Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society.
一段不堪回首的(de )中国近代历史，由大导演张彻娓娓(wěi )道(dào )来。清朝末年(nián )政局(jú )腐败，社会民(mín )不(bú )聊生，慈禧太(tài )后与(yǔ )一群(🏋)愚(🔈)昧(🕯)无(🏊)知(😓)(zhī(🏊) )的(🍂)(de )权(🕳)贵(😘)大(🛒)臣(🍣)不(✨)但(🅾)毫(😪)无(wú )抵御外国列强侵(qīn )占，以及保护人民(mín )的能力，反而迷(mí )信以(yǐ )吞符(🎲)念(🤼)咒(🌖)，自(🛂)(zì(🏞) )称(👉)(chē(🙉)ng )无(🐵)坚(🙋)不(🏴)摧(😷)的「义和(hé )团」可以抵御(yù )洋(yáng )人，决意向列强宣(xuān )战。结果导致八(bā )国联军攻陷北京，慈禧太后仓 惶逃(táo )难；人民这才醒悟(wù )到(dào )，只有孙中山(shān )先生(shēng )领导的革命运(🚀)(yù(😦)n )动(🎹)(dò(📡)ng )，才(📻)是(👔)挽(🐑)救(👲)中(📣)(zhō(🕑)ng )国(🗾)的(🐃)(de )唯(😰)一(😽)希望。本(běn )片(piàn )于台湾实景拍摄，战争场面浩大，并由钻石级演员压(yā )阵(🖱)，包(📹)括(🚸)「(🧞)影(📹)坛(🔤)(tá(🐞)n )长(😫)青(🌐)(qī(💤)ng )树(🏫)」李丽华饰(shì )演(yǎn )慈禧太后、「功夫(fū )小子」傅声饰(shì )演(yǎn )刀枪不入的「义和(hé )团」铁汉曾献汉(hàn )、性感尤物胡锦饰(shì )演一代名妓赛金(jīn )花、红歌星甄妮饰(shì )演(yǎ(🙆)n )赛(🥡)金(🐤)花(🏾)义(⛵)妹(🍨)小(🔐)(xiǎ(🐆)o )菊(👊)，编(📔)写(😥)出(🧀)一(🕰)阙(🤢)英(yīng )雄(xióng )儿女的壮志悲(bēi )歌。
En présence de Lionel Soukaz
恩熙和在日(rì )侨(qiáo )胞崔社长相爱了，她(🐫)看(😡)重(🎟)的(🌘)并(👃)非(🐠)崔(🌨)(cuī(🚏) )社(🈹)长(💨)可(💥)以给予自己(jǐ )的奢华生活，而(ér )是他(tā )们之间真正的(de )爱(ài )情。恩熙偶然(rán )结识(shí )了年轻人安先(xiān )生(shēng )，面对安先生，恩(ēn )熙感受到了作为(wéi )一个普通女子所能(néng )拥有的不同(🏏)的(♓)爱(🦎)(à(🍾)i )情(🎸)，于(😄)是(🗃)恩(♈)熙(🍁)离(✔)开(🏋)(kā(🗂)i )了(🛶)(le )崔社长决定和(hé )安先(xiān )生走到一起，但(dàn )安先生最终却(què )选择(zé )与别人(👼)结(💢)婚(🚠)，这(👉)(zhè(😱) )让(📁)恩(📛)熙(🤗)倍(🐻)感(🔂)绝(🐵)望……
A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.
サド・マゾ小(xiǎo )説の大家団鬼六の代表作の映画化(huà )で、美しく雅やかな生花の家元が、嗜(shì )虐の魔手にかかって、ＳＭの世界(jiè )に落ちこんでいく姿を描(🐉)く(🎛)。脚(📌)本(🥐)(bě(😂)n )は(🚇)「(🔆)女(💘)囚(🕓)１(👪)０(🐋)１(🚧) (🆕)性感地獄」の久(jiǔ )保田圭司、監督(dū )は「四年三組のはた」の藤井克(🌊)彦(➗)(yà(🏠)n )、(💃)撮(⛄)(cuō(🚧) )影(🚨)は(🎗)「(🍌)濡(💔)れ(👉)た壷(hú )」の水野尾信正がそれぞれ担当。