武间道 电视剧 全集

Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. Harry is appointed as the bodyguard for a visiting Middle Eastern president but his ex-wife Laura turns up in a frantic state. The president's political opponent Kahan has had the Rule's son Johny kidnapped and he will be harmed unless Harry shoots the president. A charade follows in which Harry appears to do as he is ordered and Caroline then kills Harry. Written by don @ minifie-1 Super Fly T.N.T. is a 1973 film directed, starring, and co-written by Ron O'Neal. O'Neal reprises his role of Youngblood Priest from the smash hit blaxploitation film Super Fly.The film is currently out of print. 中日混血(🚨)少(😱)女(nǚ(🔇) )李(🕞)红龙（志穂美悦子 饰）(🍒)的(✉)哥哥(🈁)李(🥒)(lǐ )万(wàn )青（宮(gōng )内(nèi )洋(🚔) 饰(🤚)）表面(⛑)上是一个所向(xiàng )披靡的(🗞)(de )拳(🤐)(quán )王，私底下则是香港皇家(jiā )警(🔳)察(🍨)派往(wǎng )日本稽查毒品的密探。但(📆)(dà(🏳)n )在(zài )某次侦(zhēn )查(chá )时，李万青神(🍕)秘(📑)失踪，香(xiāng )港警方万(wàn )般(👑)无奈，派(👀)李(🥨)红龙前往日(rì )本(běn )横滨(🚄)调(➖)(diào )查(🈸)(chá(🚊) )。 三藩市发生神秘连环凶(🌥)(xiō(🚎)ng )杀案(📗)，多(🔎)(duō )位逃避法律制裁但恶(🙂)贯(🧕)满(mǎn )盈(🎏)的罪犯(fàn )，逐一遇害。由奇(🉑)连(🔳)伊士(shì )活(huó )饰演的(de )卡(kǎ )拉汉警(🔶)探(🐚)，决定将这位执(zhí )行私刑(xíng )的(de )凶(💋)手(😊)绳之于法…… Country-Western Wildcats! Marsha Jordan – the first real star of Sexploitation – is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’ elsewhere – starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’(🌿)s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’(🎗) Leroy, everything gets violent. Yup, just when you think you’ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! 伊格纳齐奥(ào )（图里·(📤)费(💀)(fèi )罗 Turi Ferro 饰）的妻子早逝，他(🌾)独(dú )自(🔦)抚(🆑)养着(zhe )三个孩子尼诺（亚(🔂)历(👘)桑德(🎳)(dé(🍷) )罗(luó )·莫莫(mò ) Alessandro Momo 饰(shì )）、(😩)露(🤸)西安(🏫)娜(🥈)（蒂娜·奥(ào )蒙特 Tina Aumont 饰(shì(⛰) )）(😬)和帕西(🐳)诺（Stefano Amato 饰）长大。某(mǒu )日，伊(⛅)格(🌙)(gé )纳齐奥聘用了一位名叫安(ā(🤱)n )其(😓)(qí )拉（劳(láo )拉(lā )·安托妮莉 Laura Antonelli 饰(💧)）(👨)的女佣打(dǎ )理家务(wù )，这位安其(🛹)拉(📘)拥有着天使的(de )外貌和魔(mó )鬼(guǐ(🌪) )的(🌼)身材，在家中掀起了(le )阵(zhè(🐖)n )阵(💸)的涟(♟)(liá(🖼)n )漪(yī )。 Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. A twisted sleazebag stalks and strangles gorgeous women in this Spanish terror classic. Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it.