贺总的恋恋不忘

本片导(💧)演(💍)拉(🛢)(lā )迪(dí )斯拉·斯塔维(🌜)奇(qí )，是世界上少数(👞)(shù(🏮) )值(👏)得钦佩与赞扬的伟大动画师，他(tā )始终致(🚛)力(⌛)于(🤱)停(tíng )格(gé )动画与制(🧤)作出许(xǔ )多(duō )具艺术性(🦑)与(👊)广(guǎng )受欢迎的动画(🏺)影(🤢)片。拉迪斯拉·斯(sī )塔(🙆)维(👬)奇最初于(yú )1909年(niá(🙊)n )在(🚡)俄(🎰)罗斯开始了(le )他(tā )的动(📌)画(🗝)事业，但(dàn )是旋即(⭕)便(〰)转(🤑)往法(fǎ )国开始了他动(🛹)(dòng )画(huà )生涯的高峰(🕢)直(🍂)到(📀)1950年为止他在那里(lǐ )创(🔩)(chuàng )作了无数的 经(jī(🎱)ng )典(🤲)(diǎ(🔀)n )动画片。 The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke's affairs, a series of frantic chases, plots and counter-plots begins... In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. 布特（古(gǔ )斯塔夫·冯·沃根海(🎟)姆(🐉) Gustav von Wangenheim 饰(🧑)）是一家不来梅地(🏚)产(chǎn )公(gōng )司的职员，受(shò(👄)u )公(📍)(gōng )司委派去一座古(🎩)(gǔ(🔀) )堡(bǎo )与诺斯费拉图(tú(🧘) )伯(🌬)爵（马科斯·夏(🔉)瑞(🐟)克(🏷) Max Schreck 饰）做房(fáng )屋(wū )买卖(🕊)交(🎗)易，但是(shì )在古堡(🖊)附(🦆)近(🗡)的旅(lǚ )店(diàn )投宿时，人(🤪)们(men )得(dé )知他目的地(🕳)的(🧠)反(🛬)(fǎn )应都很奇怪。到(dào )了(🏥)古堡，见到面目枯槁(💷)、(⛩)行(㊗)为古(gǔ )怪(guài )的诺斯费拉图(tú )伯(bó )爵，也得(😶)知(🙁)他(🌵)昼(zhòu )伏(fú )夜出的生(🛣)活习(xí )惯，布特对他的身(🛴)份(🤢)心生窦疑，终(zhōng )于探(🤾)知(🔡)他就是(shì )传(chuán )说中的(🔶)吸(👹)血鬼。布(bù )特逃出古(🤼)堡(🚞)，伯爵也一路奔向他买(👬)好(🎱)的、位于(yú )不(bú(🔟) )来(⛅)梅(💇)的房子。布(bù )特回家后(🍓)，得知(zhī )吸(xī )血鬼伯(👛)爵(👻)已(🐂)经(jīng )到(dào )来，而且正是(🈲)他(tā )令小城瘟疫肆(⬜)(sì(🔅) )虐(🕢)(nuè )，他和妻子艾伦（Greta Schröder 饰）一起，开(kāi )始设(🏻)法(👣)消(🥘)灭吸(xī )血(xuè )鬼伯爵…… На берегу(🔫) р(📊)еки Сочи н(♊)е(🤳)мая танцов(💄)щ(🕞)ица Гизел(🕵)л(🍖)а знакомит(👭)с(💈)я с Викто(🦑)р(✈)о(🥧)м и влюбляе(🥢)тся в него(📐). К(🛐)а(🤝)жется, что В(🥘)иктор отв(🃏)е(⬜)ч(🥊)ает ей взаимностью, н(🕋)о(🌡) в(🦎)скоре танцовщица обн(🏖)а(😽)руживает(🎵) е(📷)го с другой(✍). У(🍸)видев Гиз(🚼)е(👒)ллу в роли у(🏹)м(📋)ирающег(👶)о(🎎) л(💑)ебедя, в нее(🛑) влюбляет(🔔)с(🔎)я(🗨) (?)художник Г(😠)линский, с(🚋)т(🎱)р(♒)емящийся изобразит(🌍)ь(🏉) в(😫) картине смерть, и испо(⛄)л(🕶)ьзует тан(🔭)ц(🌑)овщицу для(😗) о(🚄)существл(😚)е(🔺)ния своего(📚) з(⛴)амысла. Aprè(🏌)s avoir fait fortune en Extrê(🙎)me-Orient, l'armateur Forest a ouvert une banque à(🙍) Marseille. Il est le tuteur de l'orpheline Madeleine Wills, dont il convoite le coeur. Lors d'une promenade en auto, celle-ci renverse malencontreusement un Chinois nommé Tchang Keou. Madeleine le fait soigner et lui trouve une place de domestique au service de Paul Valmont, dont elle est amoureuse. Tchang Keou est en réalité à la recherche de l'homme qui, armé d'une épingle rouge, a assassiné son père parce qu'il avait é(🦔)té témoin du meurtre du père de Madeleine par Forest. Ses soupçons se portent d'abord sur Valmont puis il comprend la vérité. Forest se sert du Chinois pour enlever Madeleine. Prévenu, Paul Valmont vient à(🥤) son secours. Tchang Keou tient enfin sa vengeance. Il tue Forest avec l'é(🐺)pingle rouge puis se donne la mort. MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin. A masterpiece of comic cinema that shows how the medium can transform and distort, as well as record, reality. Swedish cinema in the period 1917-21 was arguably the most sophisticated in the world, its major figure being the actor-director Victor Sjostrom, whose magnificently downbeat films combined literary adaptation, action, melodrama and astonishing natural backdrops. There are some of us, however, who prefer comedy to action melodramas, Lubitsch to Ford, and for this we turn to Sjostrom's contemporary, Mauritz Stiller, unfairly relegated in history to 'The Man Who Discovered Greta Garbo'. 在(🔖)(zài )上世纪初的德(dé )国(🐨)(guó )，一个精通心理(lǐ(🤬) )学(⌛)的(🌨)犯罪天才马(mǎ )布斯博士，利用各种伎俩，包(💨)括(🈚)(kuò(🙈) )催(cuī )眠，易容，赌(dǔ )博(bó )等，把他的受害(hài )人(ré(🏽)n )完(🍲)全操纵于股(gǔ )掌之(🤠)中。他自称能够医治战后(🦔)人(🍛)(rén )们(men )的精神创伤；(🎸)他(🐺)(tā )欺骗了舞蹈演员(yuá(🛣)n )卡(🈁)(kǎ )罗扎，又从百(bǎ(🤟)i )万(🏰)(wà(♟)n )富翁的儿子胡尔手中(👊)靠赌博赢(yíng )得(dé )了(🚔)五(💱)万(👡)马克。警(jǐng )方有人开始(🕚)调查(chá )……