母(mǔ )亲的(😩)突(📸)(tū )然离世(shì )，让少(shǎo )女(🏇)汪(♉)岚(lán )（瞿颖 饰）深(🤞)受打击，父亲己离家出(✂)走多(😱)年。一天，她做了一(🎟)个(gè(😫) )奇(🙄)怪的(de )梦，梦(mèng )中的母(🤷)(mǔ(🎮) )亲惨遭(zāo )他人杀(shā(🕑) )害(🥈)，醒来后她按照梦境翻(🍥)开莎翁的《仲夏夜之梦(👞)》，果(✨)然从中翻(fān )出了梦(🐤)(mèng )中所见(jiàn )的房契(qì(🌦) )和地(🏺)图(🛠)(tú )，牙医男友路芒（(😨)尤(⏭)勇 饰）认为她产生(🏹)幻(🚢)觉，但汪岚认为梦中(🥍)的(🔋)(de )一切是(shì )真的。法医鉴(🌴)(jià(🙉)n )定母亲(qīn )系自杀，但(🕠)汪(🏔)岚感觉母亲死的蹊(❄)跷，她(👩)与路芒经多方寻(🚌)找，终(🎫)于(🔝)(yú )找到了(le )梦中母(mǔ(🈶) )亲(🕡)遇害(hài )的那栋(dòng )小(💉)楼(🤠)，不料诡异的现象接连(😉)发生。汪岚的生父刘家(🏚)新(🔚)（张先衡 饰）感觉(⚡)(jiào )女儿要(yào )出事，他假(🔞)装(zhuā(🥂)ng )租(🌋)房，实则为保护女儿(👀)。路(📧)芒的助手林护士（(🚝)耐(🕠)安 饰）受汪岚养父(💂)汪(🦕)敬(jìng )（吴文(wén )伦）要(📆)(yà(🧣)o )挟，欲(yù )在风雨(yǔ )之(🍑)夜(🐼)除掉汪岚，不料自身(🍾)命丧(🏗)黄泉。
塞利亚是阿(📲)美里(🧚)戈(⛔)的教女、秘书与(yǔ(📤) )情(🆕)人，但她其(qí )实是阿(🚟)(ā(🈷) )美里戈的妻子派来的(🍥)
The owner of a drugstore is killed in a hold-up. The only witness who saw one of the murderers without his mask is Gregory, a nine year old autistic boy. Cop Barlow is sure they'll try to silence him. He tries to get him to draw a picture of the man he saw.
由韩伟达导演程小龙(🤕)和(🏾)宣彤主演的剧情片(💰)。
朱丽叶(yè )（凯特(tè )·(🎺)温丝(🐉)(sī(🥕) )莱特 Kate Winslet 饰(shì )）和波(bō(🧖) )林(🌍)（梅兰妮·林斯基(🔱) Melanie Lynskey 饰(🍚)）相识于一所校风(🗽)严(🗯)谨的女子学校中，一(yī(🦈) )见(⛵)如故(gù )的两人(rén )之(🈯)间(💶)很(hěn )快就建(jiàn )立起(💳)了真挚而热烈的友情(📬)。在两(😵)人(🛒)共有的日记本上，记(🥇)录(🐁)着名为(wéi )《波洛(luò )夫(🌧)尼(🌏)亚(yà )》的虚(xū )构故事(shì(🌌) )，故事的主角是查尔斯(🌸)国(🀄)王和黛博拉王后。
在(🌘)百货公司上班的土屋(☝)名美(🌳)(měi )被她的(de )已婚上(shàng )司(🥚)包(🛺)养(yǎng )着，曾(céng )经为了(🌸)赚(🤤)钱她给一家色情杂(🍆)志(😓)社拍过裸照。最近一段(🐡)时间以来，名美总(zǒng )觉(🤦)得(🧗)有(yǒu )变态佬(lǎo )跟踪(🦆)她(tā )，而且常常接到只(☝)有粗(🏆)重(🚡)喘气声的电话。后来(☝)名(🏛)美认定变态佬是(shì(🆗) )一(🐖)个半(bàn )路上突(tū )然开(📹)始(shǐ )跟着她(tā )的年轻(🔊)男(😧)子村木，但其实对方(🙆)只是因为看过她的裸(😩)照而(💷)非常仰慕她而已(yǐ )。不(🏭)久(👔)(jiǔ )后，名(míng )美的上(shà(🏕)ng )司(🔒)发现(xiàn )了她拍裸照(👟)的(👓)事情，他担心万一将来(🔒)两人私情曝光影响事(🛶)业(🎉)，所(suǒ )以把名(míng )美辞(🤼)退(tuì )。名美(měi )感到生(shē(🦉)ng )活没(💲)了(⬜)希望，这时村木又出(🔟)现(😴)了，但他能让名美走(👗)出(👭)阴霾吗？
The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that's left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death.