战火连天

遍布纽约全(😻)城(🖌)的(de )数百(bǎi )帮派在这个(gè )夜(😖)里(🥠)集(🏢)体出(chū )动，为了响(xiǎng )应纽(💤)约(🦈)地(🌋)下(xià )王者(zhě )塞勒斯(sī )的(🏺)号(🎤)召(🛐)，每支帮派派出九名(míng )不携(🍴)带(⤵)武器(qì )的成员参加(jiā )塞勒(🍙)斯(🏽)的(💿)帮派大会。塞(sāi )勒斯(sī )慷(♐)慨(👛)陈(😮)(chén )词，要求所有帮(bāng )派遵守(🚄)停(🅱)战(zhàn )协议，将矛(máo )头一致对(🏪)准(🏫)(zhǔ(😯)n )警察(chá )，然而在演讲当中(🏁)，塞(🤛)(sā(😤)i )勒斯中枪身(shēn )亡，来自科(kē(🍴) )尼(🤚)岛的“战(zhàn )士帮”成员目击凶(📫)手(🥃)，反(☕)被(bèi )对方诬陷，混乱的人(🐤)流(🍑)(liú(🌚) )里，战士帮(bāng )匆匆逃出场(💎)(chǎ(🐰)ng )地(💿)。帮派大(dà )会随即发出信息(🙅)，要(🏯)求各处(chù )的帮派截击(jī )返(📒)回(👋)科(🐚)尼岛(dǎo )的战士帮。这边厢(🔺)，因(🌁)(yī(🍿)n )老大(dà )克里昂(áng )失踪(zōng )，斯(🎷)旺(🤗)（Michael Beck 饰(shì )）带领其他(tā )七人(⚪)应(💿)对(📠)这(zhè )凶险的一夜(yè )，他(tā(🚱) )们(💏)将(🤝)面临其他帮派与警(jǐng )察的(🕣)双(🥐)重堵(dǔ )截，为了能(néng )回到自(💞)己(⭐)的(📘)(de )地盘，只能靠自己打出(chū )一(🌖)条(📭)(tiáo )通路…… 外(wài )交官杜米(🔀)尼(🤖)(ní )克·奥法尔(ěr )任命为“南(🖍)(ná(🔤)n )北交(jiāo )换机构(gòu )”的法国代(❇)表(🎐)。这(🆖)一机构是(shì )一个拥有巨(jù(🛬) )大(🤒)权力的国(guó )际组织。有个代(🎑)码(🌫)为“奥林(lín )匹”的(de )情报(bào )机构(🗳)，将(🎊)杜(🌰)(dù )米尼克·奥(ào )法尔夫妇(🐥)确(🎾)(què )定为“51号”和“52号”，他们搜集了(🛫)解(🚽)“51号”的全部(bù )档案资料，伺机(🤩)采(💃)取(🏤)行(háng )动。影片主(zhǔ )要表现了(🏷)这(🎛)(zhè )个机(jī )关特工人员(yuán )介(🧗)绍(🛥)“51号”的有关情况(kuàng )，他的家庭(🖱)(tí(🐠)ng )，经(jīng )历，私(sī )生活等等，并最(👅)终(📔)说(🎁)明他如(rú )何别人暗害(hài )。 该(💲)片(🚢)只是(shì )一部通俗剧，看得出(🍺)导(🍄)(dǎo )演在(zài )商业化(huà )上的(de )努(⏩)力(🚬)，但(🕤)仍(réng )然是一部不(bú )错的作(😴)品(🛒)——这是一部(bù )纪录(lù )香(🧐)港(🐜)经济起飞年代的作(zuò )品，有(🏍)较(🤘)强(⏩)(qiáng )的现实主义(yì )色彩，也有(🧀)(yǒ(🏩)u )些许讽刺色(sè )彩 故事发生(😫)(shē(🤓)ng )在1943年(nián )二战中 被德(dé )国占(👓)领(😥)下的(de )法国南部小(xiǎo )镇 法国(⛅)小(🌕)村(🧓)(cūn )民Guy无(wú )意间在(zài )丛林中(💹) 求(🚄)助了一位受伤的德(dé )国士(🚰)兵(💘)Rolf 寂寞(mò )聊赖的Guy 万分(fèn )欣喜(⛏) 一(🌍)成(😽)不变的生活终(zhōng )于有(yǒu )所(🗄)改(🌚)变(biàn ) 他悉(xī )心照料着这(zhè(😹) )位(💤)新室友 但(dàn )Rolf伤愈不久 就(jiù(🗒) )着(🏑)急(🌫)归队 热(rè )情洋(yáng )溢的Guy 使出(📝)浑(😞)身解数 死皮(pí )赖脸地将Rolf 留(🍴)(liú(♑) )了下来 乡间(jiān )激情而又平(🐄)(pí(👝)ng )静的生活使(shǐ )Rolf 原本的严肃(👪)(sù(🎴) )和(📦)冷(lěng )漠的心 慢慢(màn )融化 也(🐭)使(😀)得(dé )Rolf慢慢对Guy 产生(shēng )了默默(🍾)的(🙇)爱(ài )恋 可(kě )一天清(qīng )晨 黑(🚧)衣(🍎)三(🔀)人将Rolf带走 怒火中烧(shāo )的Guy 拿(🐨)出(♏)Rolf的手(shǒu )枪 尾随而至(zhì ) 在一(😼)声(💨)枪响中悲剧结尾(wěi )…… This could almost be a documentary, it's depiction of the gay male lifestyle is