知道错了就把皮带拿来

Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo –(👊) who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. Kyeong-su, a child living in an orphanage, learns that his mother is alive and living in Japan. He tries to find a way to cross the see and winds up stowing away on a cargo ship. 《海(hǎi )盗女(🐂)(nǚ )王》是一段关(🏚)于贪婪(🀄)，权力和阴(yī(❕)n )谋(🍩)(móu )的(de )历(🐯)史，在内忧外(🔬)患，残酷的宗(zōng )教冲(chō(🌎)ng )突、国库(kù(❗) )亏空、国(🚓)防松弛、战(📈)争一触即发(fā )的形(xí(🍙)ng )势下(xià )，她渴(🏷)望安全(😐)，深(🎦)谙金钱(qián )就(👮)是(shì )权力(lì )的信(xìn )条(🗡)。她利用自己(😤)的智慧(📷)和手腕，以超(chā(🍱)o )凡的(de )勇(🤮)气和魄力，解(😌)决(⤴)财政危机的(⏺)(de )天(tiān )资(♌)(zī )和聪(cōng )明才(🛺)智，取得(🌯)忠贞可靠的(😯)枢(shū )密院(yuàn )大(🍮)臣(chén )的(🕓)坚(jiān )决支持(🐀)，机(🚁)智地利(😾)用她的那些(💵)才(cái )艺(yì )超(chāo )群的海(🏸)上探险家们(🕠)、勇敢无(😏)畏(wèi )的商(shā(🆚)ng )人们(men )拓展(zhǎn )财源，伊丽(🥃)莎白一世的(😧)权力欲(🧝)和(🌕)(hé )贪欲(yù )缔(🍤)造(zào )了被后人津津乐(🕐)遂的伊丽(lì(🗃) )莎白(bá(✏)i )时代(dài )，开(kāi )启(🚵)了大英(✊)帝国非同寻(🚌)常(😓)的崛起之(zhī(🍩) )路。 奥利(🤺)(lì )弗（马克·(💠)莱斯特(🐔) Mark Lester 饰）是一名(⏸)(míng )孤(gū )儿(ér )，从(♌)(cóng )小在(🥢)教会中长大(💴)。九(🚸)岁时，奥(🧤)利(lì )弗被(bè(🌙)i )派遣(qiǎn )到工厂做工，之(🕊)后又来到殡(👫)仪馆(guǎn )成(⏭)(chéng )为(wéi )了学(🌡)徒。奥利弗的聪慧和机(🎻)敏(mǐn )让他(tā(💶) )很快(kuà(✂)i )就(🗼)在(zài )殡仪馆(🗞)里站稳了脚跟，但与此(⚡)同(tóng )时，他亦(🌒)(yì )遭到(🐈)了同伴们的妒(🎼)忌，他(tā(🐵) )们故(gù )意挑(🤐)(tiā(👈)o )衅激(jī )怒奥(🐜)利弗，最(🛶)终奥利弗离开(💥)了殡(bì(📑)n )仪馆(guǎn )。 有(yǒ(⛵)u )关湿婆之子战(😶)神穆鲁(🚬)干（室健(jiàn )陀(🎇)(tuó )）神(🎱)迹(jì )的南印(🔸)度泰米尔奉爱片。饰(shì(🤕) )演长(zhǎng )大版(🧞)(bǎn )穆鲁(lǔ(🚷) )干的演员Sivakumar是(👄)泰米尔明星苏利耶和(🎦)(hé )卡(kǎ )尔(ě(♟)r )迪的父亲(🛂)，饰演穆鲁干(📡)妻子之(zhī )一瓦(wǎ )丽的(🚄)(de )女演(yǎn )员便(⛹)是大名(🍨)鼎鼎的“印度铁(🉐)娘子(zǐ(👭) )”J. Jayalalitha 。 一直(zhí )以经典(🕦)影片为开发(🤜)对象的(🤡)(de )奇诺(nuò )(Kino)公司(sī(🦁) )，近(jìn )日(💩)又公布了三(🚳)个引人注目的(🍒)蓝光(guā(🚒)ng )新节(jiē )目发(fā(🧥) )行计划(💬)，这三部作品(🐢)中的第一(yī )部(bù )是(shì(⛪) )法国(guó )经典(📲)帅哥阿兰(🍆)德龙(Alain Delon)和玛丽(📋)安(ān )娜菲(fēi )斯福(fú )尔(🍘)(Marianne Faithfull)在(zài )1968年主演(🔚)的《摩托车(🐼)女郎》，熟悉(xī(👣) )这(zhè )部(bù )充满超现实(😐)主义镜头作(⏲)品的朋(🍗)(péng )友都(dōu )会知(✝)(zhī )道下(xià )面这个关于(🧒)片名的小八(🧜)卦，《摩(mó(💜) )托车(chē )女郎(lá(🏻)ng )》实际上(😥)是本片删减(🛣)版的(de )名字(zì )，它(🏿)(tā )的足(🉑)(zú )版原名是上(😇)面这张(🎆)海报中标注(😻)的(de )《皮(pí )革下(xià )的裸露(🍆)》(Naked Under Leather) 昭和初期・(🚷)大阪飛田(🏇)(tián )新(xīn )地(dì(🎧) )。