二十(👈)世纪(🌀)初，冀中(zhōng )平原(💴)(yuán )民(🎙)不聊生(😳)。地主(🧔)冯(féng )兰池(chí )（(👑)葛(gě )存壮 饰(😎)）为霸占官产(chǎn )，砸(💛)(zá )钟毁证。农(🚌)民朱老巩（崔(❕)嵬(wé(❕)i ) 饰）为民挺(👬)身，无奈抵(dǐ )不(😙)(bú )过(👫)强(qiáng )大的封建势力，气病身(♈)(shēn )亡(🕟)。幼(yòu )子虎子（陈帆 饰）—(🉑)—朱(🚀)老(lǎo )忠(😶)（崔嵬 饰）(⬇)逃离家(💢)乡(xiā(📩)ng )。25年(nián )后(hòu )，正值壮年(🥀)的朱老(🐴)(lǎo )忠(🎉)带(dài )领全(quán )家从关(📖)东返回(🎷)家乡(🧠)。深(shēn )知盲(máng )目(💶)寻仇(🍝)解决不(🎒)了任(⏪)何(hé )问 题(tí )。不(🧕)(bú )久，他结识(😸)了地下(xià )党领(lǐng )导(🔷)人(rén )贾湘农(🎷)（鲁非 饰），并(🎥)同(tó(🔶)ng )严志和（蔡(🤜)松龄 饰）、伍(📲)老(lǎ(🛐)o )拔（李建国 饰）等人一(yī(😻) )起(qǐ(😃) )走上(shàng )革命道路。在朱老忠(🍚)的(de )带(📎)领(lǐng )下(🛬)(xià )，他们在锁(👯)井镇和(🎓)地主(🛒)(zhǔ )阶级(jí )展开了斗(🌥)争。志和(🏒)的长(✨)(zhǎng )子运(yùn )涛(tāo )（赵(🔡)联 饰）(🎵)南下(🍂)黄(huáng )埔军(jun1 )校，参(🎾)加了(😒)北伐战(🧡)争。蒋(🦄)介(jiè )石背(bèi )叛(🛥)革命，运涛被(🦔)捕入(rù )狱，革命(mìng )陷(🙇)入低潮。朱老(🚪)忠带着(zhe )江涛(tā(🚧)o )（赵(🈁)万德 饰）去探望(wàng )，从(cóng )运(🏹)涛那(🆕)里知道了更深刻(kè )的革(gé(⛄) )命道(🈯)(dào )理。返乡后，他们串(chuàn )联锁(🆑)(suǒ )井(🐽)四十八村的农民，要(🆕)(yào )在平(📢)(píng )原(🤮)(yuán )上卷起风暴......
On the day she celebrates her birthday, Jeanne, a young actress, is told by her mother her father is an Indian she once met on the banks on the river Ganges. From then on, Jeanne acts with singleness of purpose: she leaves the rehearsal of the the play "Sainte Jeanne des Abattoirs" she had wanted so much to be in, accepts a shameful role in a poor movie just for the money, buys an air ticket and flies to India, where she both hopes and fears to meet her biological father... Written by Guy Bellinger
艾丽(🕯)丝·菲(♎)(fēi )娅(🐸)、杰克哈特和秀兰(🍬)·邓波(🍕)(bō )儿(🌉)一(yī )起(qǐ )在这(🔩)动人(📴)的音乐(📪)片中献(xiàn )技出(chū )演(🌕)。富有的连续(🉐)剧制片(piàn )商只(zhī )知(🔢)埋首工作，经(🎿)常忽(hū )略了(le )女(🔼)儿(é(👂)r )芭芭拉。一次偶然的机(jī )会(🐯)，芭芭(🏉)拉参加了电台的(de )演出(chū )，并(🐎)在另(💟)一家连续剧中(zhōng )试演(yǎn )成(👔)功(gō(🙆)ng )，一跃成为电台明星(🌑)(xīng )。
