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為紀念人氣作品《高达》系列(liè )屆(🎴)滿(⚓) 30 周(🥐)(zhōu )年，官方將(jiāng )結合動畫以及最新(💫)(xī(📡)n )的(⌚) CG 技術，推(tuī )出紀念(niàn )短片《Ring of Gundam》。 Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema. 妖怪信(🏁)箱(🤸)中(🌎)(zhōng )新到了(le )一封来自女(nǚ )孩风祭(🧜)华(🚲)的(❣)求救信(xìn )。最近，她(tā )的周遭(zāo )连续(🎎)发(🦁)生(📣)奇(qí )怪事件。在(zài )鬼太郎(láng )一行(😊)赶(🎂)到(👟)前(qián )，华被妖怪镜爷拖(tuō )进了镜(🚃)子(🐖)里(🍗)(lǐ )。接着(zhe )镜爷又把鬼(guǐ )太郎的同伴(📒)(bà(🥎)n )分(📔)散吹(chuī )到了全国各(gè )处，并将鬼(😃)太(🍹)郎(👾)关(guān )进了镜中世(shì )界。鬼(guǐ )太郎(🔇)历(🥃)尽(🤩)艰(🍸)(jiān )辛才从镜中(zhōng )世界里(lǐ )逃了(🕸)出(🆓)来(🚈)。 An important part of Brazilian history, this is the story of Anayde Beiriz - as played by Tania Alves - poetess, journalist, teacher, a revolutionary in her time (the 1920s and 1930s), and known for her sexuality. Her great love for Joao Dantas triggered the assassination of Joao Pessoa, the Governor of Brazil's Parahyba State. These events were then used politically as pretext for the failed "Revolution of 1930." Tony Lo Bianco (G. Tinti) an American cop transferred to Italy, becomes Maurice's right-hand man. Maurice is a famous "camorra " boss. He is planning an assault to a post office near Naples. During the robbery, another boss called "the panther" shots over Maurice's band wounding Lo Bianco. Fortunately Lo Bianco does not die and he starts to investigating about Maurice's past. He finds out that the boss is protected by the Italian Secret Service because he has some important documents regarding drug traffics where Italian minister are involved. Lo Bianco finds the documents and he is ready to give it to a magistrate but he is killed before leaving Italy. This is the worst Italian crime film that I have seen. Acting is poor and actors too. The careful viewer will notice that sometimes the actors look at the camera during their dialogues. Even if the film has been shot in Italian the dubbing is simply shoddy, with false Neapolitan accent. The action is slow and boring. Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. Dante (De Rienzo), sick of his dreary existence, takes off abroad with the hope of never returning - first 'borrowing' money from the Mob. Nina, an under appreciated airhostess, inadvertently stranded in Dante's city, is staying in Dante's vacant apartment. However, when he unexpectedly returns home one night, and exhaustedly slips into bed, Nina is in it! Of course, their surprising romance must contend with the (small) problem of the local gang wanting their money back...