凯利日记

資深(shēn )大導演岳楓退休前(🍼)(qián )最(zuì )後一(🌅)部電影。九姑(🤫)娘(舒(shū )佩(pè(💸)i )佩 飾)之(zhī )兄(🖖)巴杰(康華 飾(💚))勾結(jié )惡虎(🎽)村(cūn )惡霸胡(🎦)蛟(王俠 飾)，圖(🤔)劫鏢(biāo )銀，被(🖇)「鐵沙掌」(🎠)駱宏勛(xūn )(岳(🛣)華 飾)打傷。胡(🔍)蛟(jiāo )恐事發(⛔)後被(🍿)巴家追究，下(🍣)(xià )毒(dú )將巴(🗜)杰(jié )毒斃，嫁(🍡)禍駱宏(hó(😣)ng )勛(🈂)(xūn )，巴家(jiā(🚒) )上(🥤)下誓欲殺(👉)(shā(😖) )死駱報(bào )仇(🏆)…… Claudia es una viuda rica, joven e hermosa. Que él neurótica después para atestiguar el accidente del automóvil en el cual su marido perdió la vida. Un día conoce a Bruno, más joven de lo que, y toda la pasión acumulada en esos anos viene al tona, modificación perceptiblemente su vida. A sleazy pimp meets a suicidal ex-priest and dares him to indulge all of his most base carnal desires for a week before killing himself. The former padre says "what the Hell?" and the two of them embark on a sex and crime spree across an unsuspecting Toronto. An ultra-obscure exploitation rarity directed by Ed Hunt, with a theme song by Bo Diddley! Two children go behind the scenes of a small circus. 瑞典(diǎn )唯美派情色大师(🚠)乔(qiáo ).萨诺（(🤖)JOE SARNO）1972－1974年的名(⛲)作“少(shǎo )女(nǚ(🌦) )三部曲”之一(🐙) 马修饰演(yǎ(✳)n )报(bào )社的新(🍪)(xīn )闻版主编(🏥)，莱蒙是(shì )他(🥂)手下(xià )的王(🥦)牌记者。这一(🧚)(yī )天莱蒙(mé(🕘)ng )正要离开芝(🏁)加哥到(dào )纽(📔)约去(🦈)(qù )跟他的女(🧘)友展开新(xī(😭)n )生活，但临时(🐁)发生了一(🏸)宗(💹)(zōng )政(zhèng )治(📍)丑(😼)闻(wén )，马修(💱)用(🧞)尽各种(zhǒng )方(👸)(fāng )法来挽(wǎn )留莱蒙采访(fǎng )这段新(xīn )闻。整(zhěng )个情节(🤙)就在两人的(🐀)(de )拉扯之(zhī )间(🐶)来表现报界(🌂)中人(rén )对突(🈶)发(fā )新闻的(😯)停不了的热(♊)(rè )爱(ài )心理(🚅)，由此延伸了(⚓)互相(xiàng )勾(gō(🤠)u )心斗角(jiǎo )、(🏗)你躲我寻的(💑)游戏(xì )。 仕事(🐢)(shì )に嫌気が(🚫)さし(⚾)ていた銀行(⛳)(háng )員の井上(🏒)則夫は、SMプ(🍍)レイの最(👚)中(🚵)に相手の(🗾)女(👩)(nǚ )性が死(📉)亡(📀)したため、(🤦)怖くなって北(běi )陸の雪国へ逃走(zǒu )。行くあてもな(💝)く列(liè )車に(🔧)乗(chéng )るが、(👑)そこで女子(🥖)校生・田中(🍜)幸(xìng )子と出(🏁)会う。彼女(nǚ(🎌) )に惹かれ、(⛳)後を追うよ(🈶)うに駅を降(🐴)りた井上は(🗃)、ポン引き(🍭)の鈴木に声(🍵)をか(♒)けられ(🌁)、雪(🏴)(xuě )山にある(🤷)一軒家へ。そ(💔)こは女子校(🚂)生の売春(🤮)(chū(👹)n )宿だった(🆙)。こ(🎌)の家で幸(💜)子(⛏)(zǐ )と再会した井上は、ポン引(yǐn )きとしての生活を始めるが(📯)…。 愁云惨淡(🦍)的(de )华盛顿(dù(🆚)n )市，一(yī )幢普(🌧)通公寓内，单(💚)(dān )身妈妈(mā(📁) )克莉丝（艾(🔴)伦·鲍(bào )斯(🕐)汀 Ellen Burstyn 饰(shì )）和(🍃)女儿芮根生(🌖)活(huó )于(yú )此(👶)。然而近一段(😖)时间，克(kè )莉(👶)丝却(⏰)(què )被女儿种(🌟)种怪异的(de )举(♉)止折(shé )磨得(🗼)烦躁不堪。芮(🌑)(ruì )根的行(🌇)(há(👜)ng )为举止怪(👾)异(🎊)，迥异(yì )常(😯)人(🗝)。克莉丝带她求医问(wèn )卜，终无所获，甚至精神(shén )科(kē )医生也(yě )束(🎭)手无策。万般(🔤)(bān )无(wú ) 奈之(🔂)下(xià )，几近绝(🐵)望(wàng )的母亲(💒)(qīn )求助于(yú(🤥) )莫林神父（(🆕)马克斯(sī )·(🎩)冯·西多 Max von Sydow 饰(🗾)），一个有(yǒ(🌠)u )着丰富驱魔(😫)经验的老者(📢)。恐(kǒng )怖的夜(💪)晚，神(📬)父与藏身(shē(⏩)n )少(shǎo )女体内(🎼)(nèi )的恶魔展(➿)开连番较(jià(🍛)o )量。这(zhè )是(🐲)一(🌪)个注定让(👱)无(💗)数(shù )人永生(💎)(shēng )难忘的恶魔之夜…… While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.