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Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his "ship" from land authorities... 根据赛(sà(💄)i )珍(🥔)珠（Pearl S. Buck）小说改编。 耄(🎞)耋(🐷)之(zhī(🐪) )年的威尔永远(🔑)忘不了(le )他(tā )的好(hǎo )朋(🚍)友费舍，他们从小(xiǎ(🆖)o )一(👜)(yī )同长(zhǎng )大，又一同(🏒)经(⭕)(jīng )历(🔀)了战(zhàn )场上血(🐐)与(🎁)火的(🦑)考验。那是1914年(niá(🚓)n )，为了自己的国家做(zuò(❓) )点(diǎn )什么(me )是他们在(🍞)认(🎶)真考虑的(de )问题。费舍(🎯)在(🕝)学校(😙)里(lǐ )是有名(mí(💛)ng )的淘气包，喜欢冒险(xiǎ(😳)n )，他和(hé )艾米在校园里(🌰)偷着接(jiē )吻(wěn )被校(🔒)(xià(💄)o )长发(🧕)现，费舍被当成(🥙)(ché(🏉)ng )伤风(🎍)败俗的典型受(🐼)到(dào )惩罚，虽然他的自(👆)尊心严重(chóng )受(shòu )挫(🍆)，却(👾)没有阻止他们彼此(🎼)(cǐ(🔝) )相(xià(🔛)ng )爱。费舍和威尔(🐊)盼(😄)(pàn )着去前(qián )线，真正(🚲)的战场和他(tā )们想象(😤)(xiàng )的完全不同，却是(🎾)将(🤚)(jiāng )他(tā )们锻(duàn )炼成(🐚)真(⛑)正的(🏅)男人的地(dì )方(🍭)。 An unusually cold winter forces the french government to push the best housed people to accommodate some poor fellow citizens. The decree called "Le Grand Partage" creates some trouble among the residents of a Paris upscale apartment block. 二战期间，纳粹(cuì )占领(🔐)下(xià )的罗马尼亚村庄(🔕)中德(dé )军士兵(bīng )被(💙)杀(🤝)，德军(🔗)限令村人(rén )第(🕳)(dì(🛤) )二天(🤤)(tiān )交出凶手，否(🔍)则将杀(shā )害村中十位(🆎)头面人物(wù )。危急(jí(🌉) )之(🍠)际，众人想到让村(cū(🚼)n )里(⤴)(lǐ )的(📈)疯(fēng )子伊普冒(😶)名顶罪，一(yī )场(chǎng )混合(👽)(hé )着笑与泪的战(zhàn )争(🍯)喜剧(jù )便由此开始(➕)…(💳)…本片(piàn )翻拍自(zì(🚴) )1972年(💘)的罗(📗)马尼亚影片《伊(🈶)(yī )普之(zhī )死》，演员阵容(🗨)豪华(huá )，除由法国影帝(⛵)大鼻(bí )子情圣(shèng )德(♒)帕(🏉)迪约(👄)领衔外，更(gèng )有(🏔)老(😦)戏(xì(🖨) )骨哈威·凯特(👲)尔（《落(luò )水狗(gǒu )》、《钢(🎿)琴课》）及(jí )威尼斯(🤤)影(⬇)后劳拉·莫(mò )瑞特(🔔)（(🧟)《心之(🥐)归属》）倾情(qí(👞)ng )助(zhù )演。影片画面精致(🎐)，结局(jú )最(zuì )是出(chū )人(🏬)意料。 Based on the words of the song that singer Iza Kremer sang, speaking at that time in Odessa. A vibrant account of immigrant Jewish life (and loss) as told by denizens of Manhattan’s Lower East Side (including The Living Theatre cofounder Judith Malina). A vibrant account of immigrant Jewish life (and loss) as told by denizens of Manhattan’s Lower East Side (including The Living Theatre cofounder Judith Malina). A misguided father (Cameron Mitchell) wants to make his shy, sensitive son "into a man" (and it's about damn time since the young character, played by Mitchell's real-life son, looks to be about twenty five). He decides to take him on a hunting trip with his buddies, two of the sorriest excuses for "men" around. (Even in Texas this pair would be regarded as fat, dumb, redneck losers). The hunting trip/rite-of-passage involves getting drunk and driving into the 120 degree Texas summer heat to shoot at beer bottles and bunny rabbits (if this makes one a "man", then my friends in Wyoming and I would have achieved manhood at about ten). Later they go to a honky-tonk bar where the most pathetic wet t-shirt contest you ever saw is taking place, and a Hal Needham/Burt Reynolds-style bloodless brawl breaks out every five minutes. There the boy meets a pretty young barmaid and aspiring prostitute (Maureen "Marcia Brady" McCormick)and takes her back to the hotel room. They suffer some traumatic coitus interruptus, however, when the two redneck friends bust in a force themselves on "Marcia", I mean Maureen. The movie then turns into a REALLY tame and bloodless (in every sense of the word) rape-revenge flick. In a Philadelphia convent, two nuns battle it out to be elected to the position of head abbess, and neither is about to let anything stand in the way of getting what she wants.