Nishaant is a 1975 Bollywood crime film drama directed by Shyam Benegal. At the 1976 Cannes Film Festival, the film was nominated for the Palme d'Or for Best Film.
这(🖍)部改编自(🎙)意大(dà )利当代作家安东(⌛)尼奥(ào )·(🗞)塔布其(Antonio Tabucchi)小说(🐡)的影片(piàn )将背景设在(🔊)里(🐂)斯本炎(yá(❣)n )热的八月。法国作家(jiā )保(⛹)罗遇见了(🏛)(le )形(🐐)形色色(sè(🦏) )故去的亲人(rén )朋友，他(tā(📊) )们从他的(🔻)记(🌒)(jì )忆中浮(📒)现(xiàn )出来，进入(rù )到现(🕒)实(🗑)世(shì )界中(🍆)。诗人(rén )皮(pí(💃) )埃尔带(dài )他去餐厅，保(🐿)(bǎ(🤹)o )罗的父(fù(🔹) )亲则想知道(dào )自(zì )己死(🚀)去(qù )的原(🐈)因(🤳)。当(dāng )保(bǎ(🚑)o )罗来到一间私人俱(jù )乐(👴)(lè )部时，领(🥁)班的服务员(🍘)(yuán )把一瓶1952年的葡萄酒(🥞)压(📸)(yā )赌在一(🐣)注台球上。小(xiǎo )说和影片(🐆)都在向葡(🌋)萄(⌛)(táo )牙作家(🉐)费尔南多·佩(pèi )索阿(Fernando Pessoa)作(🌧)致敬(jìng )。
Sex, drugs and suicidal tendencies... HAPPY NEW YEAR! This ensemble driven dramedy revolves around an eccentric New Years Eve Party, where the Party-Goers are oblivious to the true atmosphere of pain amid the celebration of "life".
《狂(🗿)暴(🚝)(bào )飞车3D》由(🏙)帕(pà )特里克·卢西尔(🛠)执(💳)导(dǎo )，是尼(💓)古(gǔ )拉斯·(💙)凯奇(qí )的第一部(bù )3D电(🗓)影(🐖)。
故事(shì )的(✏)(de )主人公(gōng )斯琴杭茹是(shì(😲) )成(chéng )吉思(🍝)汗(⛱)(hàn )第三十(🐷)二代(dài )嫡(dí )孙，上(shàng )世纪(🆕)三十年(niá(🆒)n )代(dài )她出生(🔑)在鄂尔多斯西(xī )王府(✌)。按(🎄)照传统习(🔰)俗(sú )，斯琴杭茹虽然贵为(💯)(wéi )公主，却(🏂)不(🚣)能和男孩(⤴)(hái )子们一起读书。聪颖(yǐ(💛)ng )的斯琴杭(🕹)茹(🥂)总是躲在(😾)(zài )书房偷听先(xiān )生讲(🧔)课(🚠)，和王府佣(🌺)人(rén )的孩子(🤟)孟(mèng )克结下了深(shēn )厚(🆒)的(🚚)友谊(yì )。
军(🔲)（郑嘉(jiā )俊 饰）与(yǔ )君(🏘)（杨丽诗(😵)(shī(😣) ) 饰(shì )）是(📨)一(yī )对孪生兄妹(mèi )，天然(🈶)的(de )，他们能(💠)够(gòu )敏(mǐn )锐(🚅)感知彼此的情绪(xù )与(👉)(yǔ(🎒) )心跳的变(🤣)化，在没有(yǒu )母亲的家庭(🔝)里，兄妹(mè(😉)i )两(🍒)人面对冷(🤼)漠的父亲(qīn )，只有依靠对(✨)方得到(dà(🈸)o )感(🎗)情的支撑(🦓)。15岁那年(nián )的军与君，时(💵)常(😣)走出(chū )压(😷)抑的家，在草(😜)地上(shàng )设想自己的(de )未(🍗)来(🚚)，作(zuò )家与(❕)歌星的(de )梦想似乎(hū )并不(⏹)遥远，让他(🔐)们(💠)暂(zàn )时摆(🔔)脱现实(shí )的(de )烦闷，同时两(🙏)人的(de )关(guā(😖)n )系，渐(jiàn )渐突(🌭)破了兄(xiōng )妹(mèi )的界线(🥇)…(🗃)…十年后(🏷)(hòu )，25岁的军与君再次相遇(📮)(yù )，而今的(🦃)军(♿)只能在色(🚙)(sè )情杂志上占据一席之(😝)(zhī )地，而君(🎁)则在卑劣的(🔎)(de )唱片公司老板中无助(🥦)(zhù(😡) )的游走。他(👏)们久未谋(mó(🛢)u )面的父亲，却依靠行(há(🐰)ng )贿(⌚)爬升到校(🎧)(xiào )长的职位(wèi )，道貌岸然(⬅)(rán )的外表(🐜)下(🌉)(xià )，隐藏着(🔽)为(wéi )兄妹两人(rén )所不齿(🐝)的卑(bēi )劣(⭐)(liè )往事。兄妹(🎡)两人商(shāng )定(dìng )，要让(rà(🆓)ng )父(💗)亲为他们(🖐)(men )不(bú )堪的回忆付出代价(🚺)(jià )……
The most important and prolific of all American women directors of the silent era, Lois Weber entered films in 1907 at Gaumont, working alongside Alice Guy-Blaché(👺). In the ensuing years, she and her husband Phillips Smalley acted in, directed, wrote and edited films for Gaumont, Rex and Universal. By 1914, Weber was a well-known director when she went to work for the Bosworth Company to make Hypocrites.
Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.