A masterpiece of comic cinema that shows how the medium can transform and distort, as well as record, reality. Swedish cinema in the period 1917-21 was arguably the most sophisticated in the world, its major figure being the actor-director Victor Sjostrom, whose magnificently downbeat films combined literary adaptation, action, melodrama and astonishing natural backdrops. There are some of us, however, who prefer comedy to action melodramas, Lubitsch to Ford, and for this we turn to Sjostrom's contemporary, Mauritz Stiller, unfairly relegated in history to 'The Man Who Discovered Greta Garbo'.
在(🍀)(zài )荒(🕡)凉(🔻)而(ér )充满野(yě )性的美国西部，荒原(⏩)的(🕷)腹(fù(➡) )地(🖥)坐落(luò )着一个孤(gū )寂的小(xiǎ(🍶)o )镇。牛(🛄)(niú(😻) )仔 洛克(💋)美伦悠哉游哉地生(shēng )活于此(🏮)(cǐ )，他(🔕)的(🔅)一(yī )大乐趣(qù )就是戏(xì )弄可怜的杰(👻)瑞，先(🆚)任(🧔)其逃(táo )跑，然(rán )后从容地(dì )抛出绳(shé(🏔)ng )索套(🙀)住(🎒)(zhù )杰瑞。如是再三，乐此不(bú )疲。这(zhè(🈶) )一(🤬)天，引(🔟)擎(♒)的轰(hōng )鸣声引(yǐn )起了 洛(luò )克美伦(📌)的(💜)注意(😉)。一(♎)辆考究(jiū )的老爷车带来了(le )美丽性(🦄)(xì(🚷)ng )感的(🐜)游(🎰)(yóu )客——图丝。见到这个尤(yó(🐫)u )物， 洛(🎇)(luò(🗿) )克美伦(🦎)不(bú )禁怦然(rán )心动，体内荷尔(🔂)蒙呈(🐃)几(❗)何数级增(zēng )长。他(tā )转瞬之间(jiān )传来(🎛)了(le )最(💓)威(🐢)武(wǔ )的行头，牛了牛气地走到(dào )图丝(🍔)面(mià(🐡)n )前(🧤)，展现(xiàn )他所谓(wèi )的雄风(fēng )。在此(cǐ )之(👸)后， 洛(🌋)克(🥠)美伦招来吉他(tā )唱起了快乐的德(😱)(dé(🕋) )州情(🥤)歌(🏁)(gē )。
A scientist creates a mechanical man but thieves steal it and send it out to kill and destroy a city. The only way to stop the creature is by creating another mechanical man to destroy it. This Italian horror film seems to have had an influence on Fritz Lang's Metropolis, at least in the look of the robots. It's hard to really judge the film since so much of it is missing but they did a good job at taking the current length and adding enough background so that we know what's going on.
这是(shì )一个根据一个古老的德(✉)国(📖)(guó )传(📷)说(🔈)改编的故事(shì )。很久(jiǔ )以前有(🏁)(yǒu )一(🛥)个(🐩)英雄，他(🍼)叫西格弗里(lǐ )德。因(yīn )为龙血(😮)沐(mù(🐵) )浴(🛂)，他(tā )浑(🍡)身刀(dāo )枪不入，力大无比。有一(🤥)(yī )天(🏐)，他(🏹)(tā )邂逅了美(měi )丽的公(gōng )主西里(lǐ )姆(🥛)希尔(🔫)(ě(🚣)r )德而坠入了情网，决心去(qù )城堡里找(🙏)(zhǎo )她(🧔)，他(💀)(tā )这一路(lù )经历了(le )很多，遇到了好(🕌)人(⏹)还有(👟)坏(🌵)(huài )人......
After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself.
青年郑元和上(shàng )海求学(xué )，与(🎂)妓(🌟)(jì )女(🕥)李(⏪)亚仙邂逅，沉迷烟花(huā )场中。不(🗯)久，元(🐟)(yuá(🍪)n )和因财(🌭)(cái )力不支(zhī )被鸨母驱逐，流落(⏫)街头(🚚)。郑(🔲)父得(dé(➰) )同乡告知(zhī )赶来，恰好撞(zhuàng )见(🐬)元和(📻)正(🥃)街头抢食，盛怒(nù )之下，一拳将其(qí )打(📒)晕。郑(🔻)父(🤒)以(yǐ )为孽子(zǐ )已死，便抛尸于荒(huāng )郊(🚭)。元(yuá(🌀)n )和(🌕)苏醒后(hòu )被乞丐(gài )张三救(jiù )起，从(⏸)(có(🏪)ng )此便(🚧)一(👽)起口唱“莲花落”，行乞度日。自(zì )元和(✒)被(🚏)(bèi )逐(⌚)后(🐓)，亚仙便为自己赎身，四处(chù )寻访元(🛺)和(⛷)下落。一(🗣)日，元和正(zhèng )行乞，恰被亚仙婢(🌖)女看(🚗)见(🙎)(jiàn )。亚仙(🐔)(xiān )将其接回(huí )家中，以情理(lǐ(😪) )相触(🐉)动(👉)，终于使元和鼓起(qǐ )勇气，走上正途(tú(💧) )。
电影(🍫)(yǐ(💬)ng )配图是(shì )错的，1922年的睡美人在IMDb上都(dō(💑)u )没有(🛹)图(✊)(tú )片。这张图上的(de )睡美人(rén )是1990年捷(🍤)(jié(🎫) )克斯(🥉)洛(♐)伐克版的Sípová Ruzenka，豆(dòu )瓣链接在此：(🔇)