演员岳红

一个记(🕙)(jì )者(zhě )正在(🗃)寻找一(🍪)条(tiáo )独(📥)家新(😪)(xīn )闻(wén )，会见一位部(💻)(bù )长的女(nǚ(🤰) )儿，与她展开生(💏)意，损(🚇)(sǔn )害了自己(⛳)的妻子(🎐)。 Variation, based on the book by Hiroyuki Itsuki, a novelist especially popular with women, was the final work of the late Nakahira. His previous themes of first love, disppointment, anguish and tenderness are projected as the undercurrent to this story of the renewed love of two former university students. They meet dramatically who Morii, a political radical on the run from the police, is concealed by Kyoko while performing a puppet show at the university. Their affair is cut short when Morii is forced to go into hiding. When they renew their affair ten years later after an accident meeting in Paris, the same desperation inherent in their young love again clouds their relationship: Morii's fugitive years have subjected him to a stress which has made him impotent, and once again Kyoko is plagued by Morii's inability to love her totally. Only escape seems to hold hope for reconciling their situation, and the two plan to steal away to the south of France but it seems that the couple are doomed to play only a variation on the same tragic theme of their love. 神秘(mì )宅邸(🆗)的主人莱昂内尔·(📡)吐温（杜鲁(📅)门·卡波特(tè(🔴) ) Truman Capote饰）(🎥)邀请五位世(🍀)界著名(🌪)(míng )的侦探(tà(📅)n )来到古堡出席一(yī(📷) )场神秘(mì )的(🚯)晚宴。他们分(fè(👆)n )别是(🔑)纽(niǔ )约(yuē )业余侦探(⚡)迪克(kè )·查(🔓)尔(ěr )斯(sī )顿（大卫(♒)·尼(ní )文 David Niven饰(🈴)），比利(🌳)时侦探(🌹)米(mǐ(😖) )洛·比(bǐ )埃(āi )尔（(🗜)詹姆斯·可(🚆)可 James Coco饰(shì )），上海(📫)检查(🧝)员(yuán )西德尼(👢)(ní )·王(🛋)（彼得·塞(🦗)勒斯 Peter Sellers饰(shì )），英国人(🏟)杰西卡·马(🎭)(mǎ )波尔（爱尔(🎁)莎·(🧟)兰切斯(sī )特(🌘) Elsa Lanchester饰）小(🎦)姐和来自旧(🆎)金(jīn )山的萨姆·戴(🔂)蒙德（彼(bǐ(🤞) )得·法(fǎ )尔克(🛄) Peter Falk饰）(🚤)。没人(rén )知道这(zhè )次(✴)凶险异常的(❔)邀(yāo )约背后(hòu )到(dà(🎄)o )底隐藏着什(🐶)么(me )样的杀(shā )机(😂)(jī )，但(🍄)这五位侦(zhēn )探们还(🔵)(hái )是(shì )各自(👤)带上一位(wèi )亲(👦)属或(📛)(huò )朋(péng )友来(🌙)到了这(📢)座(zuò )神(🌌)秘的(🏄)(de )宅(zhái )邸。然而莱昂(á(♍)ng )内尔并(bìng )没(🏒)有现身，等待他(🤱)们的(🏄)(de )是一连串被(🚚)精心设(🆔)计过(guò )的谋(🎗)杀事件。 A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability... The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. In 1910, in the State of Paraíba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land. 队长是(shì(⏱) )传统人士，思(💘)想保守，阴差阳(🈁)错却(🍭)被派遣往一(yī )个男(🛐)女(nǚ )自由交(💡)往的军营(yíng )中，为(wé(✳)i )整率歪风，他(🌯)决(jué )定实施(shī(🦗) )一(yī(👀) )系列规矩，但(dàn )旗下(👌)士(shì )兵(bīng )阳(🗾)奉阴违……