among the three…and others…is absolutely hilarious. In one delicious moment, De Sica sits in the car with the boy on one side of him, screaming at the girl, and the girl's breasts on the other side, pressed against De Sica's face as he barely conceals his lust. In "The Marriage Arranger" Eduardo De Filippo is the father of a girl he is trying to marry off. The discussions between the relatives center on rather selfish interest…money, dowry. Then the increasingly ill-at-ease girl is revealed to have a handicap, involving her foot, and the young suitor comes to the emotionally distraught girl's side and, through simple humanity and kindness, saves the day in a way the crude relatives were not capable of doing. Of all the relationships we witness in the film, this is the only one that seems to have a future. "The Lovers" is a bittersweet episode about a man breaking up his affair with a married woman…as the woman's small children play in the park with their nurse and call out to their adulterous mommy. It is nicely acted by two great stars of the French cinema, Micheline Presle and Gérard Philippe. The final racy episode, "Beauty Contest," is a Felliniesque dissertation about two rival Roman street–prostitutes, who as they are about to be rounded up by the police, wind up at a Miss Cinema beauty contest taking place in the park. The younger of the women (Eloisa Cianni) eludes the police by going off with an older man in his car. The other and older one (Franca Valeri) is not so lucky and the episode and the film end as she is driven off in a police vehicle. It is late at night.