Sam(Chad Donella )是一个艺(yì )术(🔁)(shù )系学生，一天(🍣)他碰巧(qiǎo )遇到一个美(měi )丽(lì )的(🕸)年轻女人(rén )Hope(Erinn Bartlett)，似(🌙)乎有(yǒu )一见钟(🐅)情的(de )感(gǎn )觉。尽(🐱)管他(tā )有Hope的电(🔢)话号码，他还是(👒)(shì )跟Hope失去了联(lián )系(xì )。当他再次(🖕)找到Hope时，发现她(🔴)患了(le )忧(yōu )郁症(🤪)。Sam确信(xìn )Hope是自己(⭐)梦想的女人，便(🤶)(biàn )开始帮助她(tā )重(chóng )新振作，找回幸福……
英(🥨)籍华裔(yì )女(nǚ(🛒) )孩何艾作为(wé(🤭)i )志愿者，到中国(🧟)边远山(shān )区担(🚋)任代课(kè )老(lǎo )师的故事
透过摄(😹)像机(jī )偶尔晃(💯)动的(de )画(huà )面里(⛵)是Étienne无(wú )法言(🚣)语的(de )懵懵情愫(⭐)，对(duì )好友Ludo，对自(🐚)(zì )己的地理老师，对花样(yàng )滑冰(😖)的队友(yǒu )。很朦(🖊)胧却时时刻刻(💾)的(de )萦绕在心头(🚕)(tóu )。不敢用自己(🐲)(jǐ )的双眼直接去面对，只(zhī )能用镜头去(qù )捕(bǔ(🕧) )捉那些人，那些(🧡)表情(qíng )，那些感(👺)情(qíng )...
Pierre (Cerone) and Amelie (Serena Monti) filming their sexual adventures. But then the the video cassette is taken by a model who later blackmails them for some sex games. But the couple seems to like these games.
Set against the backdrop of the turbulent period in the late 60's leading up to Bangladesh's independence from Pakistan, Matir Moina (The Clay Bird) tells the story of a family torn apart by religion and war. A young boy, Anu, is sent off to a strict Islamic school, or madrasa, by his deeply religious father Kazi.As the political divisions in the country intensify, an increasing split develops between moderate and extremist forces within the madrasa, mirroring a growing divide between the stubborn but confused Kazi and his increasingly independent wife. Touching upon themes of religious tolerance, cultural diversity, and the complexity of Islam, Matir Moina has universal relevance in a crisis-ridden world.
在(zài )一个(🚛)滂沱大(dà )雨的(🛃)夜晚，辣手干探Chul-jung在(zài )监视行动中(🚣)(zhōng )突(tū )然人有(🦂)三急，却找不(bú(💾) )到「解决」的(❤)(de )地方。当他(tā )躲(👖)在灯柱(zhù )完成「解决(jué )」后，一个穿(chuān )著雨衣(📨)的神秘男人与(🌻)他(tā )擦身而过(🌻)。Chul-jung认(rèn )为此人形(🌡)迹可疑，上(shàng )前(🐦)查问，突(tū )然(rán )间神秘男子(zǐ )手中的利刀一闪(🔦)而过，Chul-jung眼角流血(🍆)，神(shén )秘男人亦(📤)瞬即不见了(le )踪(🗜)影。
故事(shì )发(fā(👞) )生在50年代的(de )爱尔兰，德斯蒙德（(🗨)皮(pí )尔斯·布(➗)鲁(lǔ )斯(sī )南 Pierce Brosnan 饰(👉)）的妻子离开(💿)了(le )他，留下两(liǎ(🤺)ng )个(gè )儿子和一个(gè )女儿艾芙(fú )琳（索菲·瓦(🐫)(wǎ )瓦塞尔 Sophie Vavasseur 饰）(🛑)同他相依为命(😌)。祸不单(dān )行，德(🚛)斯蒙(méng )德(dé )在(🎂)一场意外中丢掉了(le )工作，没有(yǒu )收(shōu )入的他选(🌈)择(zé )夜夜在酒(🌳)吧流连，依靠(kà(🚑)o )酒精来麻痹(bì(👒) )痛(tòng )苦的神经(✅)。
As the Franco era moves further and further into history, a number of provocative works dealing with that period from a great variety of viewpoints have begun to emerge. A remarkable portrait of Barcelona from 1945 to 1955, Carles Balagué's LA CASITA BLANCA effectively explodes the myth of a docile, rigidly controlled postwar Spain. The film details everything from the impressive rise of prostitution to support for the urban "maqui" resistance movement; events such as the visit to Barcelona by Eva Duarte Peron, the massive Eucharistic Congress and the frenzy over Olympic champion Juan Antonio Samaranch are examined in telling and even surrealistic detail. As entertaining as it is revealing, LA CASITA BLANCA shows a level of popular resistance to the regime that while it rarely came into full view, nevertheless formed a persistent backdrop to everyday life in the 50s.
恐ろしい心霊投稿(gǎo )映(yìng )像(⛺)を収録した恐(🎸)怖の作品「ほ(😳)んとにあった(⛎)!呪(zhòu )いのビデ(⛄)オ」では封印(yìn )されていた心(xīn )霊映像を紹(🤚)(shào )介するシリ(🚝)ーズの第4弾(dà(🛋)n )。
A tribute to graffiti art and the city where it all began. Blest, a 19-year-old graffiti writer, has just graduated from high school..