爱谁谁演员表

Country-Western Wildcats! Marsha Jordan – the first real star of Sexploitation –(⛸) is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’ elsewhere –(🖐) starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’ Leroy, everything gets violent. Yup, just when you think you’ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…(❣). So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! 今(🧦)井荣作是日(rì )本(🈺)广岛原爆(bà(🏵)o )生还(📿)(hái )者，一直没有告(🕌)(gào )诉两个女儿(🚠)这(zhè(➰) )事。大女儿芳(🏐)子(zǐ(🛢) )在暑(shǔ )假兼职做导游时认识了(🎛)香港(🥅)作(zuò )家李(lǐ(👪) )克强(🈳)，并帮(bāng )助他(tā(🚲) )搜集原爆生还(há(👰)i )者及(🎨)其第二代的(✍)(de )资料(liào )。芳子男友(💊)(yǒ(📣)u )木村真宗父母向(🚣)今(jī(🌂)n )井提亲，今井(😤)不(🔹)(bú )得不(bú )坦白(🍼)说(😔)出芳(fāng )子(zǐ(⬇) )是原(🌷)爆第二代，但木村(🆒)仍(🚃)深(shēn )爱芳(fāng )子，要(🎴)和她结婚(hū(㊙)n )。这时(⛄)候芳子妹妹(mèi )京(😑)子无意发(fā )现(🤩)芳(fā(🚚)ng )子并非自己(🌩)亲姊(🈳)(zǐ )姊，而自己也(yě )是原(yuán )爆的第(🎁)二代(🐣)(dài )。芳(fāng )子知(💙)道后(🈳)离家出走。芳子(✡)原是(shì )今井(jǐng )好(🎁)友冈(👕)田正(zhèng )夫的(🛁)(de )遗腹女，今井(jǐng )收(🤛)养(🧣)了她；今井(jǐng )妻(🖼)子(zǐ(🚍) )玉芬则是冈(🐉)(gā(👖)ng )田的中国情人(😚)，二(🙉)(èr )次大战和(😬)平十(👗)年(nián )后她(tā )到日(🛌)本(🍲)找冈(gāng )田(tián )，最后(🕺)郤和荣作(zuò(💅) )结婚(😂)生下京(jīng )子。芳子(⏭)发现自己已(yǐ(🔴) )患了(🔼)白血病，便决(🖲)(jué )定(🌍)把余生投(tóu )入反(fǎn )核和平运动(👝)中，呼(⏩)吁世人关注(🃏)(zhù )原(⭐)爆(bào )生还者的(😬)命(mìng )运，反对超级(🏢)大国(📜)的核子竞赛(🍑)。 While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 国(guó )际慈(cí )善会(😈)议(🚇)荣誉(yù )会长(zhǎng )的(👡)夫人(🚌)为了帮(bāng )助(🤾)残(🚅)疾患者，携(xié )价(⏯)值(🏛)(zhí )6亿日元的(🚵)钻(zuà(🦊)n )石“法老之星”来(lá(📩)i )日(🍟)展览。期间宝(bǎo )石(🌪)被(bèi )盗，考夫(⭕)曼(mà(🌹)n )夫(fū )人的女儿亦(🈹)被掳(lǔ )走。保险公司(🎙)会(huì )长众树(🆔)公威(⏩)（丹(dān )波哲郎 饰）拜托前(qián )警(🎸)视总(🐘)监岚(lán )山（(🍮)池部(🤤)良 饰）帮忙(máng )寻找钻石和女(nǚ(⬅) )孩的(🥗)(de )下落。 1973年，美国(🙉)(guó )导演JamesBridges以当年的(🛢)哈(🌙)佛法学院的实(shí(🦊) )际情(🌚)(qíng )况，拍摄了(⏫)(le )一部(bù )名叫“ThePaperChase”的电(🎋)(dià(🍊)n )影，中文翻译为(wé(🍆)i )《平(píng )步青云》。这部(🎟)无(🍋)论导演和演(yǎn )员(🐢)阵容都并非(⏫)豪(há(🦗)o )华的(de )电影在后来(⬇)(lái )连(lián )续的几十年(💉)中，一直都被(🥡)全美(📒)几(jǐ )乎每个法律系的(de )学生视为(👄)“第一(🚁)堂(táng )必修课(📛)”。 Tom Newcliffe, a rich businessman and expert hunter summons six guests to his huge country estate which he has rigged up with video cameras and a high-tech security system. He tells them and his surprised wife that they are all to stay over a weekend and that all of them will be kept on the estate during that weekend. For each guest, dead bodies have followed in their wake and the way that the dead have been murdered means that one of the guest is a werewolf and Tom has summoned his guests here to discover who it is and to hunt it down... The film has a clip at the beginning asking people in the audience to try to identify the werewolf and near the end there is a 30-second "Werewolf Break" for the audience to think over the evidence... 哪咤(🗂)(zhà )（傅声）生于三(sān )千多年前(🍃)的商(🐳)(shāng )朝，父亲李(💠)靖（卢迪(dí )），是(🧖)当(📫)时的总兵官，镇守(😎)陈(ché(🌩)n )塘关(guān )。在纣(➰)王的(de )统治(zhì )下，人(🏴)民(🚱)饱受(shòu )压迫，哪咤(🚎)总是(shì )抱打(dǎ )不(🍽)平(🥋)而闯祸(huò )，因此令(👟)其父增添(tiā(🗻)n )不少(🔐)麻烦。