A miner has struck it rich and gives some ore to cowhand Jess Dean to take to his granddaughter. But Horse Williams has the miner shot and uses the ore found on Jess to accuse him of the murder. Jess escapes from the mob of townspeople who later learn that the body of the supposedly dead miner has mysteriously disappeared.
Boys blow peas at the cobbler, who throws a boot and hits a woman.
故事(shì )梗概(🛡)：
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first husband, three years ago. So he is rather undesirable. But Oetsch stays; arguing he is not the murderer and will find the real one...
故(gù )事发生(💌)(shēng )在新年来(🦗)临(lí(🖍)n )之夜，传说每(🅰)年的(de )这个夜(yè )晚(🕓)，死神就(jiù )会来到(🌻)(dào )人间挑选(🚩)一(yī(🥃) )个罪孽(niè )深(📠)重的人来(lái )驾驶(🤯)他(tā )的马车。这次(🛑)被选(xuǎn )到的(➿)是个(📦)抛妻弃子(zǐ(👖) )又嗜酒如命的流(🎭)浪(làng )汉，在流浪汉(🚬)由于(yú )自己(❤)的作(🎎)风问题而(é(🍍)r )即将被夺走生命(🖐)时(shí )，一个(gè )孱弱(🆘)的修女(nǚ )用(🔹)基督(🥄)(dū )之爱拯救(🚊)了(le )他
It is extraordinary that this amazing film is not repeatedly shown. It is possibly the best demonstration of the genius (not an assessment to make casually) of Sjöstrom - with David Griffiths, the first person to demonstrate his brilliance by making films.
Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")
动(dòng )画名(👽)家北山(shān )清(🤡)太郎(🧓)(láng )的早期动(💽)画(huà(💐) )。