电影天堂捉妖记

Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan. Various stories intertwine within the walls of a popular Parisian brothel on the eve of the First World War. 本(⏲)(běn )與同(tóng )事出差(chà )到山(💲)區, 因事(🎫)(shì(⛲) )與山地(🥤)人發生衝突, 本昏迷被琴救回家(🕹)中, 醒來(🕠)感激(jī )琴照顧(gù )而互(hù )生情愫(🍑)(sù(💚) ). 本之(😸)(zhī(🌻) )公(gōng )司董(dǒng )事長女(nǚ )兒秀秀, 與(🧕)琴長得(🤯)一(🛸)模一樣(🔞), 且故意親近本. 在財富前途與愛(😜)情(🥨)之(zhī(🧘) )間(🔌), 本仍(réng )堅持(chí )不低(dī )頭(tóu ). 原(🔗)來(🔥)(lái )秀(xiù(🌈) )秀這(zhè )富家女, 假扮(bàn )山地女子(🎌)琴與本(✔)相(🤡)戀, 為試(🔣)愛郎真情, 連同父親多次(🚼)考驗本(🦊)(bě(🚋)n )之品(pǐ(📭)n )格及專(zhuān )一, 證(zhèng )明(míng )秀秀(xiù )眼(🥫)光獨(dú(⛱) )到(😂). 本專一且(qiě )老實, 最後甘心放(🧞)棄(📴)前途(👙), 到(⛷)山地找愛人琴, 琴終於透(tòu )露真(🥌)身(shēn )份(🍡), 差(🐘)(chà )點兒(⚫)氣(qì )壞愛(ài )郎(láng ), 幸好(hǎo )大團圓(⛱)(yuá(👑)n )結局(🥎). 清(✔)兵火烧少林，寺中人员伤亡惨(⏪)重(🕘)，洪熙官(🚮)（陈观泰 饰(shì )）虽然(rán )幸免(miǎ(📻)n )于难(ná(🛁)n )但(🥗)(dàn )是身(🍂)(shēn )受(shòu )重伤(shāng )，他决定暂(💧)(zàn )时偃(🚢)旗(🦗)息鼓待(💤)到他日能够东山再起，哪知道逃(🚵)亡的一(♊)路(💖)(lù )上屡(lǚ )屡遭到(dào )官兵(bīng )的(🐏)(de )追(🐞)杀(shā(👮) )。某(🏊)日(rì )，洪熙官正(zhèng )在和追捕他的(➕)官兵周(❄)旋(💥)，陷入鏖(👬)战之中，巧得方(fāng )世玉（傅声(shē(🎟)ng ) 饰(🌷)）路(🏘)(lù(🧝) )过，方(fāng )世玉(yù )误以为(wéi )洪熙(💜)官(✨)是作奸(🦀)犯科之徒，于是帮助官兵将他五(🔖)花大绑(🏓)交(🚎)至官(guā(💄)n )府。 马(mǎ )修饰(shì )演报(bào )社(💡)(shè )的新(🌒)(xī(🍙)n )闻(wén )版(🚾)主(zhǔ )编，莱蒙是(shì )他手下的王牌(👛)记者。这(👎)一(🦋)天莱蒙正要离开芝加哥到纽(💱)约(🎟)(yuē )去(🍺)跟(🔭)(gēn )他的女(nǚ )友展(zhǎn )开(kāi )新生(shē(🦀)ng )活，但(dà(🕵)n )临(💑)时发生(🌩)了(le )一宗政治丑闻，马修用尽各种(🤝)方(👨)法来(🔷)挽(🚋)留莱蒙采(cǎi )访这段(duàn )新闻(wé(😹)n )。整(📨)个(gè )情(🕹)节(jiē )就(jiù )在两(liǎng )人的拉(lā )扯之(♌)间来表(🐀)现(🕋)报界中(🐩)人对突发新闻的停不了(🤸)的热爱(🤪)心(🍷)理，由(yó(🐑)u )此延伸(shēn )了互(hù )相勾(gōu )心(xīn )斗(🍲)角(jiǎo )、(🏚)你(⏩)躲(duǒ )我寻的游戏(xì )。 未来世界(😈)，一(🌜)帮年(👂)青(🍣)的歹徒活跃在夜色里，甚至闯入(🐿)(rù )民宅(🗿)(zhá(🛵)i )胡非为(👷)(wéi )。另(lìng )一(yī )方面(miàn )，以桑(sāng )特医(🕕)生(👗)为首(🌦)(shǒ(👞)u )，正在试验一种仪器，以实现改(🔙)选(🐧)犯人的(🌄)目的。