Shattered after the the death of her brother, Maria begins to follow the actions that resulted in a murder.
烏蘇(sū )拉柯姆(mǔ )勒(🔏)在基(jī )姆湖畔(🔚)(pàn )的廢(💩)棄(qì )農場上發(🐾)現哥哥(👑)(gē )的屍體，農場(🐨)是他們(💇)繼承土(tǔ )地之(🌼)後(hòu )生(😲)活與(yǔ )工作的(😭)(de )地方。多(🍣)年來(lái )，警方(fā(🐃)ng )一直朝(➰)(cháo )喬柯姆勒的(⬜)不法生(🏼)意勾當的方向(💉)辦案，但(👺)目(mù )前為止(zhǐ(🔀) )都找不(🍛)(bú )到確切(qiē )證(🥡)據。
Hee-soo and In-yeong come across each other in a cafe. They sympathize with each other through conversations over coffee and become to learn about each other little by little.
Next Week in Bologna is a tongue-in-cheek nod to Italian Neo-Realism, shot in Rob Nilsson's Direct Action style. A pickpocket cinema projectionist in Bologna, Italy, narrates three intertwining stories of tourists who visit his city one summer. A timid adjunct professor from Australia receives word from a mysterious stranger about his imminent death while nervously preparing to present his paper on the classic film Last Year at Marienbad. An apostate ex-priest gifts a naive and destitute young couple with a camcorder...for possibly lecherous purposes. And, lastly, the pickpocket projectionist narrator pursues his own adventure with a lovely but understandably cautious Icelandic girl.
1973年，七(➗)(qī )月十日(rì )的(🛰)布拉(lā )格，剛滿22歲的歐(🍒)嘉開著一輛失速的卡(🎍)車衝上人行道(dào )，造成(🐞)(chéng )八人死(sǐ )亡(🛣)。歐(ōu )嘉(📄)對警(jǐng )察說，她(Ⓜ)是故(gù(🔯) )意的！
美丽女孩(🔳)杰茜（(💸)艾丽·范宁 Elle Fanning 饰(🕷)）是一(🦖)个只身(shē(🍯)n )独闯(⏭)洛(luò )杉(🍦)矶的(de )年轻女(nǚ(😙) )模特，她(📧)初次(cì )涉足花(🎡)(huā )花世(🐏)界(jiè )，看起来懵(🔋)懂无知(♎)，人畜无害。亲和(🎳)的化妆(📶)(zhuāng )师茹比(bǐ )（(📠)吉娜(nà(🤧) )·马隆(lóng ) Jena Malone 饰）(🧘)最(zuì )先接近(jìn )她，并(bì(📶)ng )将其介(jiè )绍给两个小(🍐)有名气的模特琪琪（(🥎)贝拉·希思科(📠)特 Bella Heathcote 饰(shì(🤵) )）与莎(shā )拉（(🍈)阿(ā )比(🛫)·丽(lì ) Abbey Lee 饰）。杰(⛹)茜如(rú(🚕) )同一块(kuài )蕴藏(🌼)着(zhe )莫大(🚋)价值的璞玉，她(🤱)很快得(💬)到了业内有识(🎋)之(zhī )士(🏮)的赏(shǎng )识，前(qiá(🏚)n )路充满(🙄)(mǎn )光芒。她的美(🛐)(měi )是上(🙋)天(tiān )的恩赐(cì(💡) )，她的美(🎠)却也成为他人(🤵)嫉妒乃(👱)至急于毁灭的(🐿)(de )脆弱之(zhī )花。
Ex heroin junkie, Daniel Léger, gets involved in a drug deal whit the wrong people for the wrong reasons. When the deal goes sour, Daniel gets thrown into a Thai prison and slapped whit 100-year sentence. While he tries to survive his Bangkok incarceration, the news of his conviction captures the attention of Globe and Mail journalist Victor Malarek, who decides to go after the shady undercover cops responsible for wrongly accusing Daniel.
A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’(🔜) as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016