爆裂刑警

安妮（洛(⭕)(luò )特·(🤗)弗(fú )贝克 Lotte Verbeek 饰）是一(❎)个个性(🚸)倔(🍕)强(qiáng )的(🔄)(de )女孩，平凡的生活和(🐷)拥挤(jǐ(👍) )的(🎥)城市让她几欲(yù(👩) )窒息，绝(jué(😀) )望之中，她背上(shà(🔇)ng )行(háng )囊，开(🧒)始了寻(🥠)找(zhǎo )自我的(🗡)(de )特(tè )殊(⬅)旅程。在旅(🐘)途(tú )中，安妮(nī )结(👷)识了(le )和自(📔)己有(yǒu )着相似气(🍷)味(🚕)的男子(⏸)(zǐ )马丁（斯蒂芬·(⛄)瑞 Stephen Rea 饰）(🍅)，两人之间(🈯)的距离(lí )越走越(😸)近(🛍)(jìn )。敏感(🤷)的安妮发(fā )现(xiàn )了(🖌)这段关(🌻)系中的(de )危险和缺(quē(📞) )陷，她(tā(📭) )向(⛓)马丁提(✋)(tí )出了要求，要求(qiú(🧒) )两(liǎng )人(🚶)只做(zuò )旅伴，不谈感(🍔)情。 直木賞(🛩)作家・浅(qiǎn )田次(🔲)郎の短編(🌧)を、「(👗)銀のエンゼ(🗡)ル」の(🌟)鈴井(jǐng )貴(🏐)之監(jiān )督(dū )が映(🌄)画化した(🕡)ヒューマン・ド(👥)ラ(🏟)マ。父を(🙄)知らずに育った男(🍽)(nán )子高(👻)校生・和(😞)也(yě )、スナック(💗)勤(🤞)めの孤(✊)独な女・菊枝(zhī )、(📿)引退を(🍰)勧告されたボクサ(🐹)ー・章(👂)(zhā(🏅)ng )次。偶然(📘)(rán )出会った3人の男(👛)(nán )女が(⛔)、奇妙な共(gòng )同(tó(Ⓜ)ng )生活を(🥜)通(📨)してそれぞれの(🐋)傷ついた(🛸)心を再(🐺)(zài )生させて(➰)いく姿(📪)を描く。「(🗨)ごくせん　THE MOVIE」の(🍧)賀来賢(xiá(🐗)n )人(rén )、「最終兵(🐏)器(🚩)彼(bǐ )女(🚴)」の前(qián )田亜季(jì(🛤) )、「レ(🏳)ッドクリ(♍)フ」の中村(cūn )獅(🙁)童(➿)らが出(✖)演。 挥霍无度(dù )的威(👂)利·利(🧙)兰再(zài )次返回到(dà(🤤)o )一贫如(🔧)洗(🏃)的伦敦(🤙)(dūn )家(jiā )里，他父亲很(👞)高(gāo )兴(🐚)，但威(wēi )利·利(lì )兰(🙋)似乎并(📓)(bì(🐀)ng )不愿意留下。 Nicole Molino (Catherine Spaak) and Nicola Molino (Gianni Garko) are not related to one another. In fact, they don't even know each other until both are inadvertently assigned the same hotel room on the island of Ischia. Nicole isn't interested in any hanky-panky, so Nicola promises to keep his hands to himself. Though this is an Italian picture, the storyline adheres strictly to tried-and-true Hollywood formula, and Nicole and Nicola fall in love. 18 in the Sun was released in the US under the infantile title Beach Party Italian Style; its original Italian title was Diciottenni al Sole. アフ(🎡)リカで両(✉)親と暮(💫)らしていた(🥤)ジョー(🈶)は、内(nè(🎐)i )乱にまきこまれ(🌗)て死んだ(🥟)父(fù )、母の遺骨(🧖)を(🈺)持(chí )っ(🆓)て帰(guī )国(guó )した。用(👵)事を済(🏢)(jǐ )まし、(📸)アフリカ行の船(📨)に(💐)乗ろう(🏪)と神戸に向(xiàng )う貨(🐍)車に飛(👄)び乗(chéng )るが、眠(miá(🐦)n )ってい(🚑)る(📦)うちに(🕑)、とある地方都市(🔧)に辿り(🔮)ついてしまった。そ(📴)こで、(🌩)街(😴)中で暴れる馬(mǎ(👙) )を見つけ(👛)、慣れ(💗)た動作で馬(💖)を静め(🦔)たジョー(😰)は馬の持ち主、(⏩)坂本和平(🈯)(píng )の家に世話に(🤹)な(👢)ること(🏔)になった。和平は、(🙏)息子夫(➗)婦を早く(🕟)亡くし、孫娘の(💈)和(📖)代と暮(🏏)(mù )らしている。その(🏔)日は和(😇)代の十五(wǔ )歳の誕(🗡)生(shēng )日(📨)で(🖇)、家に(😀)寄りつかない地方(🎵)紙の記(🥚)者をしている兄の(🌇)文男(ná(🐲)n )が(🏿)プレゼントを持ってきた(🏉)。翌日、(👨)その文(wén )男は、泥(🚖)酔運転で(📆)海に車(chē )ごと落(🎤)ちて死ん(😲)だ。「兄(xiōng )はお酒は(🐧)好きで(🧝)なかった」と事故(gù )を不(📁)審(shěn )に思(🤸)う和代。