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Based of the Graham Greene novel about a revolutionary priest in Central America. A priest who is The Fugitive is trying to getaway from the authorities who have denounced Christianity and want anyone linked to it dead. The Fugitive finds shelter with an Indian Woman (The Woman), a faithful parishioner, who gives the priest directions to Puerto Grande, where he could then board a ship and sail to freedom in America. On his journey to Puerto Grande, he meets up with a man who says he will protect him. In reality, he is the Police Informer and once The Fugitive realizes this, he is back on the run, but the Police Informer is never far behind along with the authorities. Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the Virginian finds that his old pal Steve is mixed up with black-hatted Trampas and his rustlers...then finds himself at the head of a posse after said rustlers; and Molly hates the violent side of frontier life. On vacation, Tom Lawrence--The Falcon--and his Brooklyn-born sidekick 'Goldie' Locke meet cute with a little girl named Annie whose nurse has just been murdered. Accompanying Annie home, The Falcon is arrested for kidnapping, but bailed out of jail by a mysterious woman (Helm). A labyrinthine plot then unfurls involving silk smuggling, a steamship called the S.S. Citadel and an ex-bootlegger named Duke Monette. Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse. The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’(🎳)s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures 一(🛡)名被(🏖)毁容(🛏)的偏执狂向(xiàng )造成他(tā )生(shēng )活(⤴)困境(⬛)的(de )人(😕)展开(😎)连串报复，期间得到一位盲(📹)(máng )眼(🚶)女钢(gāng )琴(😡)(qín )家的好(hǎo )心(xīn )照顾，他(tā(📧) )不惜(🥒)为她偷盗(🐓)抢劫，成为一个疯狂(kuáng )的杀(👔)人(ré(🤨)n )犯(fà(♐)n )。 Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse. 具有(🙅)文(wén )献风格的序言讲述美国战(🏊)略情(🔼)报局(🔙)(jú )为(👥)进入(rù )敌(dí )后方训(xùn )练(lià(🏉)n )特工(🍒)。当(dāng )真正(🐕)的特工到达法国发现(xiàn )秘(👎)密V－(🏆)2火(huǒ(🌳) )箭库(🧦)时(shí )，一个名为(wéi ) “莫尔”的德(💨)国组(🛳)织施(🐅)予入(🎦)侵欧洲(zhōu )的假情(qíng )报(bào )，德国特(📭)(tè )工(🐆)却比组(zǔ(🍄) )织领导者更胜一筹，最终(zhō(🚀)ng )一场(👇)冒险(xiǎn )风(🤗)波血(xuè )腥(xīng )而生…