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Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown. 奄(yǎ(💮)n )美群(🐜)島を(🔞)舞台(💋)に、(👯)元(yuán )映画館主の男と彼を慕う青年とが移動映(yìng )写(xiě )で島々を(🍍)巡り(🐈)なが(😡)ら織(📪)(zhī )り(😙)なす(🏖)人間(🐲)模様(😦)を、(🆕)ロー(🦀)ド・(🔗)ムー(⤵)ビー(🤷)風(fē(🖲)ng )に描(💭)いた(🏢)人情(🛵)喜劇。「男(nán )はつらいよ」に変(biàn )わって松竹の正月番組(zǔ )をつとめるシリー(🌒)ズの(😼)第2弾(🔏)で、今回は名(míng )画(huà )の引用より、劇中(😍)(zhōng )で(😧)主(zhǔ(⏫) )人公(🍭)が唄(🌎)う映(⛑)画から生まれた名曲の引用(yòng )に重点が置かれている。また、主(🔌)人公(🕳)ふた(🔢)りを(👏)除く(🐣)キャ(💭)スト(👀)は一(🤭)(yī )新(📕)され(⚾)、主(🛑)人公(✴)の姓(👲)(xìng )も(📘)白銀(♎)から(🥙)銀に(💦)変更(gèng )されるなど、厳密には前(qián )作の設定を踏襲(xí )していない。監督と原作(🏖)(zuò )は(🆗)前作と同じ山田洋(yáng )次。脚本は山田と朝(cháo )間(🔃)義隆(🏄)の「(♈)釣り(⏮)バカ(🈴)日(rì(🏛) )誌(zhì )9」のコンビが共同(tóng )で執筆。撮影は「男はつらいよ　寅次(💈)郎ハ(📈)イビ(😑)スカ(🏆)スの(⏰)花　(🔀)特(tè(🔼) )別(bié(🛀) )篇(piā(👪)n )」で(🔒)新撮(🐞)部分(🗑)を手(🙏)(shǒu )が(🙇)けた(🍬)長沼(🕘)六男が担当(dāng )した。主演は「釣りバカ日誌9」の西田敏(mǐn )行(háng )と「寅次郎ハイビス(👝)カス(🧙)の花　特別篇」の吉岡秀隆。ヒロインには「(📗)病は(⏹)気か(🍿)ら　(🏿)病院(🦁)へ行(🥧)こう2」以来(lái )5年(nián )ぶりの映画出演となる小泉今日子と、「新(✒)(xīn )　(😔)居酒(😅)屋ゆ(🕓)うれ(🦋)い」(💝)の松(🏑)坂慶(🌗)子が(😉)ふん(🤶)して(🖖)いる(💃)。 Mumbai-based Kunal Sahay has just broken up with his girlfriend, Ishita Sahani, who is about to re-locate to Germany, gets involved in an vehicular accident. No one is ready to assist him until an unknown male drives him to the hospital. A grateful Kunal recovers and returns to work with the Great Life Insurance Company and his room-mate, Rohit Sharma, an aspiring Bollywood actor. Kunal does meet with the unknown male, Raghu Satoskar, and gives him his address, and offers to do whatever he can for saving his life. A few days later, Raghu shows up at Kunal's residence, bleeding from a bullet wound. Kunal takes him to a doctor, has the bullet removed, and even loans him his car - only to have it damaged. Kunal then seeks Ishita's help and together they escort him to a nearby Police Station and fill out a statement that they had found Raghu bleeding on the sidewalk. Hoping to put this incident behind, they return to Kunal's flat - this is where Ishita will be abducted and held by goons until and unless Kunal brings in Raghu, who is an assassin-for-hire, and has just killed Dada Bhosle. With the latter in police custody - how will Kunal ensure Ishita's safe return? A thriller set in Benares, Jaipur, Mumbai and Delhi, Setters is about a racket profiteering from academic scams. The film follows a cat-and-mouse game between two good friends: one a cop, and the other a "setter" who arranges brilliant students in place of weak students to appear in examinations. ドラ(📄)えも(👅)んの(🎅)誕(dà(🍾)n )生日。のび太は「飛(fēi )行船（ひこうせん）」と「遊園地（ゆうえんち）」が(🧑)融合(🚂)（ゆ(📚)うごう）した「飛行船(chuán )遊園地」で、ドラ(🚸)えも(📦)んの(🚑)誕生(🥋)日を(🥊)祝うことができたら楽しいだろうなぁ…と空想(xiǎng )していた。 尼尔斯(💫)·施(😾)(shī )内(📈)德、(📉)阿黛(📤)尔·(🚦)艾克(🕞)(kè )萨(🥦)勒霍(🏮)布洛(🌴)斯加(♌)盟杰(🥧)(jié )西(⏱)(xī )卡(🏔)(kǎ )·(🚐)帕卢(🍴)德执导的(de )[回(huí )来(lái )](Revenir，暂译)，影片根据Serge Joncour的(de )小说改编，讲述一个(gè )男子回到久违的农场(🍰)(chǎng )，而(💅)在这(🤱)里他将和嫂(sǎo )子(zǐ )擦(cā )出不一样的火花。