葬儀(yí )に(🗑)、(❇)兄の友(😘)人だったというル(🏏)ポライ(🐥)ターの西条という男が現(😪)れ(🛢)、兄(xiō(😝)ng )は、この都市を支(🍀)配する(🦒)大矢グループの悪(🎶)(è )事の(🐫)証(🤺)拠を見つけたために殺さ(💹)れたと(⛰)言(yán )う。証拠を見つ(💣)けたら大(📠)(dà )矢に高く売り(💚)つけよう(🔮)という西条(tiáo )の不(🌲)純な動(🦖)機に、ジョーは協力を拒(🔄)否した。そ(🕸)んな時、街で知(🌩)り(⛺)会(huì )っ(😣)たギター弾きの勝(Ⓜ)とクー(🏘)コが、大矢の経(jīng )営する(🐲)ク(🙌)ラブに(🐹)勤めることになる(😺)。ジョー(🛂)は西条(tiáo )とは別に(👉)、文男(🧖)(ná(😞)n )のことを調べるが、この(🕣)街(jiē )は(🔷)政治(zhì )、経済の全(🗒)てを大矢(🦗)グループに頼(là(🏪)i )っており(🕝)、誰もが、多くを(💞)話した(🔶)がらない。やがて、ジョー(🛰)、西条に(🏷)大矢の圧力がか(⏮)か(🥧)るよう(🚥)になり、暴走族(zú(👤) )に襲わ(🦏)れ、被害(hài )者でありなが(🎀)ら(🐎)留(liú )置(🏨)されてしまう。そこ(⛓)には、(😐)彼らを助けた大矢(📈)運(yùn )送(📝)の(🍤)運転手、梶(wěi )も入れられ(😈)ていた(💙)。梶はジョーたちを(🚀)助けたこ(🤙)とでクビにされ(🔌)たのだ。翌(⚓)日、そこを出るジ(💭)ョーと(🛐)西(xī )条。その頃、金が欲し(🦕)くて西条(🎸)に協力していた(🐱)勝(⏹)(shèng )は、(📂)幹部の電話に盗聴(📻)器を取(🎀)り付(fù )け、テープを手に(🤓)入(🏊)れるが(👾)、見つかってしま(🈸)い、ク(🖖)ーコは殺され、勝(🎅)は腕に(🍞)傷(🎀)を負う。病院(yuàn )に勝を連れ(📦)ていっ(🤬)たジョーと西条の(🔋)ところに(🏓)、和代から電(dià(🥧)n )話が入り(😩)、誕生日のプレゼ(🔛)ントに(🎨)証拠が隠(yǐn )されていたと(🏏)いう。そし(👳)て、大矢はグル(🍰)ー(😳)プの経(➖)(jīng )営(yíng )悪化の打開(🏰)策とし(🕖)て、青(qīng )酸ガスを作って(🎞)輸(🤭)出しよ(🙎)うとしていること(🕌)を知る(🐙)。武器を作っている(🤼)と予(yǔ(🍓) )想(🗼)していた西条も、毒ガス(🗿)と聞い(♑)て、その非情さに(🎆)ジョーに(🤙)協力することに(🤪)なる。しか(🌵)し、その電話を聞(🏙)いた看(😰)護婦がいち早(zǎo )く幹部に(📃)連絡、配(🛋)下の者(zhě )が坂本(🥖)の(🐁)家に向(🚾)った。さらに、テー(🐬)プから(🎻)、毒ガスの出荷(hé )が明日(🥋)と(📚)分かり(🤡)、ジョー、西条、(😙)勝の三(🍚)人は工場に向う。途(🍼)中、坂(🥈)(bǎ(👎)n )本家に寄(jì )ると、和代は(🐐)連(lián )れ(🙂)去られ、和平は殺(😀)されてい(📰)た。三人は工(gōng )場(🐥)に忍び込(😂)む。敵を倒し、あと(🍑)一歩と(🛶)いうとき、陣頭指揮(huī )す(👽)る大矢(shǐ(💪) )と、和代、毒ガ(🤹)ス(🏓)を積ん(🎦)だ貨車が出発した(✅)。さらに(😐)ジョーをかばって勝が敵(🌕)の(🤷)銃に倒(🚗)れた。貨車に飛(fēi )乗(👆)ったジ(🔛)ョーと西条は、次(🙏)々と敵(🤽)を(❤)倒し、西条の銃弾が運転(💍)士、大(🅱)(dà )矢に命中するが(🍙)、和代と(🤥)毒ガスを乗せた(🕔)その車輛(🌯)が切り離されて、(📋)暴走を(🕳)始めた。もし、ガスの容(ró(🖌)ng )器が壊れ(📜)ると、和代はも(🥔)ち(📣)ろん、(❌)この都市の生命(mì(🚿)ng )はなく(🛷)なる。ジョーは吊り橋に縄(🏤)(shé(📏)ng )をかけ(💞)、走ってくる暴走(🎢)(zǒu )貨(huò(🐠) )車へ飛んだ。急カー(♌)ブを前(🚓)に(📘)ブレーキをかけるジョー(🏾)。貨車は(🚴)火(huǒ )花(huā )を飛ばし(🌕)ながらや(🎷)っと止(zhǐ )った。 A series of comic sketches revolving around the "mania" in people's deepest personality. In "The Elaboration", a hearse driver has his favorite hearse made out to perfection for his "clients". In "Sport" a bossy office supervisor loses a sports bet to co-workers and is forced to pimp out his wife, while one colleague decides to take advantage of it. In "Overtaking" a man tries to outrun a set of lights on a highway late at night... not realizing that it's an airplane. In "The