杨（克里(🕹)斯蒂安·乌(♑)蒙(méng ) Christian Ulmen 饰）是(🤦)(shì )一位典型的德国男子(zǐ )，个(gè )性(xìng )古板又(yò(🍊)u )拘谨，喜欢一(🛹)成不变(💫)(biàn )的(🎊)生活(huó(🖇) )。一次(🏪)偶然中(🔢)，杨邂(🛠)(xiè )逅了(le )名(mí(🏃)ng )为莎拉(lā )（(💌)米娜·唐德(🛌) Mina Tander 饰）的(de )女子(⤵)，莎拉来自于(🙌)意大利，血统之(zhī )中饱含(hán )了意大利式的奔放(🏀)与(yǔ )疯狂(kuá(⌚)ng )，就这样(㊙)，一对(🤡)性格截(💾)(jié )然(👄)相反(fǎn )的男(🥚)女(nǚ )相爱决(🍡)定踏入婚姻(🌸)的(de )殿堂(táng )。
在(😥)一个毫无任(🏑)何征兆的夜晚(wǎn )，打扮(bàn )入时的金发妙龄女郎(🕙)(láng )梅根(gēn )（(💻)珍妮弗(🕥)·戴(🗂)伊 Jennifer Day 饰）(🔧)边讲(🦃)电话(huà(🎽) )边行(🍙)走(zǒu )在空旷(🎼)无人的地下(🚗)车(chē )库内(nè(🏙)i )。突然，他被一(🖖)双强壮有力(🖲)的(de )大手抓(zhuā )住塞入一辆汽车的后(hòu )备箱内(nè(🍰)i )。梅根(gēn )奋力(👾)挣扎，高(💰)声呼(🐲)叫(jiào )，一(🚥)度(dù(🧥) )试图拨打911求(⬜)救，却因(yīn )手(❔)机电(diàn )量过(🅱)低(dī )而宣告(🥩)失败。在她感(🏗)(gǎn )到惶(huáng )恐(📨)(kǒng )绝望的时刻，冷静沉着的司(sī )机(🏵)乔治(zhì )（David Blanchard 饰(🏰)）驾驶(❗)汽车(📚)飞驰(chí(♿) )在繁(❄)(fán )华(huá(👖) )都市(🍽)的马路上。他(👩)打开车载(zǎ(🥝)i )无线店(diàn )，透(🌰)过扬声器和(🦓)麦克(kè )风与(🛂)(yǔ )梅(méi )根对话(huà )。这个疯颠极端的男(nán )人引领(🌺)(lǐng )着谈话的(🏜)方向，梅(🖊)根(gē(🏴)n )不得不(🏓)(bú )想(🐷)尽一(yī )切办(🦈)法与之应对(🛄)，设(shè )法说服(🖋)(fú )濒临崩溃(🈴)的乔治。
In a world of gangs and villains, one man - Moon - will stop at nothing to get the girl and take the spoils. Pete Walker's affectionate low-budget homage to the gangster thriller is packed with sights and sounds from a Britain about to swing out of the Sixties and into a somewhat less optimistic decade. It offers not only rare glimpses of a world gone by, but also some unexpected twists on generic convention. The cast includes Hammer girls Luan Peters (Lust for a Vampire, Twins of Evil) and Virginia Wetherell (Doctor Jekyll & Sister Hyde, Demons of the Mind).
The young son of a wealthy industrialist eschews the material pleasures of life and decides to enter the priesthood. His father wishes his son to follow in his footsteps and recruits his young girlfriend to help change his mind. The girl seduces the inexperienced lad, and he quickly falls prey to the material and sexual pleasures of the flesh. Father and son argue over the boy's future as the son agonizes about his fall into hedonism.
The young son of a wealthy industrialist eschews the material pleasures of life and decides to enter the priesthood. His father wishes his son to follow in his footsteps and recruits his young girlfriend to help change his mind. The girl seduces the inexperienced lad, and he quickly falls prey to the material and sexual pleasures of the flesh. Father and son argue over the boy's future as the son agonizes about his fall into hedonism.
ガミ(🏓)ラスの侵略(💛)(luè )を退けてから1年後の西暦(lì )2201年(🐐)(nián )、白色彗(🎛)星帝国(〰)が宇(📕)(yǔ )宙の(🏸)各(gè(✅) )惑星に(🥔)その(🧐)侵略の手を(🎬)伸ばしてい(🚉)た。
A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.