The widower Choi is impotent. He adopts the infants Mun and Su-ryun and raises them. Mun graduates from college in Seoul but he can’(🚭)t adjust to Seoul life so he returns to Choi’s home. Mun learns that Su-ryun is not his sister in blood and he falls in love with her. When Choi discovers Mun and Su-ryun meeting secretly, he forces Mun back to Seoul. Mun meets the dancer Suk on his way and returns home. Since Mun is at home, Choi sends Su-ryun away. Su-ryun is unable to forget her home so she returns home on a day that is raining cats and dogs. Underneath a steel bridge, Su-ryun is raped by Jong-su and ends up dead. Meanwhile, Mun had left home when Su-ryun died. He is returning home when he discovers Choi crying with Su-ryun’(🥠)s body in his arms. His rage exploding, Mun grabs Su-ryun’(🍎)s body and takes it away.
墨(mò(❤) )西(🏗)哥牧(💸)师(🥝)Jeremías（(🚶)豪(✖)(háo )尔(🈯)赫·里(🌆)韦罗饰(😕)(shì )）与(🐏)妻(qī )子Tamar（伊塞拉·贝加饰(shì )）以及(jí )4个美丽的(de )女儿住(zhù )在临近美墨边境(jìng )的教区里，过(🍀)着平静(💢)(jìng )的(🍆)生(❣)活(huó(🗿) )。一(📩)天，牧(💜)师(♏)身(shē(🐝)n )在亚利(🚙)桑那的(🏓)姐(jiě )姐(🏤)意外身故的消息传(chuán )来，牧(mù )师决定带(dài )着家人(rén )前往美国继承姐(jiě )姐的牧场。但是由于(yú )牧场(🛥)地(dì(🌸) )下(❗)的铜(🥫)矿(🕎)(kuàng )，当(⛅)地(👵)(dì )的(🏦)警长和(😣)法官对(👈)(duì )其觊(🔡)觎许久(👮)，在收购(gòu )牧场的(de )要求被拒(jù )绝后，他们雇佣杀手枪杀了(le )牧师。为了保护(hù )牧场对(duì )抗警长(🗽)的势力(🚀)，牧师(🤔)的(🍹)妻子(💈)和(🚕)女儿(🤥)们(💺)(men )假意(❣)让(ràng )姐(⏺)姐曾经(🍠)(jīng )经营(📠)的(de )妓院“维纳斯花(huā )园”重新开张，并设(shè )法通知(zhī )了家乡四(sì )个倾慕(mù )女儿们的青年。在牧(⌚)师妻子(🥥)的带(🔩)领(🌮)下(xià(😀) )，他(😁)们(men )和(👳)警(🎇)长势(🍛)(shì )力展(💻)开(kāi )了(🥂)机智勇(➕)敢的周(👺)(zhōu )旋......
(来自机译:)这是关于(yú )福斯托(tuō )和吉尔达(dá )谁结婚(hūn )了很长的时间并彼此(cǐ )深爱对(🎧)(duì )方的(💦)故事(🥌)(shì(🌒) )。但吉(🌤)(jí(🆒) )尔达(🗓)去(🐧)世(shì(🌠) )，只剩(shè(👝)ng )福斯托(🔄)与他们(⛏)15岁的女(nǚ )儿和家(jiā )庭教师。当福斯(sī )托开始每晚做梦(mèng )与去世的妻子做爱后(hòu )，他的(de )女医(⛩)生，就是(💁)他(tā(🕞) )唯(🎿)一一(🚂)个(💵)访客(🦋)。可(🙅)是，当(💹)福斯托(♏)几乎(hū(🔺) )达到了(🐬)(le )高潮，吉(jí )尔达却(què )消失了。不久后(hòu )，福斯托再也分不清(qīng )什么是(shì )现实什么(me )是梦境(jìng )。
简介：
An anthology horror/thriller series, along the same lines as "Twilight Zone" or "Night Gallery." Each week features a new story and a new cast.
A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists.