SYNOPSIS
《德黑兰43年》是(shì )一部二(èr )战题材(🌲)(cái )的(➕)影(🎶)片(🔨)，1980年(🏼)由(😧)俄法瑞(士)三国(guó )合拍，片中几(jǐ )乎运用了(le )所有的电影语言，堪(🥇)称经(🗼)(jī(🕺)ng )典(🛢)中(🖇)的(🍅)(de )经典(🐍)，1981年获莫斯科国际电影(yǐng )节金奖(jiǎng )。导演(yǎn )是前苏联的(⏮)阿(🃏)·阿(🎮)(ā(🌟) )洛(💬)夫(💹)和(👺)弗(fú(🙈) )·纳鸟(niǎo )莫夫，法国影星阿兰德隆(lóng )领衔主演(yǎn )。1988年由(🛩)(yóu )央视(🗼)译(🛺)(yì(😭) )制(😵)并(♉)播放过该片。
《德黑兰(lán )43年》是(shì )一部二战题材的影片，1980年由(yó(😥)u )俄法瑞(🛶)(ruì(😬) )(士(🍋))三(📜)国(guó )合拍，片(piàn )中几乎运用了所有(yǒu )的电影(yǐng )语言，堪称经典(♑)中的(🏴)经(🚤)典(😦)，1981年(💇)获(🌐)莫(mò )斯科国(guó )际电影(yǐng )节金奖。导演是前苏联的阿(ā )·阿(🖱)洛(🏙)(luò )夫(⏹)和(🧢)弗(🍤)(fú(🧢) )·(🧠)纳鸟(✅)莫夫，法国(guó )影星阿兰(lán )德隆领(lǐng )衔主演(yǎn )。1988年由央视(🗯)译制并(👔)(bì(🎙)ng )播(🆘)放(🚜)过(⬅)该(gāi )片。
寅(yín )次郎的(de )故事系列第二十七部(bù )
常青公(gōng )社的(💒)马(mǎ )大(🔆)车(🍀)驾(🍧)着(🙉)一辆装满化肥的三(sān )驾马车(chē )走在首(shǒu )都京郊某(mǒu )条车水(💳)马龙(📵)的(🌓)公(🌑)路(⏩)(lù(🔴) )中央。为了确(què )保首都蔬菜供应以及环境卫(wèi )生，北(běi )京有关(Ⓜ)(guān )部(🏌)门(💲)决(🐉)定(🌳)禁(🥀)止马(🏁)车进城，并(bìng )委派艾(ài )京华到(dào )常青公社装备一批(pī(😺) )汽车代(😛)替(💢)(tì(😠) )马(🧛)车(🕸)进(jìn )城送菜(cài )。以马大车为首的(de )马车把式(shì )们却把(bǎ )艾京(🦅)华(huá )视(🏩)为(🛫)眼(🥙)中(🙌)钉。马大车(chē )的儿子(zǐ )马三辈(bèi )站在未婚妻艾京华一边和爸(🏜)(bà )爸(👡)展(😞)开(🕍)(kā(🔴)i )了(🐵)斗争(zhēng )。在结婚(hūn )筵席山，马大车才(cái )知道艾(ài )京华就(jiù )是自(✊)己的(♏)儿(🚳)媳(👛)妇(🐏)，公(🐇)公和(💄)儿(ér )媳妇终(zhōng )于相互(hù )理解。马车不能进城了，马(mǎ )大(⏭)车赶(gǎ(🐾)n )着(🔭)马(🔃)车(😡)(chē(🕰) )在京郊公路上担负(fù )着汽车无(wú )法完成(chéng )的运输(shū )使命(🏌)。
A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists.
普契尼(🍾)著(🌝)名(🔳)(mí(🎵)ng )歌剧《托(tuō )斯卡》的1981年电(diàn )影版