小(xiǎ(🥠)o )镇附(🏙)近有一间核能电厂(😚)(chǎng )，泰(tà(🗨)i )勒(lè(👉) )博士发现电厂附近(🌲)的森(sē(😂)n )林中(🖱)(zhōng )有辐射反应(🔂)，向库(🍒)格博(bó(📝) )士报(bào )告(gào )，库格叫(🆓)他不要多管(💤)闲(xián )事，否则就检举(🛹)他在电厂喝(😍)(hē )酒，这是违反(🛩)规定(🕦)的行为(wéi )，会(huì )遭到(dào )解雇(🚥)的处(📕)分。苏珊和娇(jiāo )丝搭(dā )同一(🤥)班巴(👔)士，娇丝是(shì )要回(huí )到小镇(👉)，而苏(🃏)珊是路过(guò )小镇(zhè(🐚)n )要去(qù(🥇) )西雅(🤐)图探望男朋友，在杰(🐛)(jié )克小(🏙)站休(🥔)息站，苏珊被(bèi )放鸽(👜)(gē )子(zǐ(☝) )，搭便(🎅)车遇到恶司机(💩)要(yà(🤼)o )强暴(bà(🎤)o )她，她躲入森林中，被(🤫)(bèi )不明(míng )物(❣)(wù )体杀害，娇丝和男(🚮)友麦(mài )到森(🆚)(sēn )林中散步，发(🐈)现苏(👆)珊的(de )尸体(tǐ )，向警长报案，回(🕺)到(dà(🧖)o )原现(xiàn )场尸(shī )体居然失踪(🏌)，原来(🆑)是核(hé )电厂(chǎng )接到警长的(🚖)通知(🔌)将尸(shī )体带(dài )回去(⏳)化验,杰(✖)克也(🦃)不幸遇(yù )害···(🙊)
已过不(🤟)惑之(🏋)年的马赫(hè )穆特(tè(🚂) )（Muzaffer Özdemir 饰(⚾)）是(🔯)一名来自土(tǔ(😜) )耳其(qí )乡村(🤸)的独立摄影师，经过(🌲)(guò )多年(nián )打(💟)拼他终于在伊斯坦(🔳)布(bù )尔某(mǒ(🌃)u )的(de )一席之地，在(😆)和妻(🛵)子分(fèn )手后(hòu )，他独自过着(🔁)平静(✌)而自(zì )在的(de )生活。某日，来自(🎑)老(lǎ(🚂)o )家的(de )表弟(dì )尤瑟夫（Emin Toprak 饰）(♿)闯入(🦖)了马(mǎ )赫穆(mù )特的(🥛)世界。老(💃)家工(🙄)厂(chǎng )倒闭(bì )让内向(😤)的尤瑟(💂)夫丢(🥈)掉工(gōng )作，为了(le )贴补(💁)家用并(🐧)给母(🌰)亲治(zhì )病，他独(🎨)自来到大都(♉)市闯荡(dàng )，在(zài )此期(⚾)间暂居表兄(🔺)的公寓(yù )中(zhōng )。多(duō(🍓) )年的分离和(🍥)不同的生活(huó(📫) )轨迹(🤯)(jì )让(ràng )这对表兄弟没有任(🖇)何共(🛰)(gòng )同语(yǔ )言，而马赫穆特却(🤟)越来(🌍)(lái )越厌(🏭)(yàn )烦尤瑟夫对他个(📵)人世(🌤)(shì )界的(de )侵扰(rǎo )，一份(🧜)尴尬在(🥃)兄弟(📄)间悄(qiāo )然而(ér )生…(🙍)…
This film, which has been shown twice in France on the Arte channel but is, I believe, not available on video, is one of the most impressive films from one of the francophonic world's greatest directors. Beginning in South Africa under the apartheid regime, it follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa. This is a vastly ambitious film, attempting as it does to deal with a number of cultures and countries of contemporary Africa, each with its own history, language, and political and social conflicts. At its center are two immensely impressive performances by the actresses who play the heroine, first as a young girl, and later as an adult. Thus it manages to be at once an intimate portrait of a young woman, and a vast fresco of much of a continent.