歹徒的(de )首领(lǐng )大卫被(bèi )手(😤)下(xià )人(🦎)(ré(🆘)n )背叛(pà(⌚)n )，打成(chéng )重伤手送入桑特(❗)的医院(🦒)，没(🎟)想到桑(🍑)特的女助手安娜护士自己(jǐ )就(📞)是一(yī(🕸) )个(📘)喜(xǐ )欢杀(shā )害(hài )年青(qīng )男(ná(📁)n )性(🎸)的(de )女(🐥)杀(🙁)狂...一部(bù )西班牙版的《发条橙》，安(🐿)娜的加(👈)入(😣)，让故事(🥘)在深刻性(xìng )上又(yòu )有(yǒu )所加(jiā(🚇) )强(😊)。 高(gā(🐳)o )中(🤑)女(nǚ )生江雁(yàn )容（林青霞(xiá(♊) ) 饰(🙋)）文采(🍱)出众，数理化却常常挂科，身为家(🌜)中长(zhǎ(🐾)ng )女(🥛)的她(tā(🐧) )，总(zǒng )是被狡(jiǎo )猾的(de )弟(dì(🙇) )弟欺(qī(🛅) )负(⭕)，被(bèi )偏(🐸)心的父母责骂，得不到丝毫的温(🏹)暖。步入(🧒)高(🙋)三，全校最好(hǎo )的语文(wén )老师(🎩)(shī(👫) )康南(🈂)(ná(💋)n )（胡奇(qí ) 饰(shì )）担(dān )任本班导(😺)师(shī )，他(🛅)从(🔤)雁容的(😥)周记中发觉了她的文学才华，也(🛬)了(📩)解到(🍔)她(🍅)(tā )的苦(kǔ )闷(mèn )悲哀(āi )，康(kāng )南(ná(🦖)n )开始(shǐ(🀄) )给这名(míng )细腻感性的(de )学生以无(👔)微不至(⛱)的(🕞)关怀，而(💘)雁容也对他渐生情愫(sù(🍫) )，一段(duà(🌦)n )师(🔫)生(shēng )恋(🚦)就此(cǐ )开始(shǐ )。然而(ér )，这对(duì )情(🚔)投意合(🧖)却(🧑)相差20岁的爱侣终究难逃流言(🕵)蜚(🐋)语。康南(⭐)被学校开(kāi )除，雁(yàn )容则(zé )被父(👾)母(mǔ )管(🦎)制(🦏)(zhì )起(qǐ(🏗) )来，两人只能偷(tōu )偷见面，直到康(🏙)南(👣)因此被(🖲)江母控告而不得不远走他乡。此(🚴)去经(jī(⚫)ng )年，雁容(róng )在(zài )母亲(qīn )的压力(lì(💛) )下嫁给(🔼)了(🐹)年(nián )轻的追求者李立维（秦汉(🚐) 饰），而(🏳)康(👯)南则在(🍎)乡村学校里(lǐ )迅速(sù )凋零衰(shuā(🏐)i )老，两(liǎ(💲)ng )人(🥧)说(shuō )好的一(yī )年之约还能否(🐝)实(🏎)现……(🍾) Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. 忘八者，即在吉原一代从事(🍥)色情(qí(⛎)ng )业(👳)，将(jiāng )“孝(🖌)(xiào )、悌、忠、信(xìn )、礼(lǐ )、义(🤱)、(😨)廉、耻(🍚)”这为人八德抛弃、被世人看作(📲)畜牲和(👕)无赖的人。 本(běn )與同事(shì )出差(chà(🎚) )到山(shā(🍊)n )區(♉)(qū ), 因事(shì )與山地(dì )人發生衝突(👹)(tū ), 本昏(📓)迷(☔)被琴救(🗻)回家中, 醒來感激琴照顧而互生(🏚)情愫. 本(🏳)之(♐)公(gōng )司董(dǒng )事長女(nǚ )兒秀(xiù(🐚) )秀(🥟)(xiù ), 與琴(😱)(qín )長得一(yī )模一樣, 且故意親近(😎)本. 在財(🏫)富(🍠)前途與(😙)愛情之間, 本仍堅持不低頭(tóu ). 原(🦍)來(🌩)秀(xiù )秀(😅)這(zhè )富家女(nǚ ), 假扮(bàn )山(shān )地女(😌)(nǚ )子琴(📞)與本相(xiàng )戀, 為試愛郎真情, 連同(Ⓜ)父親多(🉐)次(💡)考驗本之品格及專一, 證明(míng )秀(🥀)秀眼(yǎ(♈)n )光(🛴)獨(dú )到(🧜). 本(běn )專(zhuān )一且(qiě )老實, 最(zuì )後甘(🦔)心放棄(👃)(qì(🌝) )前途, 到山地找愛人琴, 琴終於(🔫)透(🤠)露真身(😟)份, 差點兒氣壞愛郎(láng ), 幸好(hǎo )大(🎲)團圓(yuá(🎖)n )結(⚪)局(jú ).