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一(yī )战期间，路易(yì(☕) )到(🦍)法(🎄)国参加(jiā )美(měi )国(🔇)志愿(📸)者军(jun1 )团(tuán )，他的爱(🌪)人泰(🛣)(tài )瑞(ruì )斯也加入了(le )在(🚖)(zà(🙂)i )法国的志愿(yuàn )红(hó(🌔)ng )十(📤)字组织，但(dàn )事实上泰(🐋)瑞斯(sī )是一名德国间(🍊)(jiān )谍(🕧) 《天机之九(jiǔ )幽业(😠)火(🥙)》讲(🕓)述(shù )了架空世界(😚)中(zhō(🏪)ng )的都城大邺城(chéng )，突发(🍨)业(🆚)火杀(shā )人的连环惨(😮)案(🏊)(àn )，耸人听闻，神鬼莫(🌲)测(🗒)。来(lái )自天照府的破案(🏮)天(tiān )才时浩轩与千(qiā(🍇)n )年(🔜)城(🎹)隍庙的道(dào )术奇(🌌)才玄(🙃)坤，两个命格奇(qí(💆) )绝(jué(🐤) )、天赋异禀(bǐng )的(de )少年(🌇)为(🥨)参透玄(xuán )机(jī )，缉拿(🔡)真(🍚)凶(xiōng )而(ér )身陷水火。二(⏮)(èr )人拨开杀气与(yǔ )血(📩)雾，在(💵)使二(èr )十年前倭(🚾)国(⌚)遣(💝)(qiǎn )胤使灭门案浮(🌥)(fú )出(🚜)水面的同时(shí )，一卷“业(🐢)火(💟)(huǒ )五灾”的秘密(mì )卷(👠)宗(🐆)也揭开了(le )他们诡异(🗳)的(🔹)身(shēn )世之谜。环环(huán )相(😙)扣，案案相(xiàng )承，云诡波(🚗)谲(✳)的(🌹)都(dōu )城之中，一系(🎬)(xì )列(📯)精心谋划的(de )杀人(🏙)迷局(🥖)，随(suí )着无限膨胀(zhàng )的(🖖)(de )仇(🗂)恨与野心(xīn )在(zài )时(📮)空(😯)中徐徐拉(lā )开(kāi )帷幕(🏴)…… For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence. 英(yīng )俊(jun4 )青年麦克(⛏)尔(ě(🍣)r )（Walter Slezak 饰）是画家苏(✏)(sū(🚊) )莱(🈲)特的专属模(mó )特(⬇)，以麦(🎊)克尔(ěr )为原型，苏莱(lá(🎠)i )特(🤫)创作出了精(jīng )美的(🐂)艺(⚾)术作品(pǐn )，名声大噪(🦎)，登(🏃)门求画的人(rén )络绎不(🧘)绝，但(dàn )苏莱特为了保(📠)(bǎo )存(📎)和麦克尔的(de )美好(🚊)回忆(🐲)拒绝出卖(mài )杰作(😱)。年轻(🐋)貌(mào )美的女伯爵拜(bà(📪)i )访(🎮)苏莱特，请(qǐng )求后者(🎈)为(💩)自(zì )己(jǐ )画像，麦克(kè(💂) )尔(ěr )默默注视着女(nǚ(🚖) )伯(bó )爵，四目交(jiāo )投(tó(💫)u )之(🔀)下(🍥)，情意(yì )暗(àn )生，苏(🅾)莱特(🔡)思(sī )量之后决定为(wé(😍)i )女伯爵作画，但创作不(🤒)久(🎐)因(yīn )苏莱特无法描(🤶)(miá(🔵)o )画女伯爵的眼(yǎn )睛而(🐤)陷入停滞(zhì )，麦克尔提(🏿)笔(bǐ(💝) )代劳，女伯爵(jué )美(📥)丽的(🎁)神色跃(yuè )然画上(🌹)……(🍆)麦(mài )克尔与女伯爵相(🌝)爱(🍦)(ài )并逐渐离苏莱(lá(💹)i )特(🤫)而去，苏莱(lái )特承受着(❌)年青(qīng )人的欺骗和(hé(⛑) )背(bèi )叛，将内心的(de )悲苦(🏍)呈(📠)现(🎮)在画(huà )作(zuò )上，受(🐙)孤独(🏻)(dú )煎(jiān )熬的生命之(zhī(⛓) )火(huǒ )渐渐熄灭…… 阎(🌼)瑞(🕕)生是个大(dà )学生，却(🎾)吃(💄)喝(hē )嫖赌样样都来(lá(👙)i )。年关将至，阎瑞生和吴(🥍)春(chū(🛶)n )芳方日珊等人(ré(🌮)n )到(📇)跑(🔨)马厅决定(dìng )再赌(🏐)一把(😨)，补(bǔ )一补往日亏空(kō(🗑)ng )。几(👗)人走出跑马厅的时(🛒)候(👸)两手空(kōng )空，他们想起(⏬)(qǐ )了王莲英。王(wáng )莲英(👓)是上海(hǎi )名(míng )妓，奕奕(♉)生(🆘)(shē(👔)ng )辉(huī )地周旋于富(💥)商(shā(⚓)ng )大贾之间，与(yǔ )瑞(ruì )生(🌛)亦有一面(miàn )之(zhī )缘。翌(🐏)日(🚠)傍(bàng )晚(wǎn )，瑞生驱车(🙈)来(😅)(lái )到王的妆阁，拿出了(🈺)浑身解(jiě )数。莲英受不(🏧)(bú )住(💼)百般的甜言(yán )蜜(🈂)语(👰)，做(🔰)低做(zuò )小，被瑞生(⌛)拥(yō(🎮)ng )上了汽车。汽(qì )车驶至(🚤)荒(🦕)野停(tíng )住，车外只有(🌸)(yǒ(😙)u )大片的麦田，两个人从(🚠)黑暗中窜(cuàn )了出来…(🔮)… A French washerwoman becomes a duchess and a friend of Napoleon.