一(yī )匹狼の博徒・海(🤨)津銀次郎は(👔)、弟(dì )分(🛤)である花沢(🙍)を引き連れ、この町(🤒)にやってき(🐫)た。黒田(🉑)一家の胴元・(🍚)桜井は賭場(chǎng )で見(jià(🛌)n )事な張りっ(💗)ぷりを(🥢)見せて稼ぐ銀(🖤)次郎(lá(🙄)ng )の姿(zī )に惚(📴)(hū )れ込む。対照(🏒)的に女(🕓)郎屋(wū )錦楼(ló(🕺)u )の主(zhǔ(🐀) )人・山波新(🥗)吉は賭場で有(🚃)り金そ(🔱)っくり奪(duó(💦) )われ、し(💹)かも借金が(🚀)かさんで錦楼(lóu )を担(🌥)(dān )保に取ら(🏃)れ、銀次(🚴)郎に泣きつ(🆎)いてきた。銀次(cì )郎は(⛱)新吉の女房(🗿)おとき(🎟)が作った金(jī(🥨)n )五(wǔ )十円を預かり、(💤)寺島一家の(🍝)賭(dǔ )場(🐏)で五百(bǎi )円に(🔁)まで稼(➡)いで約束を(🌭)果たす。だが、(🖱)二(èr )度(🤮)と博打はしな(🈸)いと誓(💐)ったはずの(✌)新吉(jí )は、そ(🚔)の五百(📅)円を元手に(🌏)シロウト(🚈)賭(dǔ )場を開(🍘)いてしまい、ついに(🗑)錦楼を黒田(🥫)(tián )一(yī )家(🍕)(jiā )に取(qǔ )り(🦇)上げられてしまった(📟)。悲観のあま(🚌)り首(shǒ(🤺)u )をつって死ん(🛃)でしまったおときの(🥎)通(tōng )夜(yè )の(🏈)日、新(🏑)吉はわずかな(🙁)香典(diǎ(🏦)n )を奪(duó )いま(🛒)たもや賭場に(🧑)出向く(🈚)がすってしま(🕡)い、同(👯)(tóng )行した花(🌺)沢がイカサマ(👣)札に手(🍜)(shǒu )を出(chū )す(⚾)が、黒(hē(🆗)i )田一家に見(❔)破られ、銀次郎は責(⚡)(zé )任をとっ(🔺)て指を詰(🥢)めさせられ(🚘)る。銀次(cì )郎(láng )は黒田(〽)(tián )に全てを(🌬)博打の(🌐)勝負で決着を(😸)つけようと言い、怒(👮)りに燃えて(🕛)勝ち続(🌷)ける。黒(hēi )田(tiá(🛁)n )は桜井(💤)を呼び、銀(🐏)次郎と勝(shèng )負(🙁)をさせ(🐷)るが、得意の(🌴)イカサ(🦎)マを封印し(♉)た桜(yīng )井は負(🥍)けてし(🛎)まい、銀次(🌗)郎は錦楼(🍅)(lóu )を取(qǔ )り(📈)戻(tì )すことができた(😅)のだが…。 Kyeong-su, a child living in an orphanage, learns that his mother is alive and living in Japan. He tries to find a way to cross the see and winds up stowing away on a cargo ship. パ(🔊)トリック(⛽)・クエンテ(🏚)ィン原作、新藤兼人(🏄)脚本(běn )、増(📢)(zēng )村保(🍠)(bǎo )造監督。岡田(🏤)茉莉子共演。二大(dà )女(🎇)優(yōu )が火(huǒ(🧛) )花を散(🧛)らす、と言っ(🛬)ても同(⏭)じフレーム(🏎)に映るのは２(📜)シーン(🛫)、それも同(tó(🥕)ng )じ場(chǎ(🏄)ng )所でしかな(💈)い。二人が逆の(👠)役をや(💰)っていても(😔)、もちろ(📕)ん一局の碁(🏍)だったろうけれど、(🐍)ここでの若(😤)尾ちゃん(🌮)は全く隙(xì(🧤) )のない硬(yìng )質な演技(🚄)で、清く正(🕉)しくを(🏮)心(xīn )情とする(👰)女性が、醜く不正に(🤲)まみれた現(🔳)(xiàn )実を(🛤)知った時にど(📊)うそれ(🚾)と向き合う(Ⓜ)かという難(ná(🚑)n )しい役(📥)になりきって(🅱)いた。