Hobby" two best friends, Barbara and Carla, team up to find where one's husband is going to every weekend and being secretive about it. In "Advice" a bickering couple out for a drive bicker about one's well being which leads to a traffic accident. In "The Protest", Pasquale and Mario are two men who cannot seem to pass up every attempt to protest against the government from 1943 to present day 1964. In "The Antique", a couple travels to a remote monastery to shop for antiques and seek which ones to buy or leave. In "The Swear Word" Ilario Boietti is a writer who seeks advice about work for his latest book by consulting with a brash has-been author, who advices Boietti to embrace his wild side. In "The Strip-Tease" a lonely Lothario ventures to strip clubs in search of his true carnal pleasures. In "The Interviews", Micozzi is a government spin doctor who spins his tails to avoid the questions of government corruption. In "Hitchhiking", the thoughts of a off-duty policeman and a Sicilian hitchhiker whom he picks up, are displayed in this collision of cultures tale. In "Bill of Exchange" two couples, the Brugrolis and the Bonfanls, seek to out-spend the other in a war of wealth. In the final hilarious tale, "The Weekend", two thieves, Franco and Ciccio, break into a mansion to rob it thinking that the owners are out of town, only to have the unfaithful wife with her soldier lover, and the unfaithful husband with his foreign mistress, arrive wanting to spend time alone, and all parties try to avoid direct contact with the other. The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down! Set in the early days of World War II, General Claire Chennault works to assemble a volunteer fighter squadron to help the Chinese fight the Japanese. 杨(🙋)尼（尤(yó(🚉)u )西·瓦坦恩 Jussi Vatanen 饰）是(👦)一个整(🖥)(zhěng )天无所事事游手好(hǎo )闲(🕒)的无业游(🤓)民，靠着领取(qǔ )政(🎎)府(📈)发放的(📞)失业(yè )救济金生活(📬)，一晃眼(🚥)五年(nián )就(jiù )这样过去了，杨(🕑)(yá(🗑)ng )尼的女(☔)友(yǒu )依娜丽(lì )（帕(😇)梅拉(lā(🌑) )·托拉 Pamela Tola 饰）对男(ná(🕹)n )友(yǒu )如(🚽)今(🔏)的现状感到非常的不(bú )满(🌶)。一天，依(💃)娜(nà )丽拜托杨(yáng )尼(👪)去买一台(😹)信号(hào )转(zhuǎn )换器(😽)，但杨尼给(💘)(gěi )忘记了，当他想起(🙃)来的时(👍)(shí )候，商场已经关(guān )门了。依(🚧)(yī )娜丽彻(🐌)底的爆发了(le )，她向(🗾)男(🐘)友发出(🥜)(chū )了最后的(de )通牒，如(🌙)果不能(🌄)(néng )在今天买到数字转换器(🥐)，那(😻)(nà )么他(🏩)们就分手。