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In 1910, in the State of Paraí(🔫)ba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land. 维斯康蒂(🐕)压卷(juàn )之作，也翻(🕍)译作《无辜(😌)的人》，直至其(qí )去世(🕙)后方才(🕘)上映(yì(📨)ng )。影片(piàn )依然(💠)是他最(⬜)为心仪的贵族(zú )没(🎐)落主(zhǔ(👗) )题，由意大利著(zhe )名影(🏦)星(xīng )吉安(🚶)尼(ní )尼领衔，扮演(🕉)一位(wèi )好(📏)色公(gōng )爵，经常在(🙀)外招(zhāo )蜂(🕋)引蝶(dié(🚵) )；不料(liào )后(🌙)来他得(💘)知妻子(zǐ )与(yǔ )人有(😇)染(rǎn )并(👾)生下一子时(🕳)，恼羞成(🤽)(chéng )怒，竟(📶)(jìng )然将孩子在寒风(🧔)(fēng )中(zhōng )冻(🐮)死。最为讽刺的是(🍩)，他并不(bú(💹) )恼怒妻(qī )子与人私(🙎)通，而是(⛲)因为她(🍪)(tā )的情人(ré(📁)n )并非贵(🎢)族，而是(shì )贫苦作(zuò(🏈) )家！最后(🚰)公爵因放不下面(mià(👴)n )子而自(zì(🖼) )杀。豪华的美工(gō(🕷)ng )设计、还(🎈)原贵(guì )族生活的(🥤)奢华摆(bǎ(🏪)i )设(shè )是(💶)维斯(sī )康提(🎺)晚年创(😭)作中(zhōng )不可或(huò )缺(🧓)的一(yī(🧟) )环，出生于贵(🆗)族(zú )世(🆚)(shì )家而(🛏)又(yòu )对贵族腐朽陈(🤘)旧的生活(🔰)(huó )方式进(jìn )行唾(🏟)弃批判，想(🖼)(xiǎng )彻(chè )底革新(xīn )而(🎎)又无法(😏)割断世(🐴)袭的高(gāo )雅(😸)文化(huà(🎅) )格调，是维斯康提一(📛)生所(suǒ(🌍) )困扰的(de )话题，也是他(😊)电(diàn )影主(👵)要(yào )的创作方向(🚡)。 导演亲自(⚪)扮(bàn )演一位(wèi )电(🐰)影导演，他(📑)辛(xīn )苦(🍴)工作(zuò )收入(🦊)菲(fēi )薄(👜)，而且还无法(fǎ )满(mǎ(🧠)n )足自己(👴)(jǐ )的妻子。影片中(zhō(🥄)ng )夫妻俩(🔺)(liǎng )在打架(jià )、交谈(🚎)、修补关(🖋)(guān )系(xì )，再谈(tán )话(🐻)、接着打(🔫)架。 弗朗(🥉)哥(gē )统治时(🔚)(shí )期的(🧓)西班牙(🐝)马德(dé )里(lǐ(💘) )，女童(tó(😳)ng )安娜（Ana Torrent 饰）与两个(🐽)姐妹(mè(⛹)i )在军官(guān )父亲安赛(🍐)莫死后被(🚾)过继给(gěi )姨妈抚(🥕)(fǔ )养，安塞(🦕)莫在世(shì )时风流(🐶)(liú )成性，母(🐢)亲玛莉(👱)亚（Geraldine Chaplin 饰）为(❓)他放(fà(🔂)ng )弃事业最后落得(dé(🗝) )在寂寞(🏈)(mò )压抑的(de )生活中痛(💺)苦不堪(🌶)(kān )，早早去(qù )世。关于(🛎)母亲的(de )记(💍)忆不(bú )时浮现(xià(🏂)n )在安娜脑(🍁)海，这(zhè(⌛) )些(xiē )记忆混(⏬)(hún )同她(👛)对死亡(📜)的臆想慢慢(🌉)(màn )影响(📓)了(le )现实生活。姐妹(mè(🏬)i )三(sān )人(🤤)在姨(yí )妈的看顾下(🗻)并不安分(👷)，姨妈正(zhèng )陷入一(💖)场同安赛(📯)莫已婚战(zhàn )友的(✅)恋(liàn )情，安(🌓)娜的举(👗)止(zhǐ )让她愈(🚫)(yù )发感(🗿)到威胁。安娜试图用(🕎)(yòng )一瓶(🎺)所(suǒ )谓毒药帮助生(👝)活(huó )不(🚰)能自(zì )理的祖(zǔ )母(🌓)自杀，而那(🐑)瓶(píng )物(wù )事不过(🥦)(guò )只是苏(💖)打，祖母(😻)(mǔ )拒绝服(fú(🕔) )毒，安(ā(🍽)n )娜又将(🐒)目标对向(xià(🧝)ng )了(le )姨妈(🗣)…… Pure geek Jon Pigeon works in a unusual sex analysis institute in which people run about the corridors nude, naughty aerobics are motivated and where no guy is safe from a crotch catching old tea lady. In order to entice office secretary Cheryl, Pigeon discovers a device aka Agnes which produces a 'sonic aphrodisiac' that can change any man or woman into an over-lustful love-making madman. While his efforts to zap Cheryl end in tragedy, Pigeon has some fun switching the 'sexy ray' on his intimidation boss Nutbrown and wash up campaigner Mary Watchtower. Filmed by director of Girls Come First movie 杨权年轻时曾(🥕)替“香(xiā(📏)ng )港文化(huà )社”拍摄有(🍶)关本(běn )地(🐼)(dì )学校的(de )纪录片(🌻)和教材片(🐘)，处女(nǚ )作是67年(niá(🚐)n )的《红粉金(💖)刚》，香港(🍁)六(liù )十年代(😝)(dài )色情(⬇)电影导演代(dài )表人(🌳)物(wù )，此(😂)类代表作是70年的《七(🌼)(qī )擒七(💐)纵(zòng )七色狼》和续集(🕋)(jí )《横冲(chō(👻)ng )直撞七(qī )色狼》，两(👏)片可(kě )谓(📒)(wèi )是开(⬅)了(le )色情片粤(🃏)语片的(♋)(de )先河，《七(📩)擒(qín )七纵七(✍)色狼》里(🤗)(lǐ )写(xiě )一个女(nǚ )扒(🚶)手(狄娜(🧜)饰)逃入了一处(chù )旧(🅿)楼单(dān )位(🤜)，成为屋内七(qī )色(🙅)(sè )狼(周吉(🕖)(jí )、杜平、高鲁(🤫)泉、郑君(💎)(jun1 )锦等)的(🚇)(de )性幻想对象(👲)，电影虽(🚠)然没(méi )有甚么(me )暴露(🍁)场面，但(⚓)写(xiě )出了一(yī )群低(💓)下小男人的性抑压，虽然咸(🧒)(xián )湿，但仍(📎)然守望(wàng )相助，面(🌱)对大(dà )是(💍)大非又(🦒)绝不妥(tuǒ )协(🦕)(xié )，一些(💆)(xiē )色情场面如偷窥(🐷)和搏懵(💊)(měng )，电影(yǐng )处理得乐(🚜)而不淫(🌵)(yín )，不算下(xià )流。 Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.