Это авт(😅)о(🌓)биогра(🍒)фическая л(🥖)ента, ра(🐅)ссказ о жиз(🛀)ни авто(🏮)ра(🏡) н(🛑)ачиная(🚡) от времен(👞) д(👹)етства(⛱), эвакуаци(🛴)и(🎚) (он види(❇)т(🎓) в Алма-Ате(🚌) С. Эйзен(🔒)шт(🔣)ейна, сни(💫)мающег(✅)о к(🌬)а(🔔)ртину И(🚈)ван Грозн(⚡)ы(🥧)й), с карт(📊)инами лаге(🐀)рной жи(🧠)зни, началь(🥤)ственн(🍸)ых(💎) п(🎐)рорабо(💯)ток и впло(🕞)т(🗑)ь до про(👠)водов, муч(⛩)и(🤭)тельны(🤼)х(📡) посидело(😬)к перед(🍦) от(🗯)ъездом.
An ambitious narcotics agent relentlessly pursues a wealthy industrialist responsible for a large-scale drug operation.
Although they are only janitors at a detective agency, the boys pass themselves off as sleuths and are engaged to guard an inventor delivering a new bomb. They outwit enemy agents after the bomb and wind up sinking a Japanese submarine.
Daffy is looking forward to celebrate Easter but his mysterious animator decides to make very bad things with the three completely new episodes.
변(💕)호사 허승은 농(👊)민들(🤦)의(🛶) 사건을 다루다(🍫)가 농촌 계몽사업이(🎍) 민(😫)족을 영구히 보(🌘)존할 수 있는 유일한 길(🕙)이라고 생각하(🚥)여(🐵) 신념을 갖고 농촌에(📦) 몸을 던진다. 그(🏩)러나(🍟) 일(🎽)제 식민지 정책(🐋)에 도전하는 입장에(🕶) 처(🚺)하여 아내인 윤(⛔)정선에게까지 버림(⏲)을(🚇) 받기에 이른다(💥). 일(🕖)본인 검사 마사끼 히(🔶)로시는 허승의(🏆) 농촌 계몽운동이 일제(🚲)에 대한 항거임(🍩)을 간(📘)파(🚿)하고 그를 사상(👍)범으로 투옥시킨다(👩). 5년(✔)형을 치르고 허(📈)승이 다시 농촌을 찾았(🧢)을 때 남편의 사(🎪)업(😗)을 계속하면서 그를(⛅) 기다리고 있는(👧) 아내(😧) 윤(📂)정선을 만나게(📥) 된다.
大卫是(shì )一个(🧝)科(🉐)学家，尽管他的(🚯)(de )著作拥(yōng )有许多读(🎙)者(🗼)(zhě )，然而同行(há(🐯)ng )们(😌)却对(duì )他的学术观(👆)(guān )点嗤之以鼻(📦)(bí )。某次(cì )伊朗进行秘(🗺)(mì )密核试验，结(🍵)果导(🛣)(dǎ(🍨)o )致地球(qiú )磁极(💽)发生变化，一场巨(jù(🛃) )大(✴)的灾(zāi )难正迫(🌉)在眉(méi )睫，而这一(yī )事(🔻)实正(zhèng )与大卫(🎡)当(🏧)初(chū )的预言相符(fú(🛒) )。现在(zài )大卫必(🥏)须赶(🎋)(gǎn )紧行动起来(lá(🏣)i )，和周(zhōu )围人一起为(💞)拯(🙁)救地球而努力(🗺)……
An important part of Brazilian history, this is the story of Anayde Beiriz - as played by Tania Alves - poetess, journalist, teacher, a revolutionary in her time (the 1920s and 1930s), and known for her sexuality. Her great love for Joao Dantas triggered the assassination of Joao Pessoa, the Governor of Brazil's Parahyba State. These events were then used politically as pretext for the failed "Revolution of 1930."
Hildegard Knef gives us one of the best interpretations for the Empress of Russia. But Elisabeth Bergner with Douglas Fairbanks Jr. in "Catherine the Great (1935)" and Louise Dresser with Rudolph Valentino (!) as The Black Eagle in "The Eagle (1925)" are good as well. Sergio Fantoni is not a super-star as Fairbanks or Valentino but he is a good cast as Orloff. The ball-room scenes, the costumes and the uniforms are good (Walter Patriarca was the costume-designer). Umberto Lenzi, the director, and the script-writer Malatesta deliver us a fine historical movie with passion and adventure.