Does committing a crime make you a criminal? Kidnap is a film that asks this question. Vikrant Raina takes one such decision in a moment of extreme rage when his 8 year old daughter is facing a life and death situation. He couldn't imagine how that one decision would affect 14 year old Kabir Sharma's life, he has then been labelled a 'criminal' .
卢(🌇)卡·(🏤)佛洛(🖼)瑞（(🚈)吉(jí(😃) )姆·(🏖)罗斯(💤)·斯(🎾)图(tú(📺) )尔特(🎊) Kim Rossi Stuart 饰）从(cóng )小在非洲(zhōu )长大，父亲(qīn )经常出差(chà )，留下(xià )年幼的他和(hé )母亲寂寞(mò )思念，一日(rì )母亲丧身(shēn )汽车轮下，目睹惨剧发生的(de )卢卡从此心(xīn )中埋下阴(yīn )影。成年后(hòu )的卢(🛒)卡回(😅)到意(👍)大(dà(📽) )利，成(🐃)了知(🍬)(zhī )名(🛀)爵士(☝)钢(gā(🐡)ng )琴家(😏)，融合(✳)(hé )非(🎰)洲元素(sù )的(🉑)爵士(🔝)(shì )乐(🔪)令他(❇)大受(💙)(shòu )欢(🔍)迎，更(🛠)(gèng )扬(🍘)名国(🥑)际，但(🍋)是人(🧖)前(qiá(😱)n )的荣(🏀)耀并不(bú )能治愈他人后的(de )伤痛，卢卡(kǎ )始终无法(fǎ )敞开心扉向(xiàng )任何人，更和整(zhěng )个世界保持(chí )冷漠和梳(shū )理，令他内(nèi )心情绪走(zǒu )向一个恶性循环。随着年纪(jì )增大，对母(mǔ(🍳) )亲的(🙁)负罪(🎵)(zuì )感(🎡)逐渐(🎧)填满(🤸)(mǎn )了(🥗)他的(⏹)生活(🥑)，他(tā(📋) )的音(🧕)乐里(✍)被(bèi )深藏了许(xǔ(🚃) )多痛(♟)苦，但(🦔)(dàn )最(💄)终连(🧒)音(yī(📓)n )乐都(🦋)无(wú(🐜) )法承(💚)载这(⏰)一(yī(🍠) )切，在(🤝)38岁(suì )时，他灌录(lù )了最后一(yī )首独奏作品(pǐn )《能飞得多远》后，选择悬(xuán )梁结束自(zì )己的生命……
李旭东(dōng )（宗惟(wéi )康 饰）是一(yī )位非常富(fù )有才华的音(yīn )乐家，创(chuàng )作出了“楼(🎛)东怨(💃)”，他的(🍾)女(nǚ(🌪) )儿李(🏜)月英(🕸)常(chá(👾)ng )常喜(🌝)欢唱(💑)(chàng )这(⤵)首歌(👅)。一(yī(😉) )天，李月英的歌(gē(🏬) )声被(🚟)银汉(🏿)公(gō(🚯)ng )司的(🚾)工作(🐧)(zuò )人(🐮)员凑(🎈)巧听(🙊)(tīng )到(🖲)，惊为(🏷)(wéi )天(💞)人，他(🛁)们看到了(le )李月英身(shēn )上隐藏的商(shāng )业价值和(hé )无限潜力，邀请她加入公司(sī )。在层层的(de )包装之下(xià )，李月英以(yǐ )歌星的身(shēn )份出现(xiàn )在了大众的(de )视野之中(zhōng )。
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
Spin off from Holby City and Casualty taking place in a police station in Bristol and focusing on the Police who work with the doctors and paramedics from Holby City and Casualty.
老(🚵)虎的(🐕)出(chū(🗻) )现令(🥛)热闹(🍚)的森(🐱)林瞬(🥩)间变(🔸)得安(🐈)(ān )静(🥎)，小动(❔)物(wù(📟) )们纷纷逃(táo )到安(📛)全的(🕉)地(dì(👵) )方藏(❤)了起(😬)来。老(🕠)(lǎo )虎(💃)走到(😘)一个(🤵)(gè )山(🌼)洞门(🥌)口(kǒ(📺)u )停下(🔙)时，洞(dòng )里的山羊(yáng )吓坏了(le )，但灵机一(yī )动，它想(xiǎng )到了好办法(fǎ )。山羊假(jiǎ )扮自己是大王，一边大声说(shuō )老虎肉真好(hǎo )吃，一边(biān )让老虎快进(jìn )洞来，后来转念(niàn )一想，担心(xī(🈲)n )老虎(📽)有可(🎲)(kě )能(🏋)真闯(🗯)进来(🌊)(lái )，索(🎯)性走(😠)(zǒu )出(💟)山洞(🚯)(dòng )，再(🎧)用智(🏏)慧将老虎吓(xià )得(🎮)魂飞(🎠)魄散(🚏)(sàn )。