疯狂有趣岛

铸(zhù )剑(💓)名(míng )师干将（(💓)马崇(🦏)乐(lè ) 饰）为生(🖖)性残暴(🔣)的楚(chǔ )王(wáng )（(⛺)马精武 饰）铸剑，剑(🤮)成(chéng )之后，多疑(💫)的楚(chǔ )王杀(shā )死了干(🐋)将。干(🗿)将(jiāng )之妻(qī )莫(🧣)邪(xié )（杨青 饰(⛵)）早就(jiù )料到(dào )此事(✳)，便造(🎭)了两(liǎng )把剑，一(🗞)雌一雄，雌(cí )剑(🏻)献给(🕥)了楚王，自己则(🐯)(zé(🏛) )留下(🍵)(xià )了雄剑给儿(👨)子眉(méi )间尺(chǐ(🎗) )（阮(🐗)巡 饰）。 Bonnie and Hillary are two young lost souls who meet one day and discover that they get along. They talk about their lives and run around and and keep getting really excited. Their day escalates into an eruption of violence and rage that can only be understood by the two girls. 一(yī )位(💲)武(wǔ )术(🎛)冠军和美女记(🕳)(jì )者在(zài )寻找(🦃)(zhǎo )一(🌞)名失踪男子的(👓)(de )时候(hò(🐓)u )，发现了一系列(🙄)(liè )由军火商经营的(📿)非法(fǎ )地(dì )下(🕉)自由搏击比赛。 Nathalie is together with Antoine, who really loves her, despite of her obvious tendency go get away from him. Eric, the former partner of Nathalie, does not want to be with her anymore, but she can not accept this. In her dispair she tortures herself, Antoine, and Eric. She even suggests Eric to get married. However, she must accept that things are as they are, even if you don't like it, and finally tries to get back to Antoine. 老(lǎo )皮(🛥)和(hé(🕷) )林兆雄及其夫(🕎)人(rén )陈彩(cǎi )霞(📩)为多年老友，两人(rén )皆(💿)有(yǒ(🚢)u )外遇，托老(lǎo )皮(🎤)代(dài )为监(jiān )查(🎋)及搜(🙏)集证据，而林兆(🌇)雄(😰)亦得(🚥)知情人(rén )孙若(🏣)英另有情人，故(🍔)对(duì(🦑) )孙若(ruò )英之一(👀)举一动(🐛)，林氏(shì )夫妇了(💡)如指掌。老皮(pí(⏩) )得知(❕)孙若英的未(wè(📩)i )婚夫(fū(👧) )郭宇(yǔ )庆于孙(🤶)若英死前(qián )四个(gè(📳) )月，由夏门搭人(⬆)(rén )蛇船偷渡来美，曾造(👱)(zào )访(❇)(fǎng )孙若英，老皮(🥉)以为他(tā )借贷(👘)(dài )不遂又因孙若英(yī(📝)ng )之移(🌨)(yí )情别恋，而林(🔛)兆(zhào )雄之(zhī )外(💹)另(lì(🍃)ng )结新欢，故(gù )动(🚫)杀(📨)(shā )机(💧)老(lǎo )皮两度推(🎆)理被推(tuī )翻，第(❌)三怀(🥈)疑陈彩霞(xiá )，但(😝)被陈彩(👡)霞提出的证(zhè(🍻)ng )据反(fǎn )驳，最后(👁)，老皮(💫)(pí )终于(yú )查出(🎶)凶手，使(🎻)案(àn )情得(dé )以(🎱)大白，陈彩霞(xiá )无罪(💬)(zuì )…… The Yakuza clan Inoshika decides to help a small family business, Taxi Tanaka, lured by the clan Jinryûkaï and deeply in debt. Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—(💂)a prince's palace in which her mother, Khedija, worked as a house servant and mistress. Alia had fled the palace ten years earlier, at which time she spent burying tortured memories of her childhood. In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and is re-awakened to her persistent questioning about her father's identity. As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion. Her development throughout the film contrasts her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty. 부산에 있는 종철이 형(🥣)을 찾(🌶)아 기차에 오른(🚹) 진우는 나약해(😍) 보이는 영을 만난다. 영(🕝)은 사(🎤)랑하는 지혜가(⛎) 고아 출신인 자(🏏)신과(📳) 반대하는 부모(🗝) 때(🏸)문에(⛅) 집을 나가 부산(🐺)으로 가겠다는(🚝) 말만(🎄) 믿고 지혜를 찾(📢)기 위해(🤺) 무작정 부산으(🥁)로 가는 중이었(🤡)다. 우(🥁)연치 않은 기회(🚂)에 종철이 형이 몸담고(🌐) 있는 망둥이패와 꼴(🛤)뚜기패의 세력(✨)싸움에 끼어들게 된 영(📪)은 자(🐹)신도 모르는 주(🉐)먹의 위력을 발(🏾)휘해 지존의 신임을 얻(🈳)어 망(✍)둥이패의 일원(💼)이 된다. 한편 백(🕧)화점(⏺) 보석부에서 일(🏦)하(🍤)고 있(🤠)는 지혜는 한마(👶)디 말도 없이 떠(🎚)나온(🥋) 것이 마음에 걸(🐇)려 영을(🛋) 잊으려고 노력(😰)한다. 그러다가(🎏) 지혜(💻)는 신책 중에 밀(👶)수조직과 싸우다가 부(🈵)상당한 채 해변가에(💼) 쓰러져 있는 영(🦏)을 발견한다. 영과 지혜(🏑)는 재(🌜)회의 기쁨을 나(⚡)누지만, 조직을(💷) 이탈한 영은 유원지(📒)에(🐻)서 지(⏳)존의 부하들에(⛏)게 붙잡혀 조직(🥇)의 율(🌿)법에 따라 엄한(😧) 처(😵)벌을(👃) 받게 된다. 마침(🐌) 지존의 애처 해(🛒)경의(🙁) 도움으로 변은(🌙) 면하지(📼)만 밀수조직의(😬) 덫에 걸려 경찰(🦆)에 체(🌚)포되어 조사를(🥘) 받은 끝에 풀려난다. 그(📳)러나 지존의 부하들(🎿)은 지혜를 납치(🌔)해 폭행하고 영은 지혜(🤞)가 폭(🧜)행당한 장면을(🐾) 상상하며 악몽(💮)의 세월을 보낸다. 보(💼)다(🛠) 못한(🈁) 지혜는 만삭의(🈳) 몸으로 집을 나(👔)가 아(📣)이를 낳지만, 그(🎩)녀는 죽(💷)고 만다.