...I'll take this almost intolerably nasty 1972 Italian drive-in movie, which features Mark Lester (of OLIVER! fame) as a kidnap victim who gets into scrapes that, in their uncut version, would probably get this movie in Federal chickenhawk-busting trouble today. Franco Nero and Telly Savalas are the two conscienceless galoots who are the movie's anti-heroes; Savalas re-ups his giggling hillbilly cretin from THE DIRTY DOZEN, here caricatured to beyond a fare-thee-well. Savalas is the cherry on the cake of what may be the most remarkable set piece in all seventies Italian exploitation: calming a tourist family, packing them in their mobile home, then untethering the trailer and singing a gospel hymn as the terrified Germans plunge into the drink. If I'm not misremembering, there may be a little jig involved here as well.
仕事に嫌気がさし(😱)てい(🎺)た銀行員(yuán )の井(jǐng )上(🎩)則夫は、SMプレ(🔒)イの(〽)最(zuì )中に相手の女(nǚ(💭) )性が(⏫)死亡したため、怖く(🏂)なっ(🤔)て北陸の(🎾)雪国(🔷)へ逃(táo )走。行くあても(🔶)なく(🦗)列車に乗るが、そこ(😆)で女(😞)子校生・(📸)田中(🕹)幸子と出会う。彼女に(💥)惹か(🍢)れ、後(hòu )を追うよう(💻)に駅(🎟)を降りた井(jǐ(🎯)ng )上は、ポン引きの鈴(🍴)木(mù(🍣) )に声をかけられ、雪(👹)山に(🌻)ある一軒(xuān )家へ。そこ(🌛)は女子(zǐ )校生(🗒)の売(🍱)(mài )春宿(xiǔ )だった。この(🕋)家で(🌃)幸子(zǐ )と再会した井(👽)上は(♑)、ポン引(⛰)きと(😣)しての生活を始(shǐ )め(🔤)るが(☕)…。
This film is currently available via the good folks at Something Weird Video. It is without a doubt the worst porn film ever made. Somewhere John waters is green with envy that these would-be stars slipped through his fingers. In fact, if ever radical Christian conservatives want to truly turn teenagers off to sex, this is the film they should show them. At first, you'll be horrified to be witnessing this naked hillbilly, trash, couple pawing each other drunkenly. The overweight, beehive-wearing, leading lady twangs and drawls her way through a tirade of improvised insults and personal attacks with her drunken male costar until you almost forget entirely that this couple are attempting to make a sex flick. This film is so bad it is awesome. Sure to be like nothing you've ever seen before.
★1973 電影(yǐng )旬報年度(🐴)(dù )十(🎆)大(dà )第七(😰)位
本(⤴)(běn )片以法国中产阶级(🐐)为背(🆑)景讲述了政治暴力和(🏭)恐怖(💛)(bù )，讥(jī )讽了政(😈)府(fǔ )的(😮)伪(wěi )善和无能(🚨)(néng )。纳(🗻)(nà )达是一个(gè )法国的(🎛)小型(🆒)恐怖主义组织，成员都(💙)是无政府主义(💖)(yì )者(🐷)，他们计划(huá )将美(měi )国(🦅)大使(🌆)从(cóng )妓院(yuàn )绑架到巴(🎾)(bā )黎(🍭)并(bìng )将他(🏫)囚禁(🆎)(jìn )起来，以便换取赎金(🕖)。然而(✅)法国政(zhèng )府并(bìng )不关(🙃)心被(😵)(bèi )绑架(jià(🈁) )人..
伍(🗺)德全(quán )為人(rén )樂觀，不(🛩)(bú )務(🐙)正(zhèng )業，憑著(zhe )他的小聰(🤘)明在(👨)都市裡打滾。因(😝)欠下小(🈁)旅店三個多(duō(👼) )月房(🙎)(fáng )租，女工(gōng )林小(xiǎo )燕(🤒)對他(🚀)其(qí )深表(biǎo )同情。伍(wǔ(🌸) )設計欺騙旅店(🕺)老闆(👗)及一老華僑，事敗，伍悄(👮)悄逃(🕝)(táo )離澳(ào )門赴港謀(mó(🚦)u )生。伍(🍴)扺港後(hò(📽)u )，結(jié(💵) )識一失意(yì )之國(guó )畫(🍵)家辛(💤)極(jí )貴，向彼獻計裝死(🤙)，以騙(🐅)畫商。事(shì(🚄) )敗，伍(🏧)與辛又(yòu )利用(yòng )另一(🥊)機會(🥙)(huì )騙得(dé )一群顧客(kè(😠) )及外(🧐)(wài )國遊客。最後(🍼)，伍捲入(🐖)「收買騎師」(🙉)事件(🖥)中，外圍公司命(mìng )打手(🛠)(shǒu )向(🕘)伍圍毆(ōu )，幸(xìng )脫險。伍(🌠)(wǔ )醒後(hòu )只見(📨)小燕(♟)(yàn )獨伴身旁看護，伍向(⏱)小燕(💧)表白一切，決心改過自(⛩)(zì )新(🔏)。
BBC系列剧《今(❔)日(rì(🗑) )剧》中的(de )一集(jí )。导演阿(🎲)(ā )兰(⏱)·克拉克把(bǎ )编剧David Rudkin通(🦍)过特(🌥)有的超强(🕥)的幻(🐋)想潜力创(chuàng )作出(chū )的(🕺)剧本(😿)，打造(zào )成了一个(gè )集(😂)合(hé(🦀) )了个人的(de )、社(shè )会的(🔠)、性(xìng )的、超(⛹)自然(🔧)的、形而上的当代社(👁)会的(🌇)多层化的深(shēn )刻故(gù(💥) )事。
A nurse is hired to take care of a mean, cantankerous woman. It turns out that the nurse and her boyfriend are after the woman's fortune. When the woman turns up dead in a bathtub full of blood the couple begin to search for the money, but they soon begin to suspect that the woman isn't really dead - or her ghost has come back to avenge her.
德文(wén )原名(🥀)(míng )Schlü(🔚)sselloch-Report直译就(jiù )是锁(suǒ )匙孔(📵)报告(🚲)(gào )的意思，顾名思义就(➿)是一(🌾)些人透过(🕒)钥匙(🏫)孔偷窥别(bié )人ML，类似德(☔)国(guó(🗄) )著名(míng )的女生报(bào )告(💏)系(xì(🐸) )列的典型(😋)(xíng )性(⚾)喜剧，诙谐(xié )幽默、美(🕳)女如(✨)云~~