父子(zǐ )最终(⏫)(zhōng )水火不容，为(wéi )救(❕)全家哪咤不(🐨)惜(xī(🎏) )削骨还父削肉还(hái )母。然而，哪咤(😿)(zhà )却(🛫)为一位神仙(🥂)太乙(📑)(yǐ )真人（李允(yǔn )中）以莲花令(🛁)其复(⏮)活(huó )，并赐给(🥃)他两(liǎng )件宝(bǎo )物，去(🏭)解救(jiù )受苦(kǔ )的(🌕)百姓(🍐)。 本片由Paul Morrissey和意(🌛)大利CULT大师(shī )Antonio Margheriti(又名(❗)(mí(💆)ng )Anthony M. Dawson)联合执导，意大(dà(📀) )利制片巨头Carlo Ponti促(cù(🐉) )成(📣)了两位大师的(de )合(🤪)作(zuò )，Antonio Margheriti还兼任(🏚)特(tè(👾) )效工作，当然还有(🆖)(yǒu )监制Andy Warhol，已经无法(fǎ(🥓) )弄清(qīng )是谁(🏪)赋予(🍝)这(zhè )部(bù )伟大经典CULT电影极(jí )品(🎚)惊世(🥈)骇俗的气(qì(🛋) )质。Frankenstein是(🤟)被反复制(zhì )作(zuò )的CULT形象，而这次(🎱)(cì )更(🍅)是变本加(jiā(👳) )厉。恋尸癖男爵、疯(💶)(fēng )狂的纳粹倾向(🎠)(xiàng )科(🔹)学(xué )家Frankenstein博士(🧑)要打(dǎ )造完(wán )美(🍞)无(🛎)缺的极品男女，他(😆)收集了(le )各种(zhǒng )人(🔹)体(🈶)器官来(lái )拼装(zhuā(👦)ng )新人体，而 Frankenstein博(🕎)(bó )士(🚅)对于这些血块(kuà(🦅)i )肆意(yì )无所谓的态(😱)(tài )度使得影(🍛)片有(⤴)一种(zhǒng )Gore Comedy的风格，喜剧元(yuán )素在(zà(🔗)i )这样(👥)一部赤(chì )裸(🧣)(luǒ )血(🤥)肉的作品里时(shí )常凸现，为了赋(🈴)(fù )予(🌯)极品男人超(🤝)级(jí )淫(yín )荡的内心(🥅)灵魂以(yǐ )完成极(🅿)品男(🕔)(nán )女的(de )终极(🖲)交合，Frankenstein博士(shì )需要(⛪)物(🐷)色一个(gè )人选(xuǎ(🌑)n )然后砍下他(tā )的(📶)头(💍)(tóu )颅。他误认为跟(🚔)随强壮农夫(😦)一(yī(😂) )起去(qù )嫖娼的却(🥅)一(yī )心想(xiǎng )成为修(♋)士的同(tóng )伴(🙁)更淫(🧡)荡更善于(yú )男女(nǚ )之事，于是(shì(♐) )趁两(🚟)人酒醉时砍(💒)下(xià(👏) )那位同伴的头颅(lú )。当(dāng )再造活(👽)人之(🈁)(zhī )后(hòu )，他却(💐)发现极品(pǐn )男人居(🐍)然内向胆(dǎn )怯，根(🔀)本无(🏿)法完(wán )成(ché(🛐)ng )交合。影片中几(jǐ(🧟) )乎(🍘)每个人都(dōu )有一(🏎)(yī )颗邪恶的心，除(🐵)(chú(✌) )了Frankenstein博士之外，跟他(💽)(tā )有姐弟关(➕)系(xì(📩) )并近(jìn )亲结婚的(🐄)妻子是个虚伪，淫荡(🚼)(dàng )的女(nǚ )子(✝)，她表(⛎)面(miàn )指责(zé )强壮农夫的野(yě )合(⭐)行为(🌗)，私下却(què )要(⏸)他(tā(📟) )满足自己的(de )欲求，她还提出要(yà(🤵)o )“使用(💟)”新极品(pǐn )男(🏨)人(rén )，并出卖强(qiáng )壮(🐍)(zhuàng )农夫，最后在与(📫)(yǔ )力(🥩)大无比的人(🌎)造(zào )男人交合时(👃)因(👥)发(fā )错(cuò )指令而(⏬)被死死抱(bào )紧，断(🏐)筋(🧞)碎(suì )骨而(ér )丧命(👶)。博士的助(zhù(🦍) )手受(♟)他影响，会用(yòng )手(🌀)撕开并插(chā )入女(nǚ(💳) )人胸腔来满(🆔)足自(🍌)己的邪念，最(zuì )后却(què )使得人造(💧)女(nǚ(🥟) )死亡(wáng )，自己(🧕)也被(🕕)盛(shèng )怒的博士杀死。最令(lìng )人吃(🥊)惊的(🏈)是(shì )博士的(📥)一对孩子本(běn )想救(🍘)出农夫，却(què )因看(🥉)(kàn )见(😲)橱柜里的(de )内(🐔)(nèi )脏血块而把他(📔)吊(🕰)(diào )得更高。Frankenstein博士由(🍮)(yóu )还出演过《Blood for Dracula》中(zhō(⬆)ng )Dracula 伯(📬)(bó )爵的Udo Kier饰演，绝对(🕚)(duì )经典！ "I Wish You Love" offers a time capsule of Miss Dietrich's legendary stage act. The television special was taped in London over two days and later edited to a one-hour concert version. Dietrich wasn't pleased with the final result, saying that it "ain't as good," not on a par with her usual exellence. Still, if this late Dietrich concert doesn't show the diva at her most brilliant, it is still fascinating to watch her cast her spell over an audience and the artful way in which she manoevures their every emotion with her choreographed moves and song. She sings some of her old movie songs, war ballads and love songs. Highlights include her rendition of "Where have all the flowers gone." Written by Wolfie