瑞典(⏺)當(dāng )年(nián )成(⚫)本最高的默(🎹)片(piàn )，也被視(shì )為早期瑞典影史(shǐ )必看經典(diǎn )。全片(🤱)幾(🧚)(jǐ )乎實景(🛡)(jǐ(🏟)ng )拍攝，拍(pā(🍽)i )攝(😆)難度與(yǔ(🔆) )戲(🚱)劇張力超(🤣)越當(dāng )代。原(🎱)本平凡的水(🥪)手，戰(zhàn )時(shí )為了(🥙)養家活口冒(😽)(mào )險出航(há(🌽)ng )，卻被軍人所(🍵)俘。多年後脫(🏕)(tuō )身返家卻(🍬)人事已(yǐ )非(⬇)，只有(yǒu )滿腔(🙅)怨怒(nù )相伴(💫)。某天，當(dāng )年(💍)俘虜他(tā )的(🌼)仇敵與相隨(🎠)的(de )妻(qī )女海(🧖)上落難待援(🐽)，他奮(fèn )勇(yǒng )而至，卻陷入「復仇還是(shì )救援？」的(🆑)天(🍩)人(rén )交戰(💛)。
Une femme traverse les lignes du front pour montrer son nouveau né(😬) à son fiancé.
I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants.
中国(💃)(guó(😂) )明代古(gǔ(🗽) )装(🈹)历史影(yǐ(❗)ng )片 诗人挖(wā(🍅) )目记 前法总(🚋)理克(kè )理满沙编(🦔)剧 留法中国(🔵)电影(yǐng )明(mí(⚪)ng )星徐琥主演(🚈) 前法(fǎ )总理(🤚)克(kè )理(lǐ )满(😲)沙在欧战和(👏)议(yì )既成之(📎)后(hòu )，深痛人(🌟)类残杀(shā )之(🐴)罪恶，联想所(🏴)及(jí )，觉世界(🕤)实现之(zhī )事(🕡)实，皆(jiē )足使(🚐)明眼人触目(mù )伤(shāng )心，退著《诗人挖目记(jì )》（The Veil of Happiness）一剧(💏)，以(⛑) 中(zhōng )国清(🌦)代(💽)装(zhuāng )饰出(🚉)演(🚾)于法国国(🍄)(guó(😹) )家大剧场(📇)(chǎng )，颇受法(fǎ(⬆) )人之欢(huān )迎(🕠)。时中(zhōng )国和会总(😒)(zǒng )代表陆征(🍬)祥氏在(zài )法(⚡)， 喜其(qí )剧情(🕤)寓意深奥，嘱(🤦)(zhǔ )林纾译为(🈯)华文，题名《膜(🕉)(mó )外风光》。书(🏚)既(jì )发，留法(⭐)(fǎ )学生争往(🥩)观剧，见演员(🔺)垂(chuí )辫之状(🎞)，有辱国体，退(🦏)而(ér )大哗，举(🦖)(jǔ )徐琥告克氏，谓(wèi )剧(jù )情所述，系明代事，不(bú )可(kě(🕳) )故(🖊)误。克 氏乃(🌽)请(🦋)(qǐng )徐为顾(🏾)问(🧣)(wèn )，命剧场(🍆)以(😎)明代(dài )古(✅)装出演(yǎn )，法(🖇)人欢(huān )迎，更(🎟)(gèng )见热烈。巴黎汉(🥪)蜜(mì )莱影片(👉)公司 （Hamalaya Film Co.）总(🔰)导演欲(yù )摄(🧘)演之为影戏(⏮)，聘(pìn )任徐琥(🚣)为副导演(yǎ(😭)n )，并请(qǐng )主(zhǔ(🏻) )演剧中张怡(🍗)一角(jiǎo )。 巴黎(👎)总(zǒng )领事廖(🏈)叙时之弟(dì(🕥) )廖世勤，及留(🦕)法美(měi )术学生华女士赵(zhào )庭良李福(fú )昌等，闻讯自告(👳)(gào )奋勇，分(🍰)任(🌦)剧中诗春(👎)夫(🍷)人(rén )、杜(🍅)夫(💭)、李刚、(👤)赵(zhào )犯诸角(🔆)，历时十余月(⛺)，用(yòng )费数十(🏄)万(wàn )，全剧始成。出(🌟)(chū )演之日， 巴(🖱)黎全市(shì )，如(🦕)中狂热。今(jī(✊)n )本院以巨(jù(🐇) )价购运来沪(🍦)，定(dìng )三(sān )月(🛰)十三日开演(🐢)。凡欲认(rèn )识(⏲)(shí )克理满沙(✅)氏之政(zhèng )治(🐝)眼光，及领略(🤒)剧中之哲(zhé(🕜) )学意味者(zhě )，不可不(bú )看此明代古装历(lì )史片。静(jìng )安(🐀)寺路夏令(🌖)配(❔)克(kè )戏院(🍨) 启(🈁) （《申报》一(🗽)九(📆)二(èr )六(liù(🛍) )年三月十一(😏)日头(tóu )版）(😵)
讲的(de )是一个(🎪)作曲家创(chuàng )作的(🆑)一部(bù )交响(🎧)曲，因为极(jí(🛴) )具震撼力(lì(🅱) )，以至于(yú )他(🥢)的朋友都认(🚴)为(wéi )是继贝(😨)多(duō )芬第九(🌷)交响曲之(zhī(🌞) )后(hòu )的杰作(🐏)。
After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg...