将爱电影

Achille, fattorino nelle sede di un importante quotidiano, sogna di fare il giornalista, ed un giorno è scambiato per tale. Il suo amico Gigi, un affarista, contando sulla sua ingenuità(📷), lo induce a preparare insieme una grossa rapina, giusto per essere il primo ad annunziare la notizia al giornale. Il colpo consiste nel rapire dei cani di razza, sostituendoli con dei bastardi. Alla fine le cose prendono un'altra piega. I cani sono rapiti, ma fuggono e, così, lo scoop svanisce. Comunque, Gigi trae vantaggio dalla situazione e fugge con Elena, il vecchio amore di Achille. L'ingenuo Achille torna alla sua solita e grama esistenza : troverà conforto fra le braccia di Diana, che lo ama da tempo. Police detective falls for singer, gets involved with gangster killing. 狼(💈)人题材的(🌰)(de )影片，在(🏕)(zài )恐怖(⛄)电影史上(🥐)一(yī )直(😏)占有重(💒)要地位。这(🌟)部56年(niá(🏴)n )版的《狼(🔐)人》改(gǎi )变(🦇)了以往(wǎng )，被诅(🤣)咒(zhòu )，被狼(🚫)(láng )人咬伤后变(😄)异的(de )套(tà(🈵)o )路， A regional independent film? A western swing musical? An early Robert Altman script? A roman à clef about real-life popcorn baron Charles Manley? A masterpiece? Corn’s-A-Poppin’ is all these things and more. Produced on the cheap in a Kansas City by a band of young talent schooled in the production techniques of The Calvin Company, the Midwest’s most innovative industrial film studio, Corn’(🎏)s-A-Poppin’ is just about the most free-wheeling and sing-able hour of cinema we’ve ever seen. Down-home crooner Jerry Wallace plays Johnny Wilson, the star of the Pinwhistle Popcorn Hour, a half-pint (and half-hour) variety show with acts ranging from pro-hog caller Lillian Gravelguard to Hobie Shepp and the Cowtown Wranglers. Might the cornpone bookings be an act of sabotage by rogue PR man Waldo Crummit in a bid to gut the Pinwhistle Empire? It’s up to Little Cora Rice to save the day. Songs include: “On Our Way to Mars,” “Running After Love,” and “Mama, Wanna Balloon.” The opening shot is of a young couple (Gail Ganley and Ralph Reed) in a sports car necking. She excuses herself and the boy drives off. The girl is approached by a man carrying a silver briefcase. He removes his sunglasses and she screams and collapses on the lawn. The man removes a rubber hose and needle and attaches it to her neck and empties her blood into vials in his case. We get a close up his eyes and they are just milky white orbs. Title and credits run over pen and ink drawings. EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 黄(📥)飞(fēi )鸿故交(jiā(🕚)o )李子贤珍藏“七(🚯)(qī )宝莲灯(❕)”，拟于上(shàng )元佳节(jiē )在观(🐼)音庙展出，贤(xián )外甥区(qū(🥈) )锦文与土霸郭鸿(hóng )彪密(🍶)谋夺(duó(🗣) )宝。鸿出(chū )狮护灯(📜)(dēng )，彪乘(🐔)乱将灯夺(🔙)(duó )去(qù(🌿) )，幸鸿(hó(🏛)ng )的小侄儿(🆗)人急智(🎵)(zhì )生，让(💍)鸿等巧妙(🤘)夺(duó )回(🏐)宝灯(dē(📝)ng )。 袁世凯偕(🌽)金夫(fū )人隐居(🍚)河(hé )南,伺(😕)机东(dōng )山再起(👺)(qǐ )。革命军(👟)起义,朝廷(tíng )召(🏃)凯平(píng )乱(😑),凯重掌军权,迫(🌥)(pò )清帝退位,强(🤧)胁议员(yuá(🐃)n )选他为(wéi )总统,又接受日(🚌)本(běn )二十一条(tiáo )款,筹备(🗣)称(chēng )帝。护(hù )法之役爆发(👅),凯气病(⬆)(bìng )而逝,帝(dì )梦成(🥫)空。 意大(🎳)利(lì )的一(🎇)个小(xiǎ(🌾)o )镇上，Irma（(🍡)阿莉达(dá(🤞) )·瓦莉(🗒) Alida Valli 饰）的(❓)在(zài )悉(xī(👖) )尼工作(😻)(zuò )的丈(🔻)夫去世了(🐮)，而她也决定和(📁)她的(de )情人(🏇)Aldo（史蒂夫·柯(📤)臣 Steve Cochran 饰(shì )）(🈶)分开。Aldo苦苦挽留(🔎)(liú )Irma无果，便(🌃)带着年纪还小(🎌)的(de )女儿Rosina离(lí )开(🙊)了小镇。Aldo先(😁)是(shì )去找了一个一直钟(🌥)(zhōng )情于他(tā )的女子Elvia，Aldo却发(🌳)现(xiàn )自己无法(fǎ )爱上她(🎮)，又离开(🥝)(kāi )了。漂泊(🈯)的路上(🏑)，Aldo到处寻(🏌)(xún )找工作(🎙)。先是在(➗)(zài )一个(🐿)加油(yóu )站(👧)，加油(yó(🥝)u )站的寡(💊)(guǎ )妇Virginia给了(⛵)他一份工(gōng )作(📣)(zuò )，两人(ré(♟)n )之间也产生了(🚸)感(gǎn )情。但(🏄)不久后Aldo又离(lí(🛣) )开了，找到(👻)了一份短暂(zà(🃏)n )的工作，认识了Andreina，一个妓(jì(🚗) )女。警察经过，Aldo只(🏘)(zhī )能离开(🐀)(kāi )，经过加油站的(de )时候，Virginia告(🕉)诉他，Irma给(gěi )他寄了(le )封明信(📀)片。Aldo又踏(tà )上了回去(qù )寻(🎆)找Irma的路(😑)...... 在1957年合(hé(🐷) )作这部(🌰)叫《海军(🎨)中(zhōng )的悍(👆)妇(fù )》（(🐁)Hellcats of the Navy）的电(⛏)影时(shí )，南(🐽)希已(yǐ(📶) )经于1952年(🚳)嫁(jià )给里(📱)根(gēn )成为他的(🖋)妻子，这(zhè(🎒) )是这对(duì )夫妇(✉)在演员时(🧖)代(dài )唯一合作(🤪)主演的一(🔞)(yī )部电影(yǐng )。不(🙅)久南希开始(shǐ )淡出电影(🔱)(yǐng )圈不再拍(pā(🕥)i )片，全(quán )力(😧)照顾家庭，而里(lǐ )根开始(🏷)(shǐ )主持通用电器剧(jù )场(🚨)常常在全国巡演(yǎn )。