so realistic. A brilliant film unlike any others in the genre. No fantasies here, just honesty (though obviously made before AIDS was an all-too common fear). Going through the filmmography of Jess Franco is never an easy thing because not only do you have to go through more than 200 movies but you've also got to go through countless alternate versions. Sometimes films can have four or five alternate versions with newly shot scenes, alternate footage or footage thrown in from another director. In 1974 Franco made a film called EXORCISM, which was a very dark mix of sex, religion and violence. It was also released in a softer version under the title DEMONIAC and another version with XXX footage called SEXORCISMS. Then, in 1979, Franco took footage from EXORCISM and added a new plot around them and the end result is this film, THE SADIST OF NOTRE DAME. A village mob is in pursuit of an arsonist. Fleeing from their hysteria, a seventeen year-old boy stumbles into a country house. He finds its owners, Jacques and Catherine, leading lives of monotony and habit. Jacques is a painter who divides his time between his canvasses and painting lessons he gives to the mentally ill in a nearby institution. Catherine is ill at ease in her arid, almost hostile surroundings, nurturing some unspecified dissatisfaction. Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude... The Samrat of Suryadesh, Suryadev, travels to Pushpapuri in order to wed Rajkumari Nandini, but instead ends up getting married to her maid, Meenakshi, much to the chagrin of Nandini. Shortly thereafter a son, Vikramdev, is born to Meenakshi, and Nandini plots with a sorcerer, Mahendra, who turns Suryadev and Meenakshi into a pearl necklace, and a beggar respectively, while he takes on the guise of Suryadev himself, declares that Vikramdev and Meenakshi are dead, weds Nandini, and subsequently announces that they are parents of a daughter, Pallavi, who is actually his biological daughter from a previous marriage. Years later, Vikramdev surfaces, he was raised by