盗墓笔记5

In this violent spaghetti western a murderous robber hijacks a payroll train, murders everyone aboard and then stashes his loot. A gunslinger learns about it and decides he wants the money for himself and so hatches an elaborate plot to get at it. He lures the crook into a rigged poker game, and afterward a gunfight ensues. The quick-drawing gunman makes short work of the robber, then teams up with an insurance agent to look for the hidden fortune. Unbeknownst to them, the robber had an ace up his sleeve... José María Nunes是60年(🦈)代西班牙(🔻)新浪(🗑)潮电(🈲)(diàn )影(💌)(yǐng )运(yùn )动(dòng )中(zhōng )“巴(bā )塞(sāi )罗(luó(🌥) )那(nà )学(xué(📚) )派(pài )”的(de )代(❕)表人(🚥)物之一。在(🐯)当年的西班牙新电影(🌞)中，由CARLOS SAURA为首(🥞)的“马德里(🌠)学派(⚽)”和来自(zì(🌋) )加(jiā )泰(tài )罗(luó )尼(ní )亚(yà )的(de )“巴(bā(🐐) )塞(sāi )罗(luó(🌝) )那(nà )学派(🔡)”是最(🏭)主要的两(🧜)个门派。而相对于行事(🚪)保守的马(🤯)德里人来(🎐)说，加(👼)泰罗尼亚(⏰)人更富有想象力，他们在电影形(😷)式的探索(🔁)和实(🍏)验上(🎸)要比(💧)“马德里学(💃)派”走(zǒu )得(dé )更(gèng )远(yuǎ(🌒)n )。José María Nunes、Gonzalo Suarez和(🔻)(hé )Pere Portabella都(dōu )来(🤴)(lái )自(🌂)(zì )“巴(bā )塞(🌘)罗那学派”，大部分人都(🎡)毕业于著(🕎)名的巴塞(🍊)罗那(🌐)电影学校(🛐)。 故事发生在一(yī )个(gè )虚(xū )构(gò(🚪)u )的(de )国(guó )家(🗝)(jiā )埃(āi )尔(🎈)(ěr )拉(😘)(lā )多(duō )，整(🥊)个国家充满着政治势(🥖)力的相互(💍)争斗，这一(🤯)切都(🚒)被长期努(💹)力挖掘政治腐败的理想主义诗(🐔)人兼记者(🍡)保罗马丁(👎)斯看(🍽)在眼里，他(🤤)试图想通过民主选举(🤭)来改变国(💆)(guó )家(jiā )的(🚑)(de )苦(kǔ(🎡) )难(nán )和(hé(🥗) )那(nà )些(xiē )社(shè )会(huì )的(de )不(bú )公(gō(🔽)ng )正，他为保(🎵)守党(💚)候选人献(🙀)计献策，但一些他无法理解的政(👂)治交易，使(😵)他转投支(🍸)(zhī )持(🔩)(chí )另(lìng )一(📭)(yī )政(zhèng )党(dǎng )自(zì )由(yó(🎀)u )党(dǎng )，两(liǎ(🦇)ng )位参选的(🍶)候选(📟)人都曾是(📃)他的朋友，然而获胜的一方，在掌(🅿)握了领导(🍈)权之后，却(🌃)马上(😴)推翻了竞(🗓)选时的承诺，保罗再次(🔇)徘徊在疯(🥠)狂的政治(🤐)家与(🎉)普罗大众(🏀)之间难(nán )以(yǐ )取(qǔ )舍(shě )，他(tā )决(🌂)(jué )定(dìng )远(♏)(yuǎn )离(👢)(lí )政(zhèng )治(⭐)(zhì )，但不久保罗马丁斯还是倒在(🚓)了公路上(🕔)的血泊之(🔫)中。 Mario, a university student and banking, through a loving connection with Cristina, young rich, proud and emancipated, tries to climb socially. Between the two is the sexy commercial Neusa, inexperienced and angry with the obscurity of his family. Each seeking a place in the sun of life, entangling themselves in a diabolical game of sex and love. L’(😫)IMMORALE (Italy/France 1967) In this continuation of Pietro Germi's socially critical romantic comedies, Germi caricatures bourgeois conventions in an artistic, educated middle class milieu: Masini (Ugo Tognazzi), a prominent violinist in his mid-forties, has fallen in love with the 20-year-old harpist Marisa (Stefania Sandrelli), who is awaiting the birth of their child. The problem: Sergio already has two families and five children who are unaware of each other’s existence. Increasingly overwhelmed by having to organize three parallel families – all the birthdays, clothing sizes, favorite dishes, holiday wishes and other preferences need to be taken into account – Sergio asks for advice from Don Michele at confession. 爆(👺)破专家王德仁改(gǎi )过(🅿)(guò )自(zì )新(🛀)(xīn ),遭(zāo )旧(⛏)(jiù )伙(👚)(huǒ )伴(bàn )谋(🏈)(móu )害(hài ),仁(rén )负伤逃走,向年仅十(👸)二岁的儿(🐫)子志刚说(🔟)出为(👆)四人所害(⛰),刚记下毒贩石天龙,丁(✍)世杰和姜(🐣)华的名字(💏),仁未(🦂)及说出第(💉)四人是谁即气绝身亡. A group of young men join the resistance movement to help free Kore from Japanese rule prior to World War II while their lovers struggle to keep their daily lives intact.