当家的女人

Pendant la guerre d'Algérie, Lakhdar, immigré, ouvrier du bâtiment, habite le bidonville de Nanterre. Ne supportant plus la solitude, il fait venir sa femme Nora et ses enfants en France. Dès lors, il n'a plus qu'une obsession : offrir aux siens un appartement digne de ce nom. 阪(🐊)(bǎ(📐)n )神大(🥎)地震使得神(shén )户废(♌)墟(🤥)遍布(bù )，大火(huǒ )冲天，面对新(🚕)闻(wén )报(🐽)道，不禁(jìn )令恩田(tiá(🕍)n )圭太（(📂)长冢京三(sān )饰）忆(🌍)起50年(niá(👊)n )前的少(shǎo )年往事。 本(💁)剧(🏷)改(gǎ(🎙)i )编自著(zhe )名作(zuò )家伯(📫)纳(🌱)(nà )德(💐).柯威尔，最畅销的同(🖥)(tó(👸)ng )名系列小说(shuō )《沙普(pǔ )》故事(👧)的背景(🏊)，是发生在十(shí )九世(🍙)纪(jì )初(🗻)的欧洲，战火(huǒ )分飞(😧)、硝烟(🥙)(yān )弥漫，强大的法国(🐐)军(🎍)团(tuá(❣)n )在拿破仑的(de )统帅下(🌛)(xià(💒) )，征战欧洲各国(guó )。英、德、(💢)苛、比(🚁)(bǐ )等国结成同盟军(🌅)(jun1 )，共同对(🍵)抗(kàng )法国。剧中主人(📔)公，一(yī(💳) )位来自英格(gé )兰约(🍖)克(🌧)(kè )郡(🎈)的穷小子------沙普(pǔ )，迫(📰)于(👼)(yú )生计(jì )，为求(qiú )谋生而(🏺)加(🚸)入军队(duì )“绿夹(jiá )克军”，从(có(🍐)ng )此便开(🍨)始了他的冒险生(shē(👳)ng )涯。本剧(🕵)通(tōng )过十四(sì )个独(🐿)立的影(🐑)片，来描述沙普(pǔ )从(🐩)一(⛩)名(mí(🥑)ng )不经传的小兵到(dà(🌍)o )赫(🐗)赫有名的(de )少校，这一传奇的(🤲)军旅(lǚ(🛳) )人生。 Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications? A young racist man has been stabbed and inspector Falk gets the dirty job of solving the murder. クラブミュー(🕤)ジシャ(🦕)ン・立(lì )花隆一郎(🤕)の本来(🛂)の姿は、内閣特別(♐)(bié(🧒) )調査(📀)室の特(tè )務班班(bā(👭)n )長(🐔)。局長の狙撃(jī )事件の捜(✂)査(🛴)(chá )を開(👡)始(shǐ )した立花は、(🏒)黒(hēi )い(🍿)噂が絶えない中(zhō(🅰)ng )国系の(📒)大香銀行にターゲ(🏺)ットを(👙)絞(jiǎo )るのだが…。 Post Mortem是(😿)一(🌅)部德(♈)(dé )国制作的电(diàn )视(♊)电(🏡)影(yǐng )，让观众坐在座(zuò )位的(🍴)尽头。这(🏾)是一(yī )个精彩的“whodoneit”，具(❔)有引人(⤴)入(rù )胜的情(qíng )节曲(🎳)折。这是(🥣)关(guān )于谋杀一名(mí(🥥)ng )年(🛫)轻女(🍶)(nǚ )子，她第一次独(dú(🕷) )自(👽)生活，是(shì )一位备(bèi )受尊(👦)敬(😃)的医学(🍰)院(yuàn )教授的女儿(é(⬆)r )。警察(chá(✴) )认为她是一个应(yī(🎭)ng )召女郎(💧)(láng )，因为她的(de )谋杀符(🐲)合连续(🤸)杀人模式(shì )。但是，首(🏦)(shǒ(⬅)u )席警(🕕)察(chá )体检医师（在(📪)受(⏰)(shòu )害者的父亲(qīn )和家人(ré(⭐)n )朋友的(😈)指导下训(xùn )练）并(👓)不相(xià(🌾)ng )信并且(qiě )开始寻找(🌘)真相和(🎂)(hé )杀手。 The Kapoors are a wealthy family. There is grandpa Kapoor; Grandma Kapoor; their son Kailashnath Kapoor, and his daughter Ashi. As Ashi has come of age, the Kapoors are now on the look-out for a suitable groom. They meet with the Malhotras, as Mr. Malhotra has been a childhood friend of Kailashnath, and his wife. Their son, Rohit Malhotra, has also come of age, and they would like to marry Ashi with Rohit. Kailashnath tells his parents about this, and they all approve of the match. Ashi is very headstrong and wants to check out Rohit, and she travels to Switerland, where Rohit has a garment business. There she meets with Bobby Oberoi, and mistakes him for Rohit Malhotra. Bobby and Ashi fall in love with each other. Bobby makes a clean breast of the misunderstanding. The Kapoors meet with Bobby's mom, Gayetri Oberoi (Beena), and a marriage date is set. Shortly before the marriage, the Police investigate a large sum of money by Kailashnath... Written Allen, a struggling young artist who once survived by working in the streets, is now involved with Eva, a wealthy Los Angeles gallery owner. Quite by surprise Allen receives a visit from an old john, Thaddeus, who is dying from aids and has come to spend his last days somewhere humble ans spare. Allen reluctantly takes him in, straining his relationship with Eva, who slowly discovers the truth about their past. When Thaddeus implores Allen to find Jamie, a young hustler he had once tried to rescue, Allen returns to the streets where he must choose between what he left behind and the uncertainty that lies ahead. Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district. The family itself encapsulates the culture clash that is at the centre of many German-Turkish films. In Arslan's film, the mother is German, the father is Turkish and the children have to make up their own minds about their cultural allegiances. Seventeen-year-old Leyla tries to escape from her family by spending most of her time with her best friend Sevim. Her twenty-year-old brother, Erol, has chosen Turkish citizenship and, consequently, has to do military service in Turkey. His mother objects but Erol finds the prospect of continued unemployment and mounting debts, which he cannot repay, in Berlin far more threatening than the prospect of military service in Turkey and leaves. Eighteen-year-old Ahmed is the is about to do his 'Abitur' (final exams at secondary school) and, despite being the most 'assimilated' of the three siblings, finds the experience of living in between two cultures difficult.