菲博学(xué )园中(🤽)有(yǒu )一个学生(🕡)组织，参与的(de )全(🚥)是白种英语系(🏠)(xì )的有钱(qián )人(💞)，很少人能忍(rě(🐊)n )受(🤖)他们(men )，只有汀沃(🕓)摩能和伪善(shà(🤝)n )的他们相处，沃(🚙)摩用什(shí )么使(🚨)他们信服？
Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit.
“Jon Jost’(⛴)s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘(⛪)My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
刘三姐（付锦(🚺)华(huá ) 饰）在返(🌿)乡途中(zhōng )偶遇(🤬)财(cái )主莫海仁(🔂)的管家(jiā )莫进(🔩)财(cái )欺负猎户(😪)李小牛(niú )，脾气(🎌)(qì )火爆的刘三姐(🍢)挺(tǐng )身而出(chū(🐟) )，靠着自己的智(❗)(zhì )慧赶走(zǒu )了(😱)莫进财，就此(cǐ(🏕) )两人相(xiàng )识相(🎫)知，渐渐走(zǒu )到(🍃)了(🧝)一(yī )起。贪婪的(💶)莫海(hǎi )仁一直(🚰)(zhí )都在打着霸(🍬)占茶山的主(zhǔ(🌟) )意，这一天，他又(🥟)派人(rén )前往茶(🥉)山捣乱，又是刘(liú(🍲) )三姐机智的破(🈺)解了莫海(hǎi )仁(🚳)的阴谋诡计。
The vacationers at a winter wonderland struggle to survive after an avalanche of snow crashes into their ski resort. Their holiday then turns into a game of survival.
苔(🏪)丝（娜塔莎(shā(⛩) )·金斯基 Nastassja Kinski 饰）(💆)出(chū )生于英(yī(🥌)ng )国乡村的一个小(📹)(xiǎo )农家庭(tíng )，一(🛄)天她的父亲(qī(✈)n )听说自(zì )家是(🎑)古老贵族德(dé(🔟) )伯维尔(ěr )的后(🛑)裔。这个传(chuán )闻(🌜)，让(🕳)(ràng )苔丝的一生(🏭)发生(shēng )了剧变(🥋)(biàn )。因为有一个(📢)姓(xìng )德伯维(wé(🛳)i )尔的有钱人家(⛑)就(jiù )住在不(bú(💶) )远，父母让苔丝前(🎬)去攀(pān )亲。
一般(⚾)文艺片，有几(jǐ(🔒) )个先决条件：(💀)电影的故(gù )事(🚋)与结构，它的演(🈲)员配(pèi )搭，导(dǎ(㊙)o )演的手法与功力(🐛)(lì )，摄影(yǐng )镜头(😅)的取舍……
Ali is a young boxer who is going to America to pursue his dream of becoming a champion, but very soon is trapped by a gangster mob. He get involved with them agreeing to follow their orders. He wins his boxing matches and everything is OK until they order him to loose a match. He wins that match causing them to loose a lot of money so they beat him to death.
小(🌉)刺猬(wèi )和小白(💷)兔一起拿(ná )蘑(👢)菇当(dāng )降落伞(🥣)玩过后，开始用(🆙)(yòng )手捡红果，妈妈(⏬)(mā )看到了(le )，要它(🔞)停止用手(shǒu )捡(💥)改为(wéi )用刺背(♈)，小刺猬(wèi )问为(🖲)什(shí )么，妈妈说(🏜)：“我妈妈(mā )是这(🐹)样教的，我妈妈(❔)的(de )妈妈也是这(🍣)样教的”。小刺猬(⛅)想要红果树上(🦐)更(gèng )大的红果(🥏)，妈妈试着跳(tià(🐂)o )起来用(yòng )刺摘、(🧛)使劲摇晃(huǎng )红(🥘)果树(shù )等方法(🈵)，红果均(jun1 )纹丝不(📸)(bú )动，她摇头离(⚓)去(qù )时，小(xiǎo )刺(🌓)猬跳起来用手(🙅)(shǒu )摘下了(le )大红果(📵)。