迅雷会员体验

Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo –(🏐) who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. 美国(⛲)铸币厂(♏)员(yuán )工哈(🌎)利路卡(📅)斯不(bú(⛴) )慎弄坏(🙊)五万块，却没有一丝证据(jù(🏔) )可证(zhè(🕉)ng )明他的(🍜)清白(bái )。于(🥏)(yú )是他(📃)请退休(🤾)(xiū )的印(🚡)(yìn )刷工帕伯吉(jí )利斯(sī )及高超的(👙)保(bǎo )险(🍮)箱(xiāng )窃贼(🚴)艾维利(⛸)(lì )杜刚(🎂)(gāng )协助(🧞)窃取铸(zhù )模。在牢里因故(gù )失去(qù(🍎) )听力的(🏂)杜刚(gāng )从当铺老(💥)板路瑟(💬)波顿那(🛶)里(lǐ )得到一付助听器(qì )，波顿得知(📕)他们(men )的(✅)计划后也打算(suà(👢)n )要参与(🈳)。担任这(🍶)(zhè )个阴(🛵)谋的"经理”的路瑟又网罗了(🌡)(le )在下水(🍞)道工作(❎)，可帮助他(💡)们到达(🍆)(dá )铸币(🏋)(bì )厂的(🏫)罗夫，及儿(ér )童游乐场”游船(chuán )”的操(🔌)作人(ré(🐟)n )员，可帮忙(🔸)大伙(huǒ(🤘) )在下(xià(📘) )水道航(🆕)行的(de )船长(zhǎng )，还有冰淇(qí )淋小(xiǎo )贩(🌠)，可作为(❇)(wéi )吸引(yǐn )美丽又(🔜)好事(shì(⚡) )的维娜(😇)的诱饵。最后，足(zú )以让所有专业罪(💯)(zuì )犯感(🥄)到尴尬的，在维娜(🧤)于”入侵(🏥)(qīn )”当日(🤓)成功地(🔆)被(bèi )分散注意力之际(jì )，哈(🍡)利的这(💕)群满(mǎ(🚪)n )脑子钱的(🏌)杂牌军(⏳)(jun1 )得以带(🏾)着他们(😏)偷(tōu )印的(de )七百万元逃(táo )逸！ 本片为(👥)导演(yǎ(🛴)n )何梦(mèng )华(🌔)1968年的作(🧔)品(pǐn )。故(👞)(gù )事描(🏓)述，青(qīng )虹大(dà )侠刘文龙（房勉(miǎ(👏)n )）家园(🏣)，被(bèi )混世(📗)(shì )魔王(📝)周超（(⬛)马影(yǐ(🌗)ng )）洗劫焚烧，妻惨遭杀害，子玉郎因(🦖)(yīn )与忠(🈷)仆躲在井里(lǐ )，幸(🃏)未遭害(🕤)。刘(liú )追(⛏)击魔王(🍁)，却被(bèi )其负伤逃去。后(hòu )刘(🐶)携子、(🤗)仆及徒(🎮)(tú )弟胡子(🚒)峰（张(🐺)佩(pèi )山(🕑)）天涯(🎐)寻仇。三年艰苦，胡不(bú )耐枯(kū )寂，非(🎒)礼村(cū(⛑)n )妇，被刘撞(⏳)破，夺刘(🍺)(liú )之追(🗑)魂镖杀(👩)(shā )妇后(hòu )逃走。刘收(shōu )妇遗(yí )孤玉(🔻)蝉为徒(👳)(tú )，并(bìng )放(☝)弃寻仇(🍈)及(jí )封(❣)镖(biāo )。蝉(🌦)（秦萍(píng )）长大后与郎（岳华）(😧)相(xiàng )爱(🧗)，但蝉偶遇胡(hú )，误(🎪)信其言(🕛)，以(yǐ )为(🕙)刘是杀(📋)母仇人(rén )… A Korean journalist living in Hong Kong, returns to Korea to cover the outbreak of the war. He leaves behind the woman he loves. He returns three years later, but many things have changed for both of them A story of romance between the girls and guests at a hot spring resort, the film's freshness and freedom was in welcome contrast to Impotent's heavy-handed moodiness. The star of the film, actress Yasuko Matsui, was Kobayashi's wife. She starred in or appeared in many of Kobayashi's films of the 1960s. The popularity of this film inspired the studio– Mutsukuni Eiga– to make a quick sequel. However this second film departed from the original's story, lacked director Kobayashi and Yasuko Matsui, and was not well-received 152 min Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily... Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable.