解忧杂货店电影

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. Blanca va a casarse por segunda vez. Su anterior matrimonio fue anulado. Pero la noche antes de la pedida decide huir. En la estación se encuentra con su antiguo marido. Hace varios anos que no se ven. Los dos siguen queriéndose. Pasan la noche juntos. Pero todo sigue igual. In the process of arresting a smuggler, the criminal's wife is killed. Twenty years later, the smuggler is released from prison and vows to murder the wife of the policeman who killed his spouse. 为了给(gě(🚢)i )女(nǚ )儿买一架钢(😇)(gāng )琴(qín )，刚刚假(🎚)释(shì(🐗) )出狱并且无家(🏈)可归的丹尼斯(🔐)找到(dào )同样没有(♊)工作(zuò )的老伙(🥫)计瑞(🚌)(ruì )内(nèi )一同前(🐚)往纽(niǔ )约(yuē )销(🚼)售(🧒)圣诞树(shù )，影片(💅)讲述了(le )这两个(🗑)魁北(🔰)克男人走狗屎(✡)运的幽(yōu )默故事(🎾)。 Hunky secret agent man Fabio Testi (as Renzo) beds women, hunts uranium, and pals around Venice with handsome hetero partner Assaf Dayan (as Dan). Sexy Janet Agren (as Helga) provides the two with a amorous assignment, which Testi accepts. After bedding down with the quickly undressed damsel, Testi thinks she can offer no leads, but Mr. Dayan suspects otherwise. The best part of "The Uranium Conspiracy" is the lovely location scenery. The film's excitement grows much more exciting in its final act, with the dynamic duo of Testi and Dayan making an action-packed escape from some bad dudes. 外(wài )星(xīng )女孩(🏢)来到(🚰)地(dì )球(qiú )探索(✨)。 她在(zài )英(yīng )国(🆒)伦敦，在(zài )那里她(🖱)有充足的时间(📙)研究(🧙)地球上(shàng )的性(♟)行为。卡(kǎ )罗维发(🔽)利 编(biān )写(xiě ) Abigail Clayton独(🏓)自一(😎)人生(shēng )活(🚂)(huó )，已(🏜)将近20年(nián )没(mé(📆)i )有离开她的(de )公寓(🏆)。当她的邻居死(🐳)亡，侦(🎀)探Frank Giardello登(dēng )门造访(🛑)展开调(diào )查，她(🦎)原(🖇)本(běn )秩(zhì )序井(🍶)然的世(shì )界(jiè(🔝) )开始(🌲)瓦解。 This Italian produced, NYC lensed heist picture is actually quite entertaining with a few nice twists. Retired safe cracker Chris Gretchko (Lee Van Cleef) is lured to a job by the son (Edward Albert) of an ex-buddy. He flies to NYC and finds out he will be lifting $1 million in diamonds for a shady German group. It all goes smoothly until he learns that the group has plans to kill the second he has the safe open. Directed by Antonio Margheriti (as Anthony Dawson), this flick benefits from a clever script, great performances and evocative locations in New York. Van Cleef is his usual gruff self and he plays most scenes off Albert or hippie chick/life saver Karen Black. Lionel Stander appears as Gretchko's old-time fence. Supporting roles include Peter Carsten as the German mob boss, Ron Van Clief as some karate chopping muscle and soon to be character actor Roy Brocksmith (the bald, fat guy from TOTAL RECALL) as the guy who gets ripped off. 13岁(suì )男孩(🤢)帕布罗(luó )的父亲(🦑)去世了，在村庄(🚜)外的(🍀)路上(shàng )，他遇到(🅾)了一(yī )个奇特(🍃)的陌(mò )生(shēng )人帕(〰)科，帕(pà )科(kē )的(🔼)车坏(🤸)了。帕布罗一开(🌙)始对帕科有戒备(🏂)，但在感觉帕科(🛠)很(hě(🏓)n )能理解自(🐆)己(jǐ(❓) )后(hòu )，帕布罗逐(✨)(zhú )渐(jiàn )地将帕科(🕷)视(shì )为(wéi )父亲(🆑)一样(⛵)。然而，帕科来到(📒)这个偏僻的小(➿)村(🔼)(cūn )却有着不为(👜)人(rén )知的目的(🀄)……(🌂)