elephants in the jungles, rescues Pallavi, who teaches him to read, speak, and write, both fall in love and get married. Then Vikramdev sets out to search for his biological parents, finds his mother, takes back his kingdom by exposing Mahendra and Nandini, while Nandini is killed, Mahendra is imprisoned. Then he and Pallavi set out to find a way to bring back Suryadev to life - not realizing that both their lives will be shattered when Vikramdev will age instantly and Pallavi will turn into stone. ＜(⏭)ペ(🤦)ル(🤝)セウス＞セリーポス島の(🖋)王(🍖)(wáng )、ポリュデクテスはペ(🎞)ル(💨)セウスの母のダナエに恋(🐫)(lià(💝)n )慕し、じゃまになったペ(🦑)ル(🈳)セ(😢)ウスを遠ざけようと、メ(👶)ド(🏜)ウーサ退治に送(sòng )り出し(🚆)た(🚔)。メドウーサはもとは美(mě(💸)i )貌(🥗)の(🐼)持ち主(zhǔ )だったが、アテ(💍)ナ(📒)の怒りにふれて蛇髪(fā )の(💰)怪(⚡)物に変(biàn )えられていた。彼(🎻)女(🕖)を(⏬)見たものは皆、石になっ(🍖)て(🥇)しまう。ペルセウスは、山(🔄)深(🖤)くメドウーサを求めて旅(🕚)を(❎)続け、首尾良く首を斬り(🎚)お(💰)と(🚋)し、天空へと飛び去(qù )っ(👭)て(🕑)いった。 ＜アクタイオン＞(🏳)勇(🙉)敢な狩人であるアクタイ(🦋)オ(🔊)ン(👺)は、忠実な下僕であるス(💐)パ(🦈)ルタ犬をひき連れ、狩り(🍠)に(🖨)精を出していたが、女神(💱)ア(✔)ル(🛹)テミスの神域(yù )に足を踏(🐆)み(🌰)入れ、水浴(yù )中の彼女の(📿)姿(🌟)を見たことで怒りにふれ(🚚)、(🚖)臆病な鹿(lù )に変えられて(🤚)し(🐩)ま(🐭)った。そしてさまよってい(🥜)る(🥔)ところを、主(zhǔ )人の見分(🤖)け(🚺)がつかない獰猛な犬たち(🚏)に(🎢)追(🏢)われるのだった。 ＜エンビ(🏘)ー(🥄)＞女神アテナの神殿の供(🍉)(gò(🍱)ng )物を盗み、その上、妹ヘ(🧔)ル(⛱)セ(🌥)にバラを届けに来たへル(➕)メ(🏖)ースから、恋の取りもち(🔲)の(🚩)謝礼をだまし取(qǔ )ったア(🎉)グ(🕝)ラウロスは、遂に女神ア(👇)テ(⏩)ナ(🌆)に罰せられ、嫉妬の心を(🐩)吹(🎳)き込められる。妹(mèi )を訪ね(🎺)て(👋)きたヘルメースを追い返(🌵)(fǎ(🥄)n )そ(🎰)うとした嫉妬(dù )深さに激(🚚)怒(💽)したヘルメースは、彼(bǐ(🍹) )女(🏙)を石像に変え、バラバラ(👌)に(🦎)砕(🦈)いてしまうのだった。 ＜オ(😥)ル(🗜)フェウス＞オルフェウス(🎰)と(😎)エウリュディケが森の中(🏷)で(🦔)結婚式を挙げていると、(🛵)地(🐞)獄(🏥)(yù )の王者プルートーンの(🛴)使(🐖)者の蛇が現われエウリュ(👲)デ(💟)ィケを連(lián )れ去ってしま(🔗)っ(〰)た(🛹)。地(dì )獄へと降りたオルフ(🛑)ェ(🕣)ウスのかき鳴らす竪琴に(👇)感(⤴)(gǎn )動したプルートーンは(💃)、(🎟)地(🚳)上にエウリュディケを連(🌝)れ(📞)戻すことを許すが、地上(⚓)に(🏅)着(zhe )くまで絶対(duì )彼女を振(✝)り(😁)返ってはいけないという(⛄)条(🙌)(tiá(🥃)o )件をつけた。一段一段(duàn )と(🚓)昇(🌰)り始めたオルフェルスは(🤛)し(🕒)かし、とうとう心(xīn )配に(🍞)な(🔚)っ(🎴)て、振り返つてしまうの(🦋)だ(🤸)った。 ＜パエトーン＞太陽(🐿)神(😹)アポロンは火の馬(mǎ )車を(🤦)駆(😉)使(🔂)して天地を照らしている(🚦)。そ(🍖)れに憧れた息子パエトー(🔼)ン(🎣)は、父(fù )のいさめもきか(🦏)ず(🐈)火の馬車を盗み出したが(🍔)、(🤒)馬(✡)達(dá )が、主人がアポロン(🚳)で(📐)ないことに気づき、狂(kuá(👕)ng )っ(😢)たように暴走(zǒu )しはじめ(🔟)た(🏎)。つ(🌩)いにパエトーンは流星と(😭)な(😞)って宇(yǔ )宙の果てに燃え(⤵)つ(😺)きた。後には星(xīng )々が煌め(💊)い(🦔)て(🍃)いるのだった。