Marco is married to Carla, a rich businesswoman. She's off to Geneva for two days; he has a tryst with Monique, a Swedish air hostess. Carla's flight is canceled, so she heads home about to catch Mario en flagrant. Mario's salvation is Enrico, an old school mate and hapless salesman who shows up to beg Mario to buy toilets so he won't lose his job. Mario signs an order in exchange for Enrico's posing as Monique's husband. Carla invites them to stay overnight and join a business dinner party catered by Enrico's wife, Matilde. Enrico spends the evening trying to avoid her, Mario spends it chasing the willing Monique, and Carla wants to close a deal. Can this farce end happily?
Going through the filmmography of Jess Franco is never an easy thing because not only do you have to go through more than 200 movies but you've also got to go through countless alternate versions. Sometimes films can have four or five alternate versions with newly shot scenes, alternate footage or footage thrown in from another director. In 1974 Franco made a film called EXORCISM, which was a very dark mix of sex, religion and violence. It was also released in a softer version under the title DEMONIAC and another version with XXX footage called SEXORCISMS. Then, in 1979, Franco took footage from EXORCISM and added a new plot around them and the end result is this film, THE SADIST OF NOTRE DAME.
第二(⏪)(èr )次世界(📂)大(dà )戦下(😺)、オ(✂)ランダのア(🛁)ムステルダム(🕢)にある隠(😢)れ家で、ナチ(🤦)スから逃れ身(🏯)を潜(qián )めて(🌼)精一杯に(⤴)生き(🕚)ようとし(🐫)たユダヤ人の(🚤)少女(nǚ )アンネ・フランク(🚠)と、その(👥)家族(zú )の軌跡(🤦)。アンネ・(🌙)フラ(🛵)ンクの生(shē(👞)ng )誕50周年を(🐡)記(jì(🐔) )念し、世(🛁)(shì )界的なベス(🤪)トセラー「アンネの日(rì(🐀) )記」を元(🗨)に制(🛴)作された(😝)アニメー(✖)ショ(🧕)ン。アンネの(🎺)実父(fù )オット(🚵)ーへの取(📚)材を行い、現(🤨)存(cún )するナチ(🏮)スの収容所(🧀)の映像や(📐)オラ(🔷)ンダの景(🥪)(jǐng )観などの実(⏩)(shí )写映像もふんだんに盛(📸)り込まれ(📪)ている。
When a teacher takes a group of troubled school children on a school trip to Conwy in Wales, the children understand life outside of Liverpool.
片(piàn )名(👾)：曲解(jiě(🎹) )爱神(🔆)(完整收(shōu )藏(🌃)版)Eros Perversion
江湖上(🐗)(shàng )闻(📊)名例不(bú(🐨) )虚发的“小(xiǎo )李(🏸)飞刀”终于被制服在(zài )美而(🍏)慧的(de )银姬(🚢)的爱(🌁)情(qíng )情调(🗝)中，从(cóng )此(🐪)过著(😪)归(guī )隐山林，伴(bàn )著银姬共(🚥)(gòng )享幸福(🌸)，过著(zhe )最甜蜜、(🌳)最美满的生(shē(💔)ng )活。江湖是(shì(👌) )最无情的(🔂)(de )，只要(🌛)你一旦涉(🍗)足其(qí )间，就永(🦑)远也(yě )无法脱身，除非是命(🏒)(mìng )丧黄泉(🕘)。“小李飞刀(dāo )”虽(🔜)然决心远(🕘)(yuǎn )离(❌)江湖，偏偏就(🎡)有人(rén )说什么(⏩)也不(bú )放(😡)过他，想尽办法(🐂)要(yào )达到逼使(shǐ )小李飞刀(📀)重入(rù )江(🌺)湖的(🤪)目(mù )的！他(🌖)是谁(shuí )呢？小(⭐)李飞(fēi )刀的仇家(jiā )吗？一(💦)个黄(huáng )昏(🌮)，像平(píng )时一样(🈶)祥和宁(níng )静的(💵)黄昏(hūn )，银姬(🏑)又像(xiàng )每(🏥)天一(🥔)样藉(jiè )著(🤨)喂狗，早就在院(🚓)中等待著心(xīn )爱的丈夫从(🏅)田(tián )地里(🛺)回来；果然，脚(⛩)(jiǎo )步声传(💌)来了(❤)(le )，她正准(zhǔn )备(🕦)飞奔过去时(shí(🧑) )，一柄利刃(🔊)突然穿胸(xiōng )而(🖲)过！银姬(jī )死了，小(xiǎo )李飞刀(🌊)的美(měi )梦(🛥)也粉(🎐)碎(suì )了，而(🔍)且碎得(dé )那么(🙉)彻底(dǐ )，他终于明(míng )白：一(✡)旦涉(shè )足(👦)江湖，就永远无(🥥)法(fǎ )脱身(🛰)了！但(👕)是，银姬是(shì(⛔) )无辜的，她(😫)不该(🌚)落到(dào )这(🕙)样的下场(chǎng )。因(🛫)此，小李飞刀思考著，他(tā )决(📋)不能原谅(📁)这(zhè )个凶手，他(👉)(tā )要报复(🧛)，他要(🎃)以更残(cán )酷(📑)的手段(duàn )对付(🚏)这个凶手(🛍)(shǒu )！(银姬手上抓(🏭)著撕下(xià )凶手的衣角(jiǎo )，小(📍)李飞(fēi )刀(🐁)已认(⚪)出是(shì )黄(🧦)金帮所(suǒ )为)
Marco is married to Carla, a rich businesswoman. She's off to Geneva for two days; he has a tryst with Monique, a Swedish air hostess. Carla's flight is canceled, so she heads home about to catch Mario en flagrant. Mario's salvation is Enrico, an old school mate and hapless salesman who shows up to beg Mario to buy toilets so he won't lose his job. Mario signs an order in exchange for Enrico's posing as Monique's husband. Carla invites them to stay overnight and join a business dinner party catered by Enrico's wife, Matilde. Enrico spends the evening trying to avoid her, Mario spends it chasing the willing Monique, and Carla wants to close a deal. Can this farce end happily?
一(💬)部意大利(lì )喜剧，讲(jiǎng )述了(🔄)一个涉(shè(⛸) )及公主项链(lià(🏊)n )的抢劫案(📿)(àn )，以(🐨)及一个(gè )人(🎯)物的角(jiǎ(📆)o )色，他(🌟)们不是(shì(🔰) )他们所看(kàn )到(💸)的。他们(men )做任何能得(dé )到项(👵)链的(de )东西(🏿)。