关之琳的电影

Downtown Cairo is an organism that still seems alive back in winter 2009/10, but is becoming increasingly alien even to those born there. Khalid is looking for a flat. He’s a filmmaker. He looks at his images over and over again, as if he were waiting from them to produce some sort of meaning. The stories of his protagonists seem to come from somewhere inside him, he seeks points of reference in the outside world. The more he looks for them, the more they seem to disappear; not abruptly though, but in lengthy moments full of tenderness, such as when he bids farewell to his girlfriend who is leaving him, to his ill mother, to friends who have come to the city to premiere their films. For them, Cairo is a fixed reference point: One left Baghdad and is now living as a refugee in Berlin, another stayed there, a third lives in troubled Beirut. When they decide to send Khalid video material from their cities, it's not so much about helping him with his film than preserving something they still associate with Cairo via this bond, fully aware that it’s already a fantasy. An almost noiseless film in which time is overtaken by history. berlinale 2016 梅(mé(📥)i )恩（Joanne McGee 饰）(🚭)是保(bǎ(💜)o )守的(de )美国(guó )南部母(🐓)亲(qīn )，她(tā(🆕) )和妹妹(🍉)罗(luó )丝（Carol Goans 饰）一直(🕞)热心为三十而立(👜)的儿子布莱恩(ē(✡)n )（(🛢)Stewart Carrico 饰(shì )）张罗终(zhō(👻)ng )身大(dà )事。但不知(⚾)为(🐪)(wéi )什么(me )，布莱恩(ē(🕯)n )对她(tā )们找的女(🆎)孩(👨)都兴趣欠奉。直到(🌍)无意听到(dào )其中(🦅)一(🌋)个女孩(hái )谈论(lù(🙊)n )，梅恩才(cái )恍然(rá(🦒)n )大(🎥)悟(wù )，明(🥁)白了(le )为什(🚷)(shí )么布莱恩的“室(🥠)友”搬走后(🕘)布莱恩总(🧦)是一副(🅰)悲伤的样(yàng )子。 Clara spent the summer of his 16 years seeking his missing sister. Local authorities do not move. The mother is bedridden. The adults in the village seem busy with other things. Between his summer job, take care of the family home and his little sister, Clara focuses his energies to find Margarete. Aided by her friends, she searched fields, rivers, edges of highways. For Clara, the body of his elder can be under any bridge, behind any door in any warehouse. When the mystery is solved, Clara finds himself more alone and helpless. Continues his research and focus far from home. 西蒙(🎿)（凯(kǎi )德(🚱)·麦拉(😁)(lā )德 Kad Merad 饰）曾(céng )是一(🖖)(yī )名非常有(yǒu )名(♓)的(de )小提琴演奏家(🎣)，对(🚩)这项乐器充满了(😸)热情(qíng )与喜(xǐ )爱(✏)，可(❄)是(shì )如今(jīn )，他却(👗)现身巴(bā )黎的(de )一(🤵)所(🗺)初中(zhōng )之中(zhōng )，成(💉)为了那里的一群(📋)六(🌼)年级孩子们的小(🚣)(xiǎo )提琴老师。西(xī(🥫) )蒙(🐜)对(duì )待(🐍)音乐的(de )态(💯)度(dù )非常(cháng )的严(🏑)肃，他自(zì(💷) )己的个性(⬆)也十(shí(🛏) )分不苟言笑，因此无(🚎)法和班上(🎻)的孩子(🍌)们(men )打成(chéng )一片，孩(há(🌋)i )子们(men )在调(diào )皮捣(🐶)蛋的(de )同时(shí )也非(🏅)常(💈)惧(jù )怕这(zhè )位老(🐥)师。 弗兰克是一名(🚙)抢(👗)劫犯。他从监(jiān )狱(🔮)越(yuè )狱，只为(wéi )追(🔒)捕(🗳)(bǔ )从前同监的狱(🌋)(yù )友，因为他的(de )妻(🛅)女(👬)(nǚ )遭到该狱友陷(🍉)害，并将连环杀手(👇)的(🏍)罪名(míng )嫁祸于弗(🎡)兰克(kè )。一(yī )名叫(📑)做克(kè )莱(🅰)尔(ěr )的女(🏕)(nǚ )警察(🌓)开始(shǐ )追踪(zōng )弗兰(🔶)克，使得(dé(😸) )她也成(🆘)为头号公敌。当他们(⛷)追逐别人的(de )时候(📩)(hòu )，也有人(rén )跟在(🐽)(zà(🥟)i )他们背后，究(jiū )竟(📴)谁(shuí )是猎物，谁又(🍎)(yò(🖨)u )是猎人？ Рос(⏬)сия, нача(🏾)л(😖)о 90-х XXст. Сер(🐀)гей Мамо(🎇)н(🌆)тов ищет(🎷) куда при(🏼)м(🚑)енить се(😫)бя и свой(🈴) инте(🗾)ллек(🎛)т. И з(🌽)аказывае(😠)т мак(💝)ет «(🛐)ценной бу(📃)маги» с и(🍟)мперско(🎪)й(🚍) вязью, бо(🤦)гатым ор(🎤)н(🍵)аментом(🧓), водяным(🚹)и(🏰) знаками(🕗) и собств(🔖)е(🍉)нным пор(🚚)третом в(⚫) с(🏧)амом цен(🤫)тре. Нача(🕑)лась(🤘) акти(🔹)вна(🦆)я рекламн(👦)ая ка(😸)мпа(🥅)ния. Чуть б(🐅)ольше дв(🐚)ух недел(📳)ь(👝) было дос(🙍)таточно(🆓), ч(🔡)тобы нар(🥒)од выстр(🍞)о(🛺)ился в оч(👱)ереди за(🍍) «(🍏)мамонто(🔲)вками». И(🤬) м(🌔)огущест(🔠)венные б(📨)анки(🐚)ры, и г(👁)осс(⛎)трук(⬜)туры(🐆) в рас(📌)тер(🍓)янности —(🐯) никто не(😿) имеет по(✌)н(🖤)ятия, как(🎐) прекрат(🤴)и(🥪)ть этот б(🥔)еспреде(🌓)л(👀) — а в МММ у(🕸)же набра(🦅)л(🍫)ось боль(🧐)ше 10 милли(🀄)о(🏗)нов вкла(🤕)дчиков. 一(💱)九三五(wǔ(😼) )年前(qián )后(🀄)日本帝(📴)(dì )国主(zhǔ(🖇) )义加(jiā )强(👨)了对我(wǒ(⬛) )国侵(qī(🐇)n )略民族危机空(kōng )前(🦄)严重关头蒋介石(🕊)仍旧坚持“攘外必(🌡)先(👮)(xiān )安内(nèi )”政策张(🧔)(zhāng )学良(liáng )将军被(🧕)迫(🎰)“剿(jiǎo )共”因陕北战(❕)(zhàn )场上(shàng )屡遭失(🐔)败(🔕)受到蒋介石责难(🏽)于急于寻求出(chū(👖) )路(🌹)国民党“五(wǔ )全”大(⛔)会召开(kāi )期间(jiā(👿)n )与(🚗)杨(yáng )虎城将军(jun1 )分(💋)别(bié )通过进步人(🧣)士杜重远(👳)和田文浩(🌄)与我党(💃)有